top ambient rhythmic

Download: http://www.xlr8r.com/mp3/2013/10/high-beams

Download

Headlock - High Beams

Mysterious and pulsating, with light tension-building textures. Movie or TV mystery thriller underscore with a moderate tension level. Spy / Investigation / Secrets / Undercover / Conspiracy / Investigative Journalism. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Surveillance

Experimenting with two increments forward and one back, and repeat one forward and two back... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini The Lift Music Series are usually palindromic and can be played forwards or backwards – up or down.

Two Steps Forward And One Step Back

Available from most good retailers : 
------------------
REDEYE -
http://www.redeyerecords.co.uk/vinyl/77027-cry01-dan-white-now-you-are-here-ep
PICCADILLY - 
https://www.piccadillyrecords.com/counter/product.php?pid=110966
PHONICA - 
http://www.phonicarecords.com/product/dan-white-now-you-are-here-ep-pre-ord-cry-baby/139286
JUNO - 
http://www.juno.co.uk/products/dan-white-now-you-are-here-ep/623090-01/
BOOMKAT -
https://boomkat.com/products/now-you-are-here-ep

Dan White - VP3

This is a preview of Mothers tape coming soon on braindead. The Glasgow based Mother (aka DJ Foodbank/Feedbank of Heated heads and Rubudub familia) has laid us a heavy egg. Stay tuned..

Mother - Tape Preview

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Preview of tracks from the new Pye Corner Audio album 'Half-Light - Prowler Remixed' with remixes by Clesse, Cloudface, Not Waving and Silent Servant; plus two brand new tracks from the Head Technician himself. Released on Friday Jan 6th 2017. Available at http://www.morethanhumanrecords.com/

'Half-Light' Prower Remixed - Pye Corner Audio

liner notes:
http://www.self-titledmag.com/2017/10/02/ne228-exclusive-khalil-mix/

collect 'em all:
http://www.self-titledmag.com/category/media/needle-exchange/

self-titled's needle exchange mix series

NE228: Khalil

https://yerevantapes.bandcamp.com/album/evitceles-constant-yearning

Dream I Had / Virgin Fields

Slippery (demo)

Panel with Lisa Blanning, Matt Colquhoun, Steven Warwick; moderated by Terence Sharpe

Thursday 30 January 2020
 CTM 2020 – Liminal 
Kunstquartier Bethanien, Berlin

The late Mark Fisher’s work, like all philosopher’s work, oscillated through different stages throughout his life. Starting in cultural-studies, to philosophy under the CCRU, to cold rationalism to anti-capitalist critique, Fisher's work was a project of constantly trying to come to terms with a world that begged belief, as is the case with the evolution of any intellectual worth their salt. There was throughout all of this a constant undercurrent indebted to psychoanalysis.

For Fisher the idea of world-building came with responsibility, something his work takes into great consideration with very sincere care. As he described in his later writings, the socio-political disease of our time is that of pervasive stasis in a rapidly accelerated culture. If we take the liminal as that which can occupy either side of a boundary, that which acknowledges complexity, then we see an opportunity perhaps to the deadlock of binaries presented by the worst trapping of the contemporary right and left.

This panel takes as its kernel the concept of Egress, a word used by Fisher to describe the exiting of the current cultural malaise through analysing the politics of teleology and collectivism. Liminality itself must be critiqued with the urgent need for determinacy in mind. Perhaps a solution to the pitfalls of liminality is that of determinacy, that cultural production must operate within a strong pedagogical model if it is to make its way out of its liminality. Fisher postulated that what was required for real transgression was a reprisal of the spirit of a world that could be free, to go beyond the beyond the pleasure principle.

Presented with transmediale.

CTM 2020: On k-punk—Egress and the Fisher Function

Network Glass - 'tired / stupid' LP 

digital album available 04.17.20 / @networkglass
vinyl LP edition to be announced soon.

tired / stupid

[RM041] Network Glass - "TR"

Dreamcycles - Future Lights and Archetypes

https://sitequeeste.bandcamp.com/album/future-lights-and-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

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Nissan Groove

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