malam ini
bintang mengingatkanku
padamu
indah terang
seperti matamu yang selalu
ku pandang

lembut tutur katamu merdu tawamu
parasmu yang menawan
buat diriku tak bisa lupa

dari banyaknya insan di dunia
mengapa dirimu yang aku sangka
bisa temani hari-hariku
yang tak selalu indah
walau kita tak bisa bersama

lembut tutur katamu merdu tawamu
parasmu yang menawan
buat diriku tak bisa lupa uuuuu

Reff :

dari banyaknya insan di dunia
mengapa dirimu yang aku sangka
bisa temani hari-hariku
yang tak selalu indah
walau kita tak bisa bersama

a a ha ha aa ha
dipertemukan semesta
walau berakhir tak bahagia

Akhir Tak Bahagia - (Misellia Slowed + Reverb + Echo)- ipin

Lady Killers II x  Tumblr Girls Tiktok Version (320)

Where_We_Are_-_One_Direction____Lyrics_Tiktok_Version(256k).mp3

F4dli - Aku Dah Lupa

Where We Are - One Direction (sped up)

Penjaga Hati X Bergema Sampai Selamanya by Nadhif Basalamah (MASHUP BY RANGNOV).mp3

bergema sampai selamanya x penjaga hati (tiktok version)

Unconditionally x Rewrite the stars x Where we are x Strong x Payphone

where we are x one thing x snap x ghost x strong

I could write about my heartbreak, tears on my pillow
Another three-hour album 'bout some guy from Primrose or Soho
Thirty-one songs about who did me wrong
But there's trans kids fighting just to belong

[Pre-Chorus:]
I've got a platform, got a stadium crowd
Could whisper softly or could sing it loud
There's a picket line outside while I'm on stage
Maybe it's time to read a different page

[Chorus:]
This could've been a protest song!
Could've been about what's right and wrong
Not just red flags and who I kissed
Could've talked about the people on the street you missed
While you were writing 'bout your situationship
The world needed more than your relationship
This could've been a protest song!
Guess we'll never know what that sounds like from the strong

[Verse 2:]
You've got a hundred million people listening close
Writing poetry about the one that hurt you most
And there's workers on strike, there's kids going hungry
But track five is crying 'bout some dude from the country

[Pre-Chorus:]
You can rhyme "organize" just as easy as "eyes"
"Solidarity" fits where "butterfly" applies
You're brilliant with words, you're talented and smart
So where's the song about the woman losing her apartment?

[Chorus:]
Even bigger, more defiant
This could've been a protest song!
Could've been about what's right and wrong
Not just shade and who's to blame
Could've used your voice for more than playing games
While you were writing bridge number forty-five
People needed help just trying to survive
This could've been a protest song!
But you were busy being wronged

[Bridge]
I'm not saying don't write about your pain
I'm not saying every track needs a refrain
About revolution, but baby, please
In four years you wrote fifty songs
About the same three guys who did you wrong
Zero about the rent that's climbed
Zero about whose rights are on the line
You could've written one
Just one

This could've been a protest song!
Could've been about what's right and wrong
Could've talked about the nurses' strike
The kids who can't afford a bike
The trans girl scared to use the loo
The mothers working three jobs for just one of you
This could've been a protest song!
Could've shown them how to sing along
To something real, to something true
Could've changed the world
But you chose you

[Outro:]
Could've been a protest song...
Could've been a protest song...
Guess we'll never know
What that sounds like from the throne

Your Tears, Not Mine

"Blood and betrayal turned Rome from republic to empire." - National Geographic
"A cinematic metal epic about Power, Betrayal & Legacy - Caesar's Rome told as thunder, choir and truth" -  AxAxC

IMPERIVM: Blood of Rome is AxAxC’s cinematic war-saga: a 13-track ascent from Veni, Vidi, Vici to the Ides and beyond. Built like a documentary set to blades and choirs, this record fuses Christian Rock • Deathcore • Nu-Metal • Symphonic/Cinematic metal with trap-core pulses, Latin chants, and battlefield drums. It’s Caesar’s story told in real dates, real battles, real consequences — and the mirror it holds to our present.

Across Italy, Greece, Egypt, and Hispania, the album follows the rise, the civil war (49–45 BC), the dictatorship (46–44 BC), the Ides of March (44 BC), the vengeance at Philippi (42 BC), and the legacy that crowns Augustus. This is historical metal, just blood, law, and destiny.

Personal note from AxAxC: this project carries the nostalgia of a father’s films and the reality that ambition invites knives. IMPERIVM is for anyone who builds; who believes anyway.

- VENI. VIDI. VICI. — 47 BC; Zela (Pontus)
Caesar’s famed dispatch after defeating Pharnaces II (“I came, I saw, I conquered”). Opens the saga with the certainty that defines his rise.

- CAESAR’S THRONE (Remastered) — 59–50 BC; Rome & Gaul
From his consulship (59 BC) to the Gallic command (58–50 BC), triumphs, and the cult of persona that made him inevitable.

- The Die Is Cast (Alea Iacta Est) — Jan 49 BC; Rubicon, near Ariminum (Rimini)
Defies the Senate’s order; crosses with a legion and triggers civil war. No return.

- BLOOD OF ROME — 49–45 BC; Italy, Greece, Egypt, Africa, Hispania
Civil-war arc in hard dates: Dyrrhachium (48, Pompeian edge) → Pharsalus (48, Caesar wins) → Pompey assassinated in Egypt (48) → Thapsus (46) → Munda (45). Republic broken.

- JUDAS IN THE SENATE (Remastered) — 50–44 BC; Rome
Hostility in the Curia: indictments, intrigues, and the moral panic around “king” that seeds the conspiracy.

- FIFTEENTH OF MARCH (IDES) — 15 March 44 BC; Theatre of Pompey, Rome
Assassination: Brutus, Cassius, over twenty conspirators; 23 wounds; the act meant to “save” the Republic.

- SENATE OF SERPENTS — 46–44 BC; Rome (flashback dossier)
Dictatorship and reforms: Julian calendar, land/provincial reforms, public works (Temple of Venus Genetrix), then the move to dictator perpetuo (44 BC) that precipitates the knife.

- Idus Martiae! Caesar mortuus est! (feat. Pure Addiction) — Alt cut of 44 BC scene
Choral/trap dirge of the Ides—same day, different lens; grief, shock, and the crowd’s turning tide.

- I AM JULIUS (POST IDUS) — 44–42 BC; aftershock
The revenant speech: legacy claims (calendar, laws, roads), propaganda wars, and the truth that “they killed the man, not the movement.”

- MARCH OF THE LEGIONS — 44–42 BC; Macedon & Greece
Antony and Octavian avenge Caesar; the two Battles of Philippi (Oct 3 & 23, 42 BC); suicides of Cassius and Brutus. The conspirators’ end.

- LEGION (Remastered) — Timeless creed
Eagles, standards, formations; the soldier’s oath that outlives politics.

- THE FALL OF ROME — 44–27 BC → 27 BC
From chaos to order: Octavian consolidates, and in 27 BC becomes Augustus; the Republic’s ghost yields to the Empire.

- IMPERIVM — Epilogue/Credo
The price of will. Empires fall; purpose endures. Title motif that binds our personal thesis to Caesar’s arc.

Drop your thoughts, quote your favorite line, and tell us which track hit hardest. Share with a friend who loves history and heavy music.

Credits:
AxAxC — vocals, guitars, bass, orchestration, programming, choir design.
Feat. Pure Addiction on Track 8.
All songs written & produced by AxAxC Studios.

© AxAxCStudios™ — All rights reserved. Distort. Distrust. Destroy.

Unconditionally x Rewrite the stars x Where we are x Strong x Payphone

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