This song was made specially for a project by BOA Design for Preciosa connecting light, glass and sound. Everything you hear in this track is only voice. Besides melody and harmony line I was layering my voice or it's fragments and made loops or samples of it which than create rhythmic section or they stand for another function or instrument.
The glass and light were created based on the voice parts- the light fills the glass as the harmony and melody changes.

You can find more here:  www.facebook.com/boadesign.cz

Time Walk With Me

I would like to share with you my new EP " Tell The Sea I'm Coming Back'' which is a hybrid album between a pipe organ live concert recording and a studio recording. It is also a portent of the next LP I am finishing now, that will see the light of the day hopefully very soon. I hope you will enjoy listening of these three pieces and find many emotions that will carry you to some nice place, to your own sea. I am happy that I found peace inside and courage to release it into the ether and that I can share it with you. I feel it as a subtle release that is hoping to find it’s way to those hearts that will resonate with it. -

TAPES AVAILABLE THROUGH STONED TO DEATH BANDCAMP <3
stoned-to-death.bandcamp.com/album/tell-the-sea-i-m-coming-back

Core element of this new ep by Never Sol, pipe organ, was recorded in reconstructed remains of an old baroque church of the Exaltation of the Holy Cross (Povýšení Sv. Kříže). Built in the early eighteenth century directly after black plague pandemic, the church has seen its active years between 1717 and 1839. After more than century of dilapidation its reconstruction begun around 1950’s, but it was not before 1984 that the church was brought back to live and established as Prague’s key cultural point, which nowadays goes under name Atrium Žižkov and its know for its concert hall with double-manual pipe organ.

In winter and spring of 2023 Sára Vondrášková, known under Never Sol moniker, has attended sixt months residency at Atrium Žižkov. Never Sol’s attraction to pipe organs rose from its theoretical similarity to modular synths, which are her key instruments nowadays. Colors, tones, length and depth can be all altered and controlled by a focused player almost in similar manner one is controlling his modular rig. But it was also its heaviness, meditative and spiritual elements of pipe organs for which Never Sol fell for. During those six months she has practiced and crafted her pipe organ skills and finished her residency with a live set of pipe organ compositions. This live set got recorded, but releasing a live album was not a plan. Still, Never Sol did not really want to let go of this lengthy experience and as a memorandum decided to edit certain organ parts and finish them up with additional synth layers (Prophet 08 and Soundfreak) recorded in her home studio and live vocals recorded at the church.

Result, 23 min long mini album Tell The Sea I’m Coming Back invites listeners to undergo Never Sol’s experience from her church residency. But it also functions as an intermezzo between her last album (2018) and the upcoming new one coming out in 2025. In the period of the last six years, Never Sol has shifted her focus fully on modular synths, which are now at the forefront of her songwriting process.

Released on cassette in edition of 80 copies. 

LET ME GO

PATTI

TELL THE SEA I'M COMING BACK

new video here:
https://www.youtube.com/watch?v=F-Tw7Bj6Bkg

Roza

Chamaleo

Blue Dress

Haptic (TouchieTouchie + Never Sol)

We Can Be Hungry

Moving In Sleep

See - Through Eyes

Magony

Trees

Swallow The Moon

The word LEON stands for freedom, resilience, strong wind in your hair and never ending horizon. It's dedicated to all who keep on fighting for their own version of LEON in whichever context they can find themselves.

LEON

Never Sol is the alias of Prague-based musician, composer, and producer Sara Vondrášková. With modular synths and vocal at the forefront of her creative process, she creates emotionally charged compostitions that fuse analog synths, reverb-heavy production and cathartic vocal textures.

Once rooted in cinematic dark pop, her music has shifted into a more heavier, noisier sound full of distortion- processed vocals are treated both as narrative and abstract sonic elements and rythmical foudnations lay grounded in heavy industrial drums. Built on feedback, drone, glitch, and deep introspection, her new language embraces fragile resistance, vulnerability and existential sonic urge that’s marked marked by the post-industrial grit of Eastern Europe.

Her latest release Tell The Sea I’m Coming Back (Stoned to Death) is a 23-minute long mini album consisting of three compositions for pipe organ and voice. With solo project Never Sol she released two studio albums: Under Quiet (Denovali Records)  and Chamaleo (Supraphon) with which she toured in Europe and performed in venues and festivals like Lunchmeat Festival, Superbooth Berlin, Eurosonic Noorderslag, Pohoda Festival, Colours of Ostrava, Electronic Music Festival EMAF Tokyo, Knockdown Centre, Union Pool, Alphaville, Non Plus Ultra, Open The Portal, Essen Denovali Festival, Haldern Pop Festival and more.

Never Sol

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