Like the bass line and then the rhythmic synth!  And those wishy washy vocal effects🎤😎🥁🎹

Awesome vocals & sounds. Full of intrigue.

The laugh reminds me of Keep on Lying by Tame Impala. Hits rhe nastalgia buttons

good synth melody!! nice Happy music! I feel the happy!!✨🙌✨

Very unique sound with a positive vibe. Great!

Beautiful synth/strings combination with a nice Georgio Moroder beat.

Un morceau plein de Menergy , mais vous n'étiez pas nés 😁 ( Patrick Cowley )

The Alpha and The Omega Acoustic

Acid Garden

Happy

Suspensex

I'm all for having a good time, I love to party, but look after yourself and those around you.

Bright Light. 

HARD LIQUOR WAS THERE TO TEST ME 
AN ANGEL WAS SENT TO BLESS ME 
THEN THE TIDE CAME IN, WASHED OVER EVERYTHING

MAMA COCA WAS OUT TO GET ME
TRIED TO LEAVE BUT SHE WOULDNT LET ME
PRAY THE WIND GETS UP N BLOWS AWAY EVERYTHING


DON'T LOOSE YOUR SOUL MY FRIEND
CAN'T REMEMBER ANTHING AFTER TEN
BRIGHT LIGHT DON'T WASTE YOUR LIFE AWAY
DON'T LOOSE YOUR  SOUL MY FRIEND
CAN'T REMEMBER ANY PLACE YOU'VE BEEN
BURN BRIGHT STAR LIGHT FIND A WAY

HARD LIQUOR WAS THERE TO TEST ME 
AN ANGEL WAS SENT TO BLESS ME 
THEN THE TIDE CAME IN, WASHED OVER EVERYTHING

MARY JANE WAS THERE TO GREET ME
IN HER ARMS I CHILLED COMPLETELY    
THEN THE CLOUDS CAME DOWN AND I FORGOT ABOUT EVERYTHING

DON'T LOOSE YOUR SOUL MY FRIEND
CAN'T REMEMBER ANTHING AFTER TEN
BRIGHT LIGHT DON'T WASTE YOUR LIFE AWAY
I SAID DON'T LOOSE YOUR  SOUL MY FRIEND
CAN'T REMEMBER ANY PLACE YOU'VE BEEN
BURN BRIGHT STAR LIGHT FIND A WAY

DON'T  LOOSE YOUR  SOUL MY FRIEND
CANT REMEMBER ANTHING AFTER TEN
BRIGHT LIGHT DONT WASTE YOUR LIFE AWAY

Bright Light

Kit: Hammerhead, volca fm, uKORG, Jamstik, Air (eno), Teraverse, SynthMaster One, Logic Pro X.

Acknowledgements:
Vocals - 
(1) Modified excerpts from “I Am Stretched On Your Grave” traditional 17th century Irish folk song (unknown) sung by queeniemusic (Kimberly Steele) (2009). Licensed under a Creative Commons Attribution (4.0) license (CC-BY).
(2) Field recordings from Valencia. Hotel rooftop bar guitar duo, church choir, accordion busker, people.

Cover Art - Detail from “Far from here” by Klara Kristalova, which features “Beast” (2019) and “Watching the sleeping woman [after Rousseau]” (2017).

Stretched On Your Grave (ft. queeniemusic)

Pacific - Rhythm of the Ocean

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Unsinn by WÜST

5/5 2023 Friday evening

Picture
Wolf - Rayet star

Mirage

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Striving For Excellence

All songs are composed for and first played with real instruments. However sometimes, we use several vst instruments to improve the sound.  We experiment with electronic/EDM sounds and effects, alienate natural instrument, sometimes make it sound more electronic.
We are the rest of a musician group, quite a few years ago (at school), actually instrumentalists, 2 female, one of them piano, oboe, the other piano, clarinet, 1 male, all kinds of guitar, also bass and ukulele. The other two are unfortunately missing now (1 female who was our main singer (bad luck, so we have only us - background singers) and violin and 1 male, also guitars). Occasionally there is a real electric guitar or bass, but probably not recognizable as such. So now we sound quite different than before or, at least here...before starting here, our style contained different elements, folk, classical, pop-Rock, sometimes also Hard/Punk-Rock or Metal. When we play live, we still have that sound. We hope some people like our music here!

Happy

NewOldClub

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