happy hour  sun shower  808 gives you power

ELECTROCLASH BUILD UP CONNECT

Ladytron 'Best of 00-10' out now on Nettwerk Records.

iTunes - http://smarturl.it/pqdrmg

Visit Ladytron Online:
www.facebook.com/ladytron
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Ladytron - Seventeen - Best of 00-10

Emerge - Fischerspooner (Daft Punk mix)

Felix Da Housecat - Happy Hour

Available on clear vinyl limited to 2000 units which are numbered

This is a collaboration between Tess Parks & Anton Newcombe (Brian Jonestown Massacre) which happened early in 2014 & the summer of 2014 in Berlin . As everyone hopefully knows about Anton Newcombe’s history we have decided to tell you more about Tess Parks.

A native of Toronto, Tess Parks moved to London, England at the age of seventeen where she briefly studied photography before dropping out and deciding to focus on music. Tess managed to make an impression on industry legend Alan McGee, founder of Creation Records, albeit the timing of their meeting could hardly have been less ideal; McGee was no longer involved in music and Tess was due to move back to Toronto. After moving back to her hometown in 2012, Tess formed a band on the advice of Alan McGee and less than a year after their meeting, he returned to music with his new label, 359 Music. Tess became one of his first six signings and released her debut record Blood Hot in November 2013 to excellent reviews. One reviewer described her as “Patti Smith on Quaaludes”. Others have mentioned her "gauzy psychedelic sound” and "smouldering voice”. Alan McGee himself said: “She’s only 24 and is already an amazing songwriter... she just doesn’t quite know she is yet … her most beautiful quality is her lack of ego. Tess is an amazing lady”.

In February 2014, she began recording with Brian Jonestown Massacre frontman Anton Newcombe in Berlin and they completed their new record 'I Declare Nothing' in autumn 2014. The record is due out later this year..

Tess Parks & Anton Newcombe - Cocaine Cat

La Femme - Hypsoline

Led Hip-Hop beats 39 !!!

Pour écouter Grand Blanc : 
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Deezer : bit.ly/21cSVef
Spotify : bit.ly/1VMEtpP
Bandcamp : bit.ly/1XUMYAF
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Pour suivre Grand Blanc : 
FB : on.fb.me/1hLHkPy 
Twitter : bit.ly/1h3Q9ya 
Soundcloud : bit.ly/1eo39P7

(p)&(c) 2015 Les Disques Entreprise 
www.lesdisquesentreprise.fr

Grand Blanc - L'Amour Fou (Sigmar Remix)

In The Shade of The Sun

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Fuck The Pain Away

Sneaker Pimps - Think Harder

Miss Kittin & The Hacker - Frank Sinatra

Le Podium #1 : La Femme
Third Side Records

Available on Digital & Vinyl 33t (300 limited copies)
Vinyl > http://www.thirdsiderecords.net/product_info.php?products_id=71&products_other=0
Itunes > http://itunes.apple.com/fr/album/le-podium-5-ep/id514172022

http://www.thirdsiderecords.net/
http://blinddigitalcitizen.com/

La Femme - Telegraphe

LCD Soundsystem - tribulations

i first heard iamamiwhoami at a restaurant in london a few years ago.  after hearing them i emailed my manager, eric, and asked 'have you heard of this band iamamiwhoami?' and he wrote back, 'yes, we manage them'.  

when they asked me to do a remix for them i happily said 'yes', as i'm a fan of theirs.  and when i heard the song they wanted me to remix i realized that i didn't want to deconstruct it and change it, but rather just add melodic and structural elements to it, to enhance what they'd already done.  

@moby

more here: http://www.youtube.com/iamamiwhoami

You can now download high quality versions of the 'y' remixes by Moby, Joe Goddard and Brodinski on Beatport, here: http://btprt.dj/12fUr4N

y remixes

y (Moby Remix)

WANT

iamamiwhoami; y (Moby remix)

"The Line" is the third single taken from Mood Rings debut album VPI Harmony. 

www.mexicansummer.com

Mood Rings - "The Line"

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Ladytron - Seventeen - Best of 00-10

Nettwerk Music Group

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