this one sends alot of emotion as you get lost in the ambience! love it

Bleeding

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

HUMAN RIGHTS - FUTURE ? - Vocals for Collab

TheSeedsWeSow

Well hey now people
What’s all the commotion about
Yea it must be really something
The way ya like to
Scream and shout

Now we put the left foot in
Take the left foot out
Put the right foot
Straight into the mouth

Don’t you know
It’s just the seeds we sow

Yea there’s been
Scheming, cheating
Messing around
Well I’lll let you know bro
Kinda getting me down

If you can’t do the time
Then don’t do the crime
Cause I think it’s gonna make me lose
My mi-mi-mi-mind

Well I hear you say  
You wanna make it great again
But how bout make it
Greater than it’s ever been

Yea how bout it
Be a real go getter
A cool trend setter
Make it better than ever

Yea greater is better
And so much more clever
Just better than ever 
“Don't look back, you can never look back”
That’s what Don Henley says
So you just best look ahead 

Into the future 

Well hey now folks
What ya’ll fussing about
Well it must be pretty special
The way you wanna 
Duke it out

Now we put the left foot in
Take the left foot out
Put the right foot
Straight into the mouth

Don’t you know
It’s just the seeds we sow

Yea there’s been
Scheming, cheating
Messing around
Well I’ll let you know bro
Kinda getting me down

If you can’t do the time
Then just don’t do the crime
Cause I think it’s gonna make me lose
My mi-mi-mi-mind

Yea I hear you say  
Ya wanna make it great again
And that makes me wonder 
Exactly how and when

Yea I hear you say  
Ya wanna make it great my friend
But how bout make it 
Greater than it’s ever been
Let me hear ya say it 
How bout make it greater than it’s 
Ever been

With things like 
A living wage
Universal health care
Affordable education
To name a few
Its just catching up with the rest of
The western civilised world
For crying out loud
So come on why don’t ya

TheSeedsWeSow

Cast of characters:
Llanpsych-- @llanpsych -- Tez – rhythm and lead guitar, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ and synth
Mistermark-- @user-432503709 -- Mark –  piano, harmonica, VST fiddle, vocals, lyrics, mix, and production
TexMex Shaman– @texmex-shaman –Stephen– layered guitar parts and fills, mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – mandolin and four-string fretless bass
Composition – The Eclectic Collective

This song started as a guitar skeleton that had been a twinkle in Tez's eye several years ago. He'd been hanging on to it in hopes of finding a suitable home for it. When he introduced it to the Eclectic Collective, we all jumped on it. First up was Ken, laying in his dynamic, powerful drums and percussion. Then Stephen laid down some fiery fills as well as a solid comp part on his guitar. Inspired by the Stones sound of the guitars, Mark added some piano, harmonica, and VST fiddle, then got to work on some lyrics and vocal melody. Josh was atypically late to the party, but managed to get his bass in there, too, thus completing the rhythm section. JJ was next up with his splendid organ and synth to fill in the sound. 
  By this time, Mark had written and recorded some throat shredding vocals, which he added to the mix. We all decided that it now had a Rod Stewart/Faces vibe to it, so we tried to amplify that flavor. To this end, Josh dropped in a mandolin part, as well.
  At this point, the song needed a dynamic push to close out the song, so the decision was made to amp up the crescendo at the end. Ken summoned his best Keith Moon energy, and Tez laid down a killer solo, while Stephen added the big Townsend chords. 
  Mark had been editing and mixing the whole time, and did such an excellent job with it, we decided to go with his mix from the group project. Stephen did master it masterfully before we put it out here, too, though.
  This one got done in a really quick turnaround, and we're really proud of it and hope you all enjoy listening to it as much as we enjoyed creating it. Thanks for listening!

--- --- ---
ORIGINAL LYRICS BY MISTERMARK:

Never was one for being sociable
but lordy knows how I tried 
every time I tried to talk to a girl 
she would always run away and hide

Nobody told me 
nobody cared
nobody told me 
the girl was scared

Back at the party you asked me to dance 
but I didn’t know what to do 
my two left feet had me runnin’ round in circles 
so I always came back to you

Been so long since somebody held me 
made me feel i’m gonna win
but drinkin' that jug o’ juice gonna help me 
when I’m takin' it on the chin

Nobody told me 
nobody cared
nobody told me 
they never dared

another party you ask me to dance 
and I don’t know what to do
my two left feet got me runnin’ round in circles 
and I'm still comin’ back to you...

Nobody Told Me (The Eclectic Collective)

Had it with you

A music video has been made for this beautiful song. Please visit my youtube channel, everyone is welcome https://youtu.be/Zx2sCLb3-AQ?feature=shared

Siempre Estoy Contigo

It's a cool way of building a tune. 

For the second time...


Record on phone

Then play along with the recording and record it again live. Having a full jam with yourself... or at least it feels more like that cause they're one shot runs.... Proper musical schitzophrenia 😆🔆

I like the radio like compressed effect you get from the first recording on the second recording  too so you get a naturally unusual mix by doing nothing else other than play it twice

April

your eyes pulled me from the wreckage

bummy

sunshine stride

This song was originally composed for piano by Hitoshi Yasui, chairhouse of Tokyo, who was generous in allowing me to arrange and record it for guitar. It is another song from his "Piano Ten Thousand Leaves" project.

Thanks to Hitoshi for his daily musical watercolors and thanks for allowing me to adapt this beautiful and mysterious song. The original piano version by chairhouse can be heard here:
https://soundcloud.com/chairhouse/those-qualities-that-interested-him-2130-by-chair-house-10142019

your eyes pulled me from the wreckage

NEXTSEASON

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