nice to hear a reggae track. you have some nice drums and brass sounds but the high-hat is nearly painful.

Absolutely stellar and nuanced percussion. Fantastic work.

The hat is a bit too chirpy for my taste, other than that a great track and superb sound design

sound design is excellent, I'm in awe at those drum sounds

Great sounds and this voice-imitating lead sound is very unique. The vibe is very authentic.

What is it with you people trying to get me depressed by sending huge summerish vibes into the heart of the freaking winter. Summer is still too far away here! Anyhoo solid dub track, nice work on the sub section plus the classic dub/reggae percussion fill ins are spot on.

KVR OSC Personal Top Three

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

Here's my OSC for the spitfire labs BBC Orchestra made in bitwig. I decided to do something different.

made with 77 instances of BBC Orchestra with the following plugins:
Paid:
Adptr Metric AB
Adptr Sculpt
Delay Eternity
Ozone 9 elements
RESO
Scaler2
Shadow Hills Mastering Compressor
SmartComp 2
Spread
Snapheap
TDR Limiter 6 GE
TDR SlickEQ M

Free:
Airwindows Air2
Airwindows Texturize
Airwindows toTope5
FreshAir
kHs Trance Gate
kHs Transient Shaper
ShaperBox 3
STFU
TDR Nova
Valhalla Supermassive

Bitwig:
Arpeggiator
Convolution
FXLayer
Mid/Side Split
Note Fx Selector
Note Transpose
Instrument Layer

The Light Windows

My entry for KVR One Synth Challenge #166.  This month it's Wave Manuel, a quirky but very flexible synth. Really surprised at the tones that came out of it.
Recorded in Reaper with 16 instances of Wave Manuell, and some free and native FX. All sounds produced with Wave Manuel.

OSC166 - Wave Manuel

One Drop Manuel

Here's my December OSC for the Wave Manuel Synth.

Made in Bitwig with the Following VSTs.

64 instances of Wave Manuel (although a lot are duplicated for detuned layering)

VST:
Airwindows MackEQ
Khs Trance Gate
Khs Transient Shaper
HY Delay 4 free
Limiter no6
STFU
Supercharger
TDR Kotelnikov
TDR Nova
Valhalla Supermassive

Bitwig:
Delay+
Drum Machine
EQ+
FX Selector
Instrument Layer
Mid Side Split
Note Repeater
Note Selector
Note Transpose
Ricochet

April City

Disquiet Junto Project 0575: On Ice
The Assignment: Record the sound of ice in a glass and make something with it.

I always wanted to do the ice project, but year for year I missed it because of … reasons. Last year I even build a diy hydrophone (see here https://www.instagram.com/p/CXoJtm5tR_w/ ) for this project (and missed it again). Now I tried to melt the ice with the frozen contact mic inside, and record it 'from inside'.

I made some videos: In the “red part” of the video I hoped to create (and record) a crack in the ice, in the “ice inside a glass” part you may even see the bubbles of noises you will hear in my track (not in the video, it's meta only): https://www.instagram.com/p/CnFbiOiNIV3/

The results were … unspectacular. By whatsoever reason the ice didn't click or make interesting noises and because I had to amplify the signal from the contact mic of the hydrophone, there was a lot of noise and hum in the Zoom H5 recording. 

I used a 1 minute sample from the recordings, reduced the noises and the hum and tried to isolate the sound of the slowly melting ice, which was a sound between cooking water, eating popcorn, burning wood. It didn't work well, because the noise frequencies were mostly on the same range. But you can hear them in the background noise floor, which I doubled time-displaced for having stereo. I added some Supermassive FX, because it worked.

I could have lived with that alone, but decided to add some bass. Fortunately there was the f…ing 50Hz AC humming in the recording, which I had filtered for the melting ice noise tracks – and which I amplified for the bass track. Maybe not the most interesting bass lick, but I liked it for its endurance. 

I used another, unfiltered version of the sample to add rhythmic elements with the help of Audiomoderns Stepfilter and Gatelab plugins, which are always nice for something like that, and here I used two instances with different speeds (1/4, 1/8T) for creating some unexpectedness.

I think I clearly failed recording "ice in a glass". Next try next new years eve … but I really like the resulting track, because all is made with a single noisy humming 1 minute recording sample. If someone wants to add some solo or remix it – be my guest ;-) 

---

More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

Krakenkraft On Ice [disquiet0575]

El Tiempo No Espera

Disstrack pour Flopzer

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Title : The Bhagavad Gita
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Rating Book : 4.16
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Hi, lately I’ve been working a lot (for a professional assignment) on orchestral soundscapes, so my previous Soundcloud shares were done using sample libraries, a friend’s cello performance and my own upright basses (using my bow)

This one, recorded yesterday and edited and finished today (Friday the 27th Oct 2023 is just me and my multitracked bowed bass , to achieve a noisy, creepy tone I didn’t use any rosin on the bow, so i could get some nasty tones bowing very hard and all around the strings. It was fun, just improvising one track on top of the previous and playing around some cathedral convolution reverbs, a Lexicon Hall at 18 seconds and one instance of the great Valhalla Supermassive (always useful for this stuff, with the right settings it transforms a noisy harmonic into a gorgeous sustained pad )

This one’s dedicated to William Burroughs and is called Rotten Ectoplasm.
Happy Halloween to everybody.

https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape

Rotten Ectoplasm (disquiet0617)

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

More on this 624th weekly Disquiet Junto project, Fresh Pair (The Assignment: Combine two influences, however disparate they may be), at: https://disquiet.com/0624/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0624-fresh-pair/

The photo of the painting, by Joseph Siffrein Duplessis, of Benjamin Franklin is in the public domain. The photo of Fernando Pessoa in the public domain.

Fresh Pair

Disquiet Junto | Fresh Pair - disquiet0624

One Synth Challenge 179 @ KVR. Sequenced using 35x instances of Universal Audio PolyMAX Synth.

BIZ (Osc179 - UAD PolyMAX)

It's my submission to KVR's One Synth Challenge #179, featuring Synthmaster3 synth by KV331 Audio

Wave Caster

One Synth Challenge 181 @ KVR. Sequenced using 30x instances of SurgeXT.

One Drop Manuel

NeverBeenInARiot

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