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The Gossip 'Standing In The Way Of Control' (Gareth Wyn Remix)

Love is the Message

Promised Land

Juno Records Review:

Edoardo Barbi is an alias of Gledd, the label head at Saint Wax, co-owner of Radio Mundo Records and a prolific producer who hails from Italy but is based in Mexico City. For this new EP, he taps into his love of 70s church funk and classic gospel and serves up a quartet of emotionally intense cuts that each tell a unique story. They all have their own moods and subtly uplifting grooves and are defined by the famously meticulous production style of Gledd. When you want to make the dance floor move in a different way than usual., these four cuts should be your go-to.

Get Back EP

A1. Gledd - Get Back

Following on from 2008’s critically acclaimed Stop, Space, Return, Crazy P return for their fifth studio album When We On, released September 27th through Smoke N´Mirrors (North America).

Alongside the wealth of brilliant remixes they have served up recently, When We On shows how far Crazy P have come since 2008. Whether it’s the anthemic ‘Beatbox’, with its freeform acapella work, grinding Prince—style guitar and haunting strings, the reflective ‘Eruption’, driven on by a rave piano figure and lead singer Danielle Moore’s plaintive cry of “Let me be the one you run to” or, at the other end of the scale, the Detroit techno-esque ‘Sonar’, with its increasingly frenetic payoff, this is an album packed full of potential singles. They might be crazy, but they sure know where the tunes are located.

“With Stop Space Return we wrote the majority of that as a band,” explains Jim Baron. “For this, we decided to strip it back to me and Toddy (Chris Todd. Guitar/Keys) writing with Danielle. We gave Danielle the Loop Station and she’s really taken to it. You can layer vocals, you can hear harmonies immediately, so she can jam along with us now. It shaped a lot of the vocal sound for the album. There’s a tune called ‘We Can Only Be Who Are’ which has big vocal layering, and there’s a lot of that. It’s probably a bit more… grown-up.” 

Chris expands on the theme: “We had quite a big year last year for lots of different reasons and we had difficulties too and I think a lot of the writing came out of that. It’s a little bit more reflective and thoughtful than previous albums.” 

For Danielle, it’s been a revelation in the way they work. “It was back to basics,” she says. “I’d have a go on the keyboards using two fingers or I’d have a go on the drum machine. It was like being at school or in a huge sandpit where you’ve been given loads of buckets to muck about with. We had a loop station as well which I’ve always been nervous of and this time it was like right let me have a go of this and it allowed me to record my vocals.”

For Danielle, the album narrative is the camaraderie between its protagonists. “Their friendship came through in creating this album. The way we worked created a lot of intimacy between us and a definite warmth to the album.” 

Despite the suggestions of melancholy from the band, and they certainly know how to emote when the moment’s right, they haven’t forgotten how to party. “We’re open for service, we’re open for love,” sings Danielle. Crazy, but true. 

Crazy P - Eruption

I Feel Love

I Feel Love (Summer '77 Re-Eq '95)

Bad Girls

I Feel Love (12" Version)

Presenting his long awaited full-length album, the king of disco re-edits Dr Packer graces Glitterbox Recordings with six brand new mixes alongside twelve of his rare cuts and well-loved treasures. Dr Packer’s Different Strokes features Dr Packer versions of soulful house favourites, disco standards and groove-laden floorfillers. Following two DJ mixes from Dr Packer featuring bonus tracks, the album kicks off with a bonafide classic. Dr Packer’s take on Soulsearcher’s ‘Can’t Get Enough!’ maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. Another highlight and an album exclusive, ‘Big Love’ from Peter Heller’s Big Love is brim full of Dr Packer’s unmistakeable warmth, cowbell accents giving the groove some bump. Next is Dr Packer’s remix of The Shapeshifter’s evergreen ‘Lola’s Theme Recut’ followed by another album exclusive, Candi Staton’s ‘Hallelujah Anyway’. Ron Hall & The Muthafunkaz featuring Marc Evans ‘The Way You Love Me’ (Dr Packer Extended Remix) is the third new cut, followed by another new remix for this album, Dr Packer’s version of Johnny Corporate’s ‘Sunday Shoutin’’, picking up the pace with a funking bassline to suit any dynamic disco set. More highlights include Dr Packer’s versions of ‘When Love Breaks Down’ by The Shapeshifters featuring Teni Tinks and ‘Set It Out’ from Purple Disco Machine & Boris Dlugosch, both brand new remixes. Dr Packer has done it again – breathing new life into your most beloved dance records so you can fall in love with them all over again.

Bizarre Love Triangle (Extended Dance Mix)

New Order

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