Name: Hatchling sound by Newsweek Tech & Science
Description: This sound is made by South American river turtle hatchlings.

This sound is made by South American river turtle hatchlings.

Hatchling sound

Montauk Variations is released 6 February 2012 on The Leaf Label


The Leaf Label

VIII. Juliet

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

To coincide with Piano Day 2017 we share a cover of an old Penguin Cafe Orchestra song by Penguin Cafe from their upcoming new album 'The Imperfect Sea' - out on Erased Tapes 5th May 2017.

"This piece by my father has always been a favourite of mine and when we were playing in the studio last year with making rocks resonate through the soundboard of the piano, the drone on F# made me think of it immediately. The transition between free-form and structure allows for space and some more expressionist moments and then the simple yet rather beautiful melody creates a sort of profound optimism I think." — Arthur Jeffes

Pre-order 'The Imperfect Sea' on Vinyl, CD and DL here: phonofile.link/the-imperfect-sea

The iconic Penguin Cafe join the Erased Tapes family and open a brand new chapter to their unique world with new album The Imperfect Sea.

A penguin stands in the middle of a scorching desert, far away from its natural habitat. This mirrors composer Arthur Jeffes’ journey and exploration into a new musical territory. Penguin Cafe have evolved into something of their own at the hands of Arthur who started the band in 2009 with the continuation and homage to his father’s legacy, to the late Simon Jeffes’ Penguin Cafe Orchestra. Now, their upcoming album echoes reminiscent sounds that embrace the new.

The album title refers to a saying by his father that “we wade in a sea of imperfections…”, reflecting upon the idea that beauty can be found amongst the chaos. “If there is a narrative to the album it’s coming to the acceptance of the imperfections in all aspects of life; moreover, the recognition that these imperfections and tiny randomnesses are in fact what make up the best parts”, Arthur explains. This has also been highlighted by the striking cover artwork designed by FELD under the art direction of label founder Robert Raths, resembling a lone figure adapting to and accepting its surrounding environment.

Predominantly self-composed, the new album also features covers of electronic works by Simian Mobile Disco and Kraftwerk, along with a re-working of Simon's 'Now Nothing'. Arthur has developed from the traditional folk and jazz heritage Penguin Cafe Orchestra is known for into another realm of blissful ambience and dance music, recreated using strictly acoustic elements.

“For this album I wanted to effect a departure from where we’d been up to now. The idea was to create a musical world that would feel familiar to an audience more used to dance records but stay true to our own values. So we replaced electronic layers with real instruments: pads with real string sections, synths with heavily-effected pianos, and atmospheric analogue drones with real feedback loops ringing through a stone and a piano soundboard.”

On the day of release, the band will play a headline show at New York’s Le Poisson Rouge, commencing the beginning of this new adventure for Penguin Cafe.

The Imperfect Sea

Buy LP/CD/DL

Penguin Cafe - Now Nothing (Rock Music)

I am exceedingly happy to share with you the first part of my "LIVE Music for the Stars" series. These ambient improvisations are based on the OST for the indie space game Avorion​. Thanks for listening!

Watch the HQ video on Youtube:
https://www.youtube.com/watch?v=ZK1GqMM7yaI

Play Avorion:
http://store.steampowered.com/app/445220/Avorion/

Presented by:
Avorion
Boxelware
Unperceived Records​

Editing: Maya Nadir​
Camera: Niklas Paschburg​

LIVE Music for the Stars I [Pt. I]

Our final demo sound and video recording of the M450i Vertical Concert Grand at the workshop, before we brought it to Berlin - Nils Frahm's studio at the Funkhaus Berlin - one of my favorite pieces of Hania's beautiful compositions.
Video: https://www.youtube.com/watch?v=c8veLuNmQbI

Hania Rani - SUN on the Klavins M450i Vertical Concert Grand

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

"I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres." - https://soundcloud.com/haniarani

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group tęskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open'er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

'Esja' is her debut solo album and for Rani it is her first, real, personal statement as an artist. "No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am".

Recorded at Rani's apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson'sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.

Esja

Hawaii Oslo

Hania Rani - Hawaii Oslo (Piano Day 2019)

Berlin based cellist and composer Anne Müller, announces the release of her long awaited debut solo album 'Heliopause'. 

Heliopause follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL: https://idol.lnk.to/Heliopause

Heliopause

Nummer 2

Anne Müller - Nummer 2

thesisproject.bandcamp.com/album/thesi…artyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

Hatchling sound

Newsweek Tech & Science

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