Great song, fab voice, I can hear touches of Tori Amos in your vocal tone. x

nice song, sounds a bit like a French song...(though with English vocals), the vocals sound great, may I ask which effects you use? Chorus/Stereo Spreader, Delay?

Took only a few seconds to decide i like this!

Mon Coeur Macadam /Rock/Version2/Collaboration with Thierry Clua

Ride the Blackest Horse

He came from above, He came from above, to give us God's love, to give us God's love,  
He came from above,
He walked on the Earth, He walked on the Earth, we celebrate his birth, we celebrate his birth,
He walked on the Earth,
He showed us the way, He showed us the way, spread peace every day, spread peace every day,
He showed us the way,
He died on the cross, He died on the cross, we were saved by his loss, we were saved by his loss, 
He died on the cross,
He was God's only son, He was God's only son, and here for everyone, and here for everyone,
He was God's only son,
He was the son of the father above, we celebrate glorify and love,
He was the son of the father above, we celebrate glorify and love,
We celebrate His life, We celebrate His life, and shine in His light, and shine in His light,
We celebrate His life,
He came from above, He came from above, to give us God's love, to give us God's love,  
He came from above,

He Came From Above

He Came From Above (Graham Williams)  2022 Words Of Wonder Music

Until The Banks Burst

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

As It Falls

As It Falls by Jason Mowry & Carlos Vivanco

Check out this groovy instrumental and please tell me what you think! 😎

F R E E...D O W N L O A D
If you like you can buy the digital title at the following link:
https://crumius.bandcamp.com/track/check-in

Check In

🖤Buy

This piece is based on the following:  I have long wondered at the percentage of "ambient" sound we suppress: infrastructure noises; highway traffic; fog horns; etc. etc.  That leads me to ponder the cost, if any, of utilizing a portion of our "energy" to continually suppress such sounds.   Finally, that in liberating and "redeeming" said disregarded, suppressed sounds, one can experience beauty and musicality.  This piece was made by my carrying a handheld digital recorder and perambulating a wide swath of my home neighborhood.   Moving through inhabited, to graveyard district industrial, to waterfront, underpass, basketball (that's the ghost of John Cage shooting hoops).  The buildings hum and the birds sing counterpoint.  I have managed, thus far, to suppress an overwhelming urge to start caressing, folding, manipulating, pounding these sounds into something else.  As they stand, however, many of them would be worthy of any electronic ambient composition and I wanted to present them in their natural glory.  Hence, while doing a minimal amount of trimming, snipping and constructing a coherence to the piece, I stayed away from reverb, looping, delay, compressor etc. etc.

A couple of things:  Some of the sounds are church services that I passed by.  I don't know the churches or the singers but I found them to be exceedingly beautiful and of great meaning to me.  It is with profound respect that I offer my thanks.  Similarly, I don't know who took the picture...it looked cool and appropriate, however.  Thank you!  

Hope you enjoy!!

Church of Disregard (How Sweet the Strawberry Mix)

© David Skellenger August 2016
Thank you for listening!
Lyrics:
We all watched the Phoenix rising
From the ashes through the flames
It shouldn’t have been all that surprising
We’d all been waiting for a change
And I was hopeful for tomorrow
Wondering what it might bring
I was thinking of a precious love 
That I held so close to me…
As we watched the Phoenix rising.

We all watched the Phoenix rising 
From where the Station used to be
Some were joyous…some were frightened
Knowing our lives would surely change
And I was hopeful for tomorrow
Wondering what it might bring
I was thinking of a precious love 
That I held so close to me…
As we watched the Phoenix rising.
© David Skellenger Aug 2016

Phoenix Rising

01 - SA - Alev Lenz 3 - Interactive Album - Soul of Runner
02 - OT - TM - Women Choir Sustains Uuh Pitch Slides TM- Harps and Vibes - Pendulum Swells TM
03 - SA - ORBIS - Loops Playable - Balafon ConChaCha - Crunch - Tibetan Bells - Shimmer

Alev Lenz - 3 - Drone

Composed and produced by Val Akey. Used and programmed VSTIs:
Addictive Drums2/Broomstick Bass/FL Keys/RealLPC+GuitarRig5.

Release date: 10 October 2019

Summer Is Over

Lyrics:

Been let in on the nearest darkness
You search within my eyes for lies
She was your lover when you had no one here
She was your outcry
You are written in to my very blood
You are written in to every cell
And if you ever did betray me
It's written in there as well

Ah you are my love
Don't ever you doubt me
Let doubt never shadow your face
Your face... so dear... to me..

I want to know where was my instinct
When your life was crumbled there in your hands
And you hid all of the rubble from me
Sinking in that quicksand
When you're let in on the nearest darkness
And you find that it has tilted your mind
Find me there inside the darkness
With my words I will bind... You to me...

Ah you are my love
Don't ever you doubt me
Let doubt never shadow your face
Your face... So dear... To me...

You went away - 
Her name never mentioned - 
Role was implied... 
Her role was implied..
Her role was implied..
You know your place 
on the brink more and more 
these days these days
It's treacherous but you 
join me anyway.. 
You gave me so many miles,
I gave you miles of my own
You said, "That's how you see me now.."

- Ah you are my love
Don't ever you doubt me
Let doubt never shadow your face

Your face
So dear
To me... 

Let Doubt Never Shadow Your Face

niamhjmckinney@gmail.com 

We now have some of our tracks available to buy on bandcamp 
https://niamhandstephenmckinney.bandcamp.com/

Niamh McKinney is a singer-songwriter from Wicklow. Having kept notebooks of poetry since childhood, she didn't start writing songs until one day in 2015, when songs suddenly started pouring out. Unsure as to the nature of what she had composed during this first creative burst, a form of validation came a month later when she won the Allingham Songwriting Competition with one of the first songs she wrote.
      Poetically rich - both lyrically and melodically - her heart-rending songs draw on stories and life experience, captivating by way of their ethereal sense of urgency and foreboding.
     Niamh writes her songs a capella. Her musical partner and husband Stephen McKinney (who has previously played guitar and synths with prog rock fusion band Leo Drezden) then crafts evocative guitar accompaniment which interweaves seamlessly with the songs, complementing their haunting quality. The two are currently working on producing their debut album.


Let Doubt Never Shadow Your Face

Niamh McKinney

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