Ufffff that beginning is great. Another 10 track, fantastic production and arrangements.

a heartfelt tune!  nice clean guitar tones and patterns; you make some really great choices of drum patterns going from half time to straight up and then ultimately a tom tom pounder -- it gives a lot of life and unpredictable energy to the tune

Hey Ben. Really fantastic and absolutely catchy song! Love the positive vibe of your music. Great vocals and  lyrics, as always. I also like such guitars that are well set in rhythm! Impressive work! Cheers 😎🎸

This guitar part reminds me of Adrian Belew for some reason...this is such a great song...so many excellent touches and transitions! This needs to be on the radio.

great sound on this gem. The solo work volume pedal sound  is creative

damn, loving the all the instruments and the feeling this track creates. Awesome song!

(Song Terry Reeves, Lyrics Janice Slater)
Terry Reeves: Vocals
Gary Reeves: Vocals, Congas, Drums
Hans Albers: All other instruments, Arrangement & Production

Cover pic from Janice Slater's personal archive.
Arterial-flow – Rive-gauche
australianjazzrealbook.com/artists/janice-slater/
bentenlaughing.blogspot.com/
www.reverbnation.com/janiceslater

I arrived in London in early ‘71 and landed on the Holland Road, Shepherd’s Bush not long after.
My good pal Julie Lewis (from Durham) with whom I’d worked with in Sydney, had digs there and invited me to stay. Nonetheless I found it a challenging place to be after Sydney, Summer, beaches, family and gigs. Amongst Julie’s record collection was Nick Drake’s 'Bryter Later' which brought solace to me as I often felt very alone and completely at a loss as to how to navigate London town.

Years later I was to learn that Freddie Mercury was living just a few doors down from us on the Holland Road...no I never knew him...but when I wrote the lyric it seemed apt to pay homage to Freddie and our collective dreams. I’m so happy with Cripple Club’s interpretation of the lyrics, bringing to life a musical collage that depicts the highs and lows of living on the Holland Road through my first cold winter! From my heart; thank you Terry & Gary Reeves; you are two soulful & gifted brothers; I feel so indebted to you both and to Hans Albers for his powerful musical contributions. Thank you, everyone, for listening. (Janice Slater)

Having been such a good friend to us over the years, it has been such an honour to work with Janice on this song. It is dedicated to every one of the beautiful friends we have made here on the Cloud. Thank you all for the support you have given to our music. The last ten years have been filled with such wonderful memories. Much love to you all. (Gary & Terry Reeves)

I’m standing on the fraying edge
Of golden russet gown
Everything’s evolving
Spinning and turning my head around

A familiar voice insulted
And 'Bryter Later's so understated
There’s evidence of a circumstantial nature
But once again, I don’t feel the danger

(Spoken) But now I’m declining all invitations...

I hear the doorbell
But there’s just a stranger
Standing on the fraying edge of fear
Of a city without pity and you’re not near

Freddie he’s walking
Heading down the street
Just like me
The snow and sleet under his feet

Oh but we’ve yet to meet
Looking down the Holland Road
Nobody can see us
Standing on the fraying edge

(Spoken) I was just like you Freddie, looking for that song...

Or three or four
We are looking for salvation
On the Holland Road
And Shepherds Bush Station

Freddie he’s still walking, heading down the street
Just like him, singing music for trick or treat

(Spoken) Oh but we’ve yet to meet…

GUITAR BREAK

(Spoken) Just around the corner from…
Portobello Road
On the fraying edge (repeat x 8)
Of a fraying town

THE FRAYING EDGE - CRIPPLE CLUB, HANS ALBERS & JANICE SLATER

“This is me expressing how much I love and am grateful for my family, our life together and that I need them and appreciate them dearly”. 

I’M SO HAPPY I FOUND YOU 

Dreams are all I’ve known
Universe can you hear me? 
Hear me loud and clear? 
Find me who I know is out there for me 
Hit the best shot you’ve ever made 
I can appreciate what’s worth having don’t come easy
No, it won’t come easy and…

I’m so happy I found you
I’m so happy I found you 
I count my blessings I have you here with me
I’m so happy I found you 

You are everything 
I love you all so dearly 
Know that you are always there right with me 
I appreciate you are all that I need for my whole entire life, yeah and…

I found you

© Heart House Records 2024

Written, performed, recorded, produced and mixed by Heart House Records
Mastered by DOLBY

I'M SO HAPPY I FOUND YOU

A big Thank You to https://soundcloud.com/mike-krath for providing this wonderful instrumental, mixing and mastering. I enjoyed a lot to write and sing along

One Thing

Oh, ohh
Well, well,
There are many things, that we can talk about
And there are lots of things
And there are lots of things that we don’t talk about
And there are some things
There are some things completely covered out
And there are not many things
And there are not many things that i would sing out loud
Not so many things

And when I close my eyes
It's nearly out of sight
And when I plug my ears
the words are barely to hear
And when i shut my mouth
There’ll be no coming out
Without a mouth
There’ll be no coming out,		(3)
No…

Well, there’s so many things, we can’t talk about
And there’s so many things we’ll never figure out
But there is one thing, i love to sing out loud
But there is one thing,

But there is one thing,
I’d love to sing out loud
I love to sing out loud…

One Thing (wt Mike Krath)

Texte Français et Google traduction
ELLE AVANCE DOUCEMENT

Marquées sur le visage
Des traces de souffrances
Un mal bien avant l'âge
Pourquoi ce manque de chance
Que dire d'un accident
Un mauvais coup du sort
La perte d'un enfant
Parti si vite et mort

Dans toutes ses blessures
Qui l'on marquées à vie
Nombreuses autres brûlures
Lui prennent le cœur aussi
L'absence d'amour
Qu'elle n'a pas accepté
Depuis ce triste jour
Quand lui, il a quitté

Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

Elle se refait une vie
Toute simple et ordinaire
Dans ses pensées aussi
C'est une douce mère
Mais là-haut bat son cœur
Elle n'oubliera jamais
Mauvais jour de malheur 
Fait de mal et regrets

Elle reste à exister
Et toujours comme elle peut
Essayant d'avancer
En faisant de son mieux
Car ses autres petits
Qui eux n'ont rien à voir
Font aussi toute sa vie
Et mérite ses regards
 
Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

Elle se fait vivre ainsi
Malgré toutes ses traces
Et attend qu'aujourd'hui
Que le malheur s'efface
Doucement dans sa tête
Pour reprendre un chemin
Et revivre peut être
Ne voyant que demain

Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

SHE MOVES SLOWLY
Marked on the face
Traces of suffering
An illness well before its time
Why this lack of luck
What to say about an accident
A bad twist of fate
The loss of a child
Gone so quickly and dead

In all his wounds
Who marked them for life
Numerous other burns
Take his heart too
The absence of love
That she didn't accept
Since that sad day
When he left

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

She's making a new life
Very simple and ordinary
In his thoughts too
She's a sweet mother
But up there beats his heart
She will never forget
Bad day of misfortune
Hurts and regrets

She remains to exist
And always as she can
Trying to move forward
Doing your best
Because his other little ones
Who they have nothing to do with
Also do all his life
And deserves his looks

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

She makes herself live like this
Despite all its traces
And wait until today
May the misfortune fade away
Softly in his head
To get back on a path
And maybe live again
Seeing only tomorrow

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

ELLE AVANCE DOUCEMENT

Scott & Chris @ their Finest 4 Your Entertainment :)

Soul Doth Cry

How far have i gone 
What is this road i’m on
That leads so far from home

Are you here with me now, 
Now that i need you, No, 
i lost you long ago

And I’m barely hanging on 
I need to find the way today
And darling, I miss you so
just give me a sign and lead the way

If it’s the last thing i do I’m coming home to you
back where i belong
I’ll find the way No matter what it takes
down this road so long
You don’t know what’s here till it's gone

In some other life, Or maybe a distant dream,
that i don’t quite recall
But I close my eyes, and i’m there it seems
where you and I had it all

The sound of the children play
And the dogs out in the yard  
The fragrant flowers bloom away
It all seems so near and yet so far

If Its The Last Thing I Do

Cast of Characters:


Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective


This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones  (Eclectic Collective)

Reminiscence of Chief Joseph and the Nez Percé war 1877.
Some words about the historical background can be found here:
https://www.britannica.com/biography/Chief-Joseph

The lyrics are in part an excerpt of the original words which Chief Joseph spoke to his followers of the Nez Percé, when they finally surrendered on October 5th, 1877.


In the shadows of our fears,
We’ve shed too many tears.
Now it’s time to break free,
From the chains of enmity.

From the battles we have faced,
We’ve learned the costs of hate.
But in forgiveness we’ll find strength
To go beyond this war at end.

What he told me before
I have in my heart. 
I am tired of fighting. 
Our chiefs are dying.

Maybe I shall find them among the dead.
Hear me, my chiefs, I am tired.
My heart is sad and sick 
From where the sun now stands
I will fight no more forever.

The storm raged hard and broke our souls
The years of war did take their toll  
The face of yours turned into grey
No saving shores in any way 

What he told me before
I have in my heart. 
I am tired of fighting. 
Our chiefs are dying.
Maybe I shall find them among the dead.
Hear me, my chiefs, I am tired.
My heart is sad and sick.
From where the sun now stands 
I will fight no more forever.

Fight No More Forever

Original by Neil Young 1977
Drums, bass, vocal & mix : Little Man Project
All other instruments : PdB Orchestra

Like A Hurricane, W/PdB Orchestra

ⓒ Copyright 2024

Walkin around, it's once a year
Knocking on the Door, livin in fear
Taking sweets, from the people they meet
Thats the idea of trick or treat

Halloween, Halloween
I don't care,  what you have seen
Halloween, Halloween
The faces out there, will turn you green

Walking Around, With a face mask
Scary Voices, it's a hard task
Shadows Whisper, In the dead of night
knocking on the door, seeing a light

Halloween, Halloween
I don't care,  what you have seen
Halloween, Halloween
The faces out there............

Every time i see the night
It always gives me a fright
I dont think i'll be there tonight

Halloweeeeeeeeeeeeeen,  halloween
Halloweeeeeeeeeeeeeen,  halloween
Halloweeeeeeeeeeeeeen,  halloween

ⓒ Copyright 2024

Halloween (with Lyrics)

Original by Nick Cave & The Bad Seeds 2003

Drums, Bass, vocals & mix : Little Man Project
All other instruments : PdB Orchestra

Nature Boy W/ PdB Orchestra

“A Music Fanatic, Songwriter, Producer, Mixer and Guitarist creating songs for the pure joy of it. I love to include my Wife and Daughter in my Music to capture a beautiful moment; a personal time capsule. Music is an expressive outlet for me and I write from the heart.”

HEART HOUSE AND THE NEW KINDNESS, 2025

Contact | hearthouserecords@hotmail.com

I'M SO HAPPY I FOUND YOU

HEART HOUSE AND THE NEW KINDNESS.

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