Reverse 1999 ost - Prologue battle music

cut version (it didn't quite work out the way I wanted it to...)

Reverse 1999 ost - Sotheby's mansion

Reverse 1999 ost - A nightmare at green lake battle theme

Reverse 1999 OST Pneuma Analysis Music

Reverse 1999 OST 1.9 " Me in a Bottle " Chapter 7 Boss Theme

Version 1.9 EP  Vereinsamt  Reverse 1999

Reverse 1999 - Chapter 4 Final Boss

London Dawning | Reverse: 1999 2.3 OST |

Epic cinematic background music capturing awakening dreams theme. Features soaring orchestration, emotional depth, and inspiring crescendo. Perfect for dream sequences and transformational moments.


Awakening Dreams

March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Reverse 1999 - Chapter 4 Final Boss

Netzach

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