Sowing & Reaping | Sukkot & Simchat Torah 5782

As we resist this racist system
We will persist with courage in our hearts
And as we build, build, build with each other ---we will grow and we will thrive 

As we resist this racist system
Tho we persist with rage in our hearts
Oh we will breathe, breathe, breathe with each other -- and we’ll remember, we are still alive

As we resist this racist system
We will persist with joy in our hearts
And as we build, build, build with each other --- we’ll let truth and justice be our guide

As we resist this racist system
Tho we persist with grief in our hearts
Oh we will breathe, breathe, breathe with each other --- and we’ll remember, we are still alive


Lyrics and music: Koach Baruch Frazier | Vocals: Koach Baruch Frazier and Batya Levine

As We Resist

recording of Od Yenuvun by Hannah Shefsky & Batya Levine, sung at the Saturday night participatory concert of Let My People Sing!

Od Yenuvun - Hannah Shefsky & Batya Levine (sung live at Let My People Sing!)

Vocals - Batya Levine
Percussion - Simcha Halpert Hanson

Nechama - Batya Levine

Part 1: 
May this body be a bridge for the healing of this land
May the river flow through us cleansing greed from our hands

May this body be a bridge for the healing of this land
May the river flow through us cleansing grief from our hands

Part 2:
We are, we are born from the water
We are, we are made from the land

Teach us, teach us, oh Great Mother
To bring, to bring peace to this land

Lyrics: Part one is inspired by Said Abdallah; part 2 by Theresa Martin
Melody: Theresa Martin

May This Body Be A Bridge

romemu | aly halpert and molly bajgot

I wrote this song inspired by this quote from the Apocrypha, Book of Enoch (9:7) “The angels taught the daughters of men incantations, exorcisms, the cutting of roots, and revealed to them healing plants.”

The angels revealed to us healing plants (x2)
The angels taught the daughters the cutting of roots (x2)

Erez v'ezov
Levanah v'rimon
Shaked v'tamar
peygam v'shoom

Cedar and hyssop
frankincense and pomegrante
almond and date palm
rue and garlic

 I love this quote because it speaks to knowledge acquired through direct transmission, through relationship, specifically to “the daughters of men” (which we know means anyone without access to institutional power/gender non-conforming/trans/femmes) –  people who are identified by who they belong to and who are clearly transgressing by hanging out with and learning from angels.  It also suggests that this knowledge is always/still available to us; that even though it can feel like the healing wisdom and practices of our ancestors have been lost or purposely hidden from us,  we can access this knowledge by connecting with “angels.” Who are these angels who reveal and teach this stuff (and can I follow them on instagram and take a workshop?) I don’t know, but in my dreams sometimes they are the trees and flowers themselves, generously sharing their magic and beauty everywhere we look. (fyi, originally, in the Apocrypha, this was not actually a celebration of learning about healing from angels as you can imagine!)

you can read more about jewish plant magic here: https://dorimidnight.com/resources/jewish-plant-magic-rooting-in-resources/?fbclid=IwAR1edzpNKBZMTcivRU6TsePiQuoUGNrzxBMsButomfTNbErAHO2D1aqQc3A

Erez V'ezov

brich rachamana malka d'alma mar'ei d'hai pita
thank you, thank you, 
thank you for this beautiful food, 
may it nourish us to build a world that's whole.
*a close translation of the aramaic: blessed is the merciful one, sovereign of the world, creator of this bread.*
**art (woodburned challah board) by batya levine**

Brich Rachamana (aftermeal blessing)

You can purchase the Elul album, which was compiled, recorded & edited by Anat Hochberg & Matt Goldfield here:
https://elulmusicproject.bandcamp.com/releases
This album features a beautiful collection of original songs for Elul by various contemporary Jewish musicians.

This song came through in the forests of the Blue Hills, which is on the land of the Massachusett tribe. Sometimes it may seem that all of our leaves fall down, onto the forest floor, and our branches lie bare & exposed in the cold wind. Shedding tears and the things that no longer serve us, we are stripped down to our most basic selves. This leaves us vulnerable, and it naturally opens up a space for teshuva, a return to self. Because we are the water, earth, fire and wind, and we can call on these powers, to help us through.

LYRICS:
all the leaves have fallen down, have fallen down
all the leaves have fallen down, have fallen down

i am the water, earth, fire & wind
dig deep my roots and return again
i am the water, earth, fire & wind
return again

CREDITS:
from Elul: Songs for Turning, released September 7, 2017
Batya Levine: vocals
Anat Hochberg: vocals
Micah Shapiro: djembe, vocals
Album Art: Roz Freeman

Elul: Songs for Turning

All The Leaves

Artist: Ayla Nereo

Sung at a (mini) song circle on December 11, 2018 on Chinook land/Portland, OR.

Lyrics:
I feel the winds of the west, outbreath
Letting go of my leaves, all I do not need
Into the darkness of the fall sunset
I release, receive, getting ready for the 
Silence

Winds Of The West (Ayla Nereo)

Mishpacha Nigun (Molly Bajgot & Sol Yael Weiss)

3/22/20 
Batya Levine, Rena Branson, Aliza Schwartz, Tamar Sandweiss-Back, Becky Havivi

Simcha Nigun/Yifrach B'yamov (Chabad? Vizhnitz?)

This melody is for liturgy that praises the eternal attribute of lovingkindess. 
This recording shows two different places it can be used, in liturgy that shares this core message. The first is in Hallel (a praise section of liturgy reserved for holidays and new moons) and the second is found in Psukei D'zimra on Shabbat & Festivals (the consistant praise section of liturgy that has special additions on shabbos & holidays, such as this song!)

Hodu Ladonia from Hallel (added section of praise for holidays & new moon)

hodu ladonai ki tov ki l'olam chasdo(leader) 
hodu ladonai ki tov ki l'olam chasdo (congregation responds) 
yomar na yisrael ki l'olam chasdo (leader)
hodu ladonai ki tov ki l'olam chasdo (cong. responds) 
yomar na beit aharon ki l'olam chasdo (leader)
hodu ladonai ki tov ki l'olam chasdo (cong. responds) 
yomru na yirei adonai ki l'olam chasdo (leader)
hodu ladonai ki tov ki l'olam chasdo (cong. responds)

Translation:
LEADER: give gratitude to hashem (spirit/g!d/life force/etc.), because they are good, because their chesed (lovingkindness) is eternal 
CONGREGATION: give gratitude to hashem (spirit/g!d/life force/etc.), because they are good, because their chesed (lovingkindness) is eternal!
LEADER: let yisrael(our people/g?d wrestlers) please say: their chesed (lovingkindness)is eternal!
CONG: give gratitude to hashem (spirit/g!d/life force/etc.), because they are good, because their chesed (lovingkindness) is eternal!
LEADER: Let the house of Aharon (the priests/witches/magic weavers/spirit workers) please say: their chesed (lovingkindness)is eternal!
CONG: give gratitude to hashem (spirit/g!d/life force/etc.), because they are good, because their chesed (lovingkindness) is eternal!
LEADER: Let those who are in fear/awe of YHVH (existence/hashem/all time and space)please say: their chesed (lovingkindness)is eternal!
CONGREGATION: give gratitude to hashem (spirit/g!d/life force/etc.), because they are good, because their chesed (lovingkindness) is eternal!

Hodu Ladonai from Psukei D'zimra on Shabbat & Yom Tov (festivals)

hodu ladonai ki tov ki l'olam chasdo
hodu lei'lohei ha'elohim ki l'olam chasdo
hodu l'adonai ha'adonim ki l'olam chasdo
l'osai nifla'ot gedolot levado ki l'olam chasdo
l'osai ha'shamayim bi'tvunah ki l'olam chasdo
l'roka ha'aretz al ha'mayim ki l'olam chasdo
l'oseai orim gedolim ki l'olam chasdo
et ha'shemesh l'memshelet bayom ki l'olam chasdo
* [the liturgy continues, but this recording ends with these words, I've included the next line in the liturgy because they are liturgically linked, but there are more verses after that as well]
et ha'yareach v'kochavim l'memsilot ba'laila, ki l'olam chasdo 
(and it continues on...)

Translation: 
offer gratitude to YHVH (existance/g?d/life force...) because they are good, because their chesed (lovingkindness) is eternal
offer gratitude to the unifying power that is within all powers, because it's chesed (lovingkindness) is eternal
offer gratitude to the *boss* (in a positive sense of the word) of all bosses, because their chesed is eternal
to the one who is responsible for miracles and wonder, because their chesed is eternal
to the one weaves the heavens with understanding, because their chesed is eternal
to the spreading of earth over waters, because their chesed is eternal
to the former of great light/luminaries/illumination, because their chesed is eternal
the sun that reigns in the day,  because their chesed is eternal
[this song ends with the words above, but I included the next line because liturgically they go together]
the moon and stars that reign at night,  because their chesed is eternal


**** All translations are the way that I understand this liturgy, in which I strive to stay to true to the words, and include my own understanding of them ****

Hodu Ladonai (liturgy from Hallel & Shabbat/Yom Tov)

Artist: Maggie Rogers

Lyrics:
Now that the light is fading,
Silver and purple at twilight,
Scenes of the day remain with us,
Bright as the fire is burning bright.

Blue as the sky above the lake,
And blue the water flowing,
White birch drooping on the shore
Her leaves of emerald glowing

The night is robed in spangled black
And soon we shall be sleeping.
Beyond the moon that rides on high,
The radiant dawn is creeping, creeping

Down through the leaves, the sunlight
Came in shafts of gold.
Now by the dying embers,
We watch the day grow old.

Photo credit: Allie Comet

Color Song (Maggie Rogers)

Nigun Esh - Mizmor Ledavid (Psalm 29)

Kishka Niggun

More at: www.patreon.com/rivshapiro

Song from project "fragments":

"Fragments" is a multimedia process of ancestral re-membering. Music and film become the container for the artist's quest to recover the stories and strengths of their Jewish ancestors who migrated from Romania to Minneapolis at the turn of the 20th century. "Fragments" challenges linear space-time to illuminate the past through the present and invite the audience into the question: How do we remember what's been forgotten?

Remember Me (Live)

A scrappy recording of this original nigun, recorded at Linke Fligl Sukkos in 2018.

Shtetl Wedding Nigun

Sung with chickens at Linke Fligl, 10/1/20
http://linkefligl.com/

Linke Fligl Nigun

A soulful cover of Nava Tehila's Tov Lehodot melody, sung by Marni, with Ari on the rythm. Let yourself get lost in the sound, and ready for shabbat.

This melody is original composed by Ilan Glazer

Tov Lehodot - cover by Marni and Ari of Ilan Glazer Melody

Grateful for this little melody coming to me from the pages of my siddur one summer morning.

Ma tovu ohalecha Yaakov, mishk’notecha Yisrael
How lovely are your tents [people of] Jacob; your sanctuaries [people of] Israel.

Mah Tovu

The New Synagogue Project is building a spiritually vibrant, radically inclusive synagogue that reflects our vision for a world of justice, equity, and liberation. Our community is being created by and for families with kids, couples and single people, queer and trans people, disabled and chronically ill people, D/deaf and hard of hearing folks, interfaith families, Jews of color and white Jews, Jews from many religious and secular backgrounds, and anyone interested in exploring and experiencing Jewish life. 

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