HF 20 POTENTIALS

AVA. Records celebrates its 10th anniversary with 52 artists. 10 Yahre is a 4LP compilation housing 22 tracks, a printed 30 pages magazin and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany.

Order here: https://avarecords.bandcamp.com/album/10-yahre

The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey.

The mixed version of the entire compilation is contributed by Sally C.

The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, The Necromantic Antibeat, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron Harouche.

Compiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989. Manufactured in Berlin, Germany.

10 Yahre

Buy AVA.XL002

Axel Boman - Don’t Breathe Yet

NK47
GRAZE
"EDGES" LP

1. Skip/Crush
2. Cold Drop
3. Airror
4. Scrap"
5. Stack Array"
6. Ripley 
7. GoldN
8. Oath

All tracks produced by Christian Andersen & Adam Marshall
2099

HCSVNTDRACONES

graze.cc
newkanada.com

Buy @ iTunes

GRAZE - "Skip/Crush"

Francis Harris’ Thresholds album dropped on his own Scissor and Thread, garnering rave reviews for an album steeped in atmospheres, drone textures and electro-acoustic explorations. 

It’s an album far removed from the dancefloor, but he’s also managed to curate a remix package from some of the most talented and boundary-pushing artists active on the fringes of the electronic music space. 

First up is Manchester resident Hidden Spheres’ remix of Earth Moves, which is flipped into a pulsating slice of electronica. 

Yu Su, the up-and-coming producer currently living in Canada, takes the same track on a different journey, resulting in a slinky, affecting piece of music that eventually falls into a deep groove.  

Speaker Music - the moniker of ‘rhythmanalyst’ DeForrest Brown, Jr., delivers two reworks of the albums title track Thresholds. The Rhythm Remix focuses on the original’s brass washes, and adds a thick, playful bass rhythm. The Studio Soul remix is more a freeform piece of audio manipulation and editing, resulting in a transportative piece of work that fully compliments the original track. 

www.facebook.com/francisscissor/ 
www.instagram.com/francisscissor/
www.facebook.com/hiddenspheres
www.facebook.com/yusuyvr/
www.facebook.com/deforrest.brown www.facebook.com/scissor.and.thread.nyc/ www.instagram.com/scissorandthread/ www.youtube.com/user/ScissorAndThread

Francis Harris’ Thresholds album dropped on his own Scissor and Thread earlier this year, garnering rave reviews for an album steeped in atmospheres, drone textures and electro-acoustic explorations. 

It’s an album far removed from the dancefloor, but he’s also managed to curate a remix package from some of the most talented and boundary-pushing artists active on the fringes of the electronic music space. 

First up is Manchester resident Hidden Spheres’ remix of Earth Moves, which is flipped into a pulsating slice of electronica. 

Yu Su, the up-and-coming producer currently living in Canada, takes the same track on a different journey, resulting in a slinky, affecting piece of music that eventually falls into a deep groove.  

Speaker Music - the moniker of ‘rhythmanalyst’ DeForrest Brown, Jr., delivers two reworks of the albums title track Thresholds. The Rhythm Remix focuses on the original’s brass washes, and adds a thick, playful bass rhythm. The Studio Soul remix is more a freeform piece of audio manipulation and editing, resulting in a transportative piece of work that fully compliments the original track.

Earth Moves

Francis Harris - Earth Moves (Hidden Spheres Rемiх)

TIME SPLITS

Video here - https://www.youtube.com/watch?v=HUV-B0VsdDI

Completing a triptych of fantastic LPs for 2016, Will Saul’s Aus Music is delighted to announce the debut full length fromYouandewan. The Berlin based Brit’s ten track ‘There Is No Right Time’ lands in October 2016 and shows a distinct development of his musical style.

Youandewan is Ewan Smith, a DJ and producer who has quietly but consistently gone about forging his own tender brand of deep house. He has been doing so since 2009 and most recently settled on this label with tracks that are shy but seductive, and full of both motive and emotive forces. This album stays true to that narrative, but sees Ewan finding his feet with his mostaccomplished and elegant work to date.

Much of the music was sketched out during a wintery Berlin three years ago. Having left London, hungover from a breakup,Smith found himself broke and secluded in an apartment for four months. All this lent the music he wrote a melancholic vibe;one that nods to the lonely nature of the job and to the darker side of constant partying and all that comes with it.

A swelling, expansive piece of melodic atmospherics starts things off, then the soft hues of analog chords bring a neon glow to

the weightless whirl of ‘Be Good To Me, Poly.’ Soaring synths marry with a raw drum and bass combo on “Waiting for L,’ then ’Time To Leave (Can’t Mix)’ resets to a piano laced beatdown vibe that is wilfully wallowing. ‘10405 (Alice)’ is a shimmering, crescendoing piece, and from there the second half of the album begins to take an upward and optimistic swing through the floating, graceful harmonies of ’Our Odyssey.’

‘Something Keeps Me Real Quiet’ is a concession to the ‘floor with its rusted electro slither, ‘Left On Lucy’ calls upon friend Huerta for a hi-tech soulful house cut Derrick May would be proud of, and 'Earnest Kelly' nods to the ‘80s with its stomping retrosynthesis. Finally, ‘4D Anxiety’ allows all the pent up emotion and energy to dissipate with a playful hip-hop jam effortlessly tapped out on an MPC.

‘There Is No Right Time’ is a listening album which proves that deep house done well needn’t be reserved for the club. It’s a vulnerable and musical work that stays with the listener long after the final chords have dissipated.


There Is No Right Time

Youandewan 'Waiting For L'

buy on iTunes: rhythmsection.lnk.to/RS015
buy 12" and digi on bandcamp: http://bit.ly/rs015_bandcamp

Rhythm Section look to Poland once more for two of the most uplifting tracks of the year. Earth Trax (known for his productions as The Phantom & one half of Ptaki) and newcomer Newborn Junior pull two absolute classics out of the bag here that do what they say on the tin. Both Sax Track and Flute Track centre around ecstatic MIDI melodies on (you guessed it) Saxophone and Flute! Falling somewhere between the late night deep house excursions of Ron Trent (circa Morning Factory era) and more recent retro-leaning breakbeat driven output from the Pender Street Steppers et al, the Sax & Flute EP is a masterclass in sustain-release. Euphoria Guaranteed - or your money back!

Sax & Flute

Earth Trax X Newborn Jr. - Flute Track

Ever since we heard Cleveland's 'Travelguide' EP on WHITE we've kept an eye on the upcoming producer and we premiered the beautiful 'Snake Charm' two years ago. 

His edit of 'Dystopia' though may be his best yet and it's an eerie, twinkling track that paints a dream-like landscape for the ears. What starts as a delicate and soft cut soon progresses into something with far more weight and fervour.

She Thought She Would Last Forever Remixed

More exclusive music

Premiere: Abstraxion 'Dystopia' (Cleveland Remix)

Each Moment a Diamond EP

Roland Tings - "Slow Centre"

The dim glow cast a hazy flourish of light across the early morning sky. Soon it would fall beneath the surface of sight and the soft moon would vanish into the warm blue of daylight. In the greenhouse the flowers began to blossom and awaken beneath the first hint of the morning glow. The glass flickered beneath the glimmering beams and the murky green shadows within were illuminated and set alight. The rest of the park was quiet and still as the day broke. The night was gone. 

Coastdream is set to release a debut EP on X-Kalay who have consistently released music of supreme quality. This one is a sun kissed, summer ready house track with sublime form.

PREMIERE: CoastDream - Soft Moon [X-Kalay]

The punches kept pouring down. The reign of terror was well underway and the blows were terrifyingly fierce. The stadium was alive with the sound of cheers and groans, vagabonds and the rich had gathered to observe the greatest fight in decades. This was to be a historic day, a titan was predicted to fall. The ring glimmered beneath the shining lights and the padded floor bounced beneath the weight of the two warriors. Pow, pow, pow, bang, bang, bang. 

Fango steps up to remix "Pow Pow" as part of the Rebolledo reworks album. "Re-Alterado" features fresh takes on several of the album tracks with the likes of Red Axes, Maceo Plex and more all featuring.

PREMIERE: Rebolledo - Pow Pow (Fango Remix)[Hippie Dance]

DJ Koze exists both above and beyond club culture as we know it – his albums and remixes flying free from genre and trend – and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.

Thus he could create an enduring club tune like 2015's “XTC” that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the knock knock album, which melts a million genres and none into one another, can comfortably include “Seeing Aliens”.

“Seeing Aliens” unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.

The exclusive b-side track, “Nein König Nein” (“No King No”!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

Pampa030

DJ Koze - Nein König Nein (Pampa030)

Edmondson - We Have Love (Dauwd Remix)

Fire

Fire Fire

permvac 101-1 John Talabot fin remixes vol. 1 out oct 26th with Remixes by Pachanga Boys, Bullion and Kenton Slash Demon.

JOHN TALABOT " WHEN THE PAST WAS PRESENT " PACHANGA BOYS PURPLE REMIX

Pender Street Steppers Productions (PSSP) proudly presents a sweet new double single. Please enjoy and thanks for everything.

https://penderstreetsteppers.bandcamp.com/album/our-time
https://moodhut.ffm.to/pss-ourtime

1 - Falling (Vocal)
2 - Falling (Dub)
3 - Our Time (Vocal)
4 - Our Time (Dub)

Our Time

MH023 - Pender Street Steppers - Our Time

Taken from: Barnt - What Is A Number, That A Man May Know It? (Magazine 2)
https://magazinecologne.bandcamp.com/album/what-is-a-number-that-a-man-may-know-it

GRAZE - "Skip/Crush"

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