Name: Who goes to visit in the morning... by Ni!
Duration: 4 min 50 s
Description: The composition was created for the competition. This is the studio version. Kalimba, bass clarinet, trumpet and effects.

Неймовірно гарна музика,дуже глибоко і контрастно

A calming and beautiful work, sounding like Game Music for a platformer like Donkey Kong Country. Here is my answer: https://soundcloud.com/user-768599186/glowing-ants-in-a-hollow-tree?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

*demo*
did a cyber princess rework for hiraeth... straight outta ableton. have fun <3

also find the track at
https://mayanadir.bandcamp.com/album/2021-the-basin-of-whatever-else-happened

hiraeth [Ethereum Instrumental Rework] [demo]

hiraeth 💎  [Ethereum Instrumental Rework]

The composition was created for the competition. This is the studio version. Kalimba, bass clarinet, trumpet and effects.

Who goes to visit in the morning...

One musician. 2 saxophones, bass clarinet, trumpet, kalimba. Effects and Looper. It's all.

Hikikomori

Violent Freedom

The Alias Sessions

Systemic Amnesia

“Gifting Senselessly In Endless Lavishness” is the second single out from Kim Myhr’s upcoming album “Sympathetic Magic”, an ecstatic, delirious, and deeply touching piece of music; a towering new work in Kim Myhr’s increasingly substantial output as an artist and composer. 

“Gifting Senselessly In Endless Lavishness” is a title taken from a book by Bojana Kunst. The music is very generous, almost indulgent. The first thing I wrote on the piece was the organ intro, I wanted to make something ecstatic and soulful, and the rest of the song flowed naturally into different sections. Working with an RnB drum beat like that was a first for me. It’s a very grounded quality that gives a good contrast to the undulating waves of 12-string guitar harmonics.” - Kim Myhr

Gifting Senselessly In Endless Lavishness

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Kim Myhr: "Gifting Senselessly In Endless Lavishness" from upcoming "Sympathetic Magic"

Taken from upcoming DR-84 : Dag Rosenqvist - 'Lexika' CD
due out on December 16th
dronarivm.bandcamp.com

Lexika is a soundtrack to an imagined sci-fi movie set in deep space. It started with an image of a completely silent explosion in space. From that image I created a narrative of sorts, where a story unfolded as I set out to create the music that would become Lexika. With Lexika I’ve tried to step outside of myself and look at life, the universe, and our fragile existence from another vantage point. The themes of the album – grief, sorrow, hope, perseverance – are themes I come back to repeatedly though. This time they’re just framed in a slightly bigger picture.

When I close my eyes and listen, I see supermassive black holes. I see the Oort cloud, asteroids hurtling through endless black, the Andromeda galaxy, a radiant supernova, the redshift at the end of the universe. I see the endless vastness of space, I see Voyager II leaving our solar system and I see Mercury as a tiny dot in front of our sun. I see a story that unfolds forwards and backwards simultaneously through time where we – humanity – are both part of it and not. How, from the cosmic perspective, mankind’s existence is so brief that you’d miss it if you blink. And how that also makes it so precious.

- Dag Rosenqvist

Buy CD / DL

Dag Rosenqvist - Ignoto

Opening track from the album "Flüstern macht gemeinsam" (FDL#03).

die Nachtstunde - 01 Gemeinsam (FDL#03)

The Summoning Of The Kraken

"The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests' studio, equipped with only a piano and a laptop. The Project: To record a album of piano music. Title: Hauschka. Substantial is a snapshot of a life spent with the black and white keys, and is simultaneously both moment and history, thought and feeling, yet without turning into a unduly meaningful concept album. Rather, Substantial is based upon the least conceptual of all concepts: Improvisation. Each track is based upon an opening sequence, the theme of which is extended, modulated and varied with, as far as form or length is concerned, no specific objective in mind. What has come out is music of a differing, well, substance: Eleven atmospheric pieces in which a variety of different techniques overlap and rhythmical images with narrative depth unfold; in which further instruments, such as double bass or vibraphone make a fleeting appearance, at once lending a hint of pop, but at no time detracting from the piano as central instrument; in which experimental and electronic music is accessed without compromising the directness and ease of the improvisational approach."

01 Orange I

Ending track of the Album "This is soon too late" (FDL#05). 
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www.federleicht.be

Herbstlaub - You In Me (FDL#05 - 2016)

Kalimba, saxophone, bass clarinet, effects and looper. And some keyboards.

Astronaut

First album Hikikomori out now! 


Composer & musician from St-Petersbourg. I  play saxophones, bass clarinet, trumpet, kalimba and keyboards. I use a looper and more another effects.

Who goes to visit in the morning...

Ni!

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