Love has come and all we do has to be done with love! Usual message sent by Christmas, and during Christmas time but with a different take. A great one!!!

"The Thing With The Beast" is a deep and introspective song that explores themes of inner struggle and personal transformation. The lyrics are written by Emil Cioran, a Romanian philosopher and essayist, known for his pessimistic and often deeply philosophical writings on the human condition. 

His works have influenced many contemporary thinkers and continue to be a source of profound insight into the complexities of life. The English translation of the lyrics was entirely made by me.

Through this piece, I have strived to capture the melancholic and introspective essence of Cioran's words, blending an electro-pop musical style with reggae influences. The song's atmosphere is dreamy and contemplative, featuring C# major tones that alternate with its relative minor key, A# minor, adding depth to the emotional landscape.

Musically, the song has a medium pace, perfect for emphasizing reflection and melancholy. The instrumentation is predominantly electronic, with vocal presence featuring a Caribbean accent that provides a strong and immersive atmosphere. This adds emotional depth, amplifying the intensity of the lyrics and creating a unique dynamic that underscores the theme of duality: the man and the beast within. The song creates powerful images, such as the buffalo roaring inside the poet and performer, symbolizing the primal and crude forces within the human being.

All of this unfolds in a sad yet romantic atmosphere, evoking a sense of nostalgia and a longing for liberation.

The Thing With The Beast

"Tropical Dawn" is a composition that blends modern electronic rhythms with Afro and Latino influences, creating a vibrant and energetic atmosphere. The piece captures a range of emotions, from happiness to relaxation, bringing to the forefront a harmonious combination of clarinet, banjo bongo, percussion, and synthesizers, all contributing to a captivating soundscape.

This composition pulses with positive energy and a well-balanced dynamic, offering both a pleasant auditory experience and a solid foundation for interpretation. "Tropical Dawn" is more than just a song; it is an invitation to a sonic journey through tropical rhythms and contemporary vibes.

Echoes And Whispers

Tropical Dawn

"Amore Mio" is a composition born out of a desire to pay homage to the African continent and the rich culture that inspired it. With this song, I aimed to create a musical dialogue between African tradition and modern influences, blending styles like Afro House, Pop, and R&B. Every musical and lyrical element was carefully chosen to convey a warm, romantic, and sensual atmosphere that accompanies the central theme of the song: love.

The structure of the lyrics is a journey through various African languages, symbolizing the unity and diversity of this continent. In the first verse, written in Swahili, I wanted to capture the solar energy and vibrant spirit of East Africa, inviting listeners on a journey filled with light and love. The second verse, in Xhosa, brings dance and movement, evoking the power and grace of South African culture, with a vibe that celebrates life. The third verse, in Zulu, continues this energy, delivering a message of joy and unity, reflecting the communal spirit that defines African life.

The repetitive chorus, “Amore Mio,” serves as a leitmotif, a universal declaration of love, connecting the song's heart with a sense of passion and romance. Whether it's love for a person or for Africa itself, this simple and catchy refrain carries a deep message: love transcends boundaries and is expressed through the universal language of music.

Instrumentally, I chose a combination of acoustic guitar and percussion, which are present throughout the composition, maintaining an organic and authentic sound, close to African roots. Adding synthesizers, electronic drums, and modern R&B and Pop influences brings a contemporary touch, creating a perfect balance between tradition and modernity. 

The overall mood of the song is chill, relaxing, and positive, with a romantic energy, designed to evoke a sense of well-being, peace, and joy. I wanted listeners to feel transported to a warm and welcoming world, one where love and African culture blend seamlessly.

Through this composition, "Amore Mio" becomes an ode to African culture, a celebration of this extraordinary continent's beauty, diversity, and emotional richness. Africa is my source of inspiration, and through this music, I want to pay tribute to its places, languages, and vibrant soul.

Verse 1 (Swahili)

Jua linawaka, twende pamoja
The sun is shining, let’s go together

Sauti ya muziki, furaha ya moyo
The sound of music, joy of the heart

Verse 2 (Xhosa)

Ukukhanya kwelanga, masidanse
The light of the sun, let’s dance

Intliziyo yam iyaphakama, siyathanda
My heart is rising, we are in love

Verse 3 (Zulu)

Siyajabula, hamba nami
We are happy, walk with me

Ingoma yethu, siyathandana
Our song, we love each other

Amore Mio

"Hallelujah, Love Has Come" speaks of the purest and most beautiful gift the world has ever received: divine love descending to earth. It’s a story of hope, peace, and joy—a moment when heaven meets earth, touching our souls with something greater than ourselves. This song reminds us that love is meant for everyone through the image of a mother holding her child, shepherds kneeling in awe, and wise men bringing their gifts. It’s an invitation to celebrate a historical moment and the living promise of love that continues to endure in the world.

A Magical Christmas

Hallelujah, Love Has Come

“For Sure (Beta)”, LeopardBeats & RedZilla provide a smoother, reflective twist to the original. With a soulful undertone and a slightly slower tempo, it balances introspection with motivation. Beta serves as the perfect complement to Alpha, offering a different perspective while maintaining the essence of perseverance and grit.

For Sure (beta) ft. RedZilla

“For Sure (Alpha)” is the embodiment of raw determination. With RedZilla’s rhythmic, bold energy, this track combines powerful lyrics with dynamic production. It’s a perfect anthem for those chasing their goals relentlessly. Alpha sets the tone, delivering intensity and focus with every beat, a testament to LeopardBeats’ mastery.

For Sure (alpha) ft. RedZilla

Snowflakes and Mistletoe

Produced By: Vito The Toxic

Lyrics:

Too much, too much tonight
Too much, too much tonight
Too much, too much tonight
Too much, too much tonight

She been poppin, she been smokin
Too much too much tonight
I been drinking, I been rolling
Too much too much tonight
Wake up baking, always faded
Too much too much tonight
P triple s d s through the night shift
P triple s d s cause we like it
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
I been drinking, I been smoking
I been drinking, I been smoking
I been drinking, I been smoking
Too much, too much tonight

No I don’t pop but she pop, so what?
Henny in the cup make her wanna throw up
No I don’t sip but I came from the mud
When you at the bottom you can only go up
Fuck facing my problems, I’m facing this blunt
It’s crazy what they would go do for a buck
They just wanna pop and go fill up they cup
So I p triple s and I pray I wake up
Bacardi might make me say sorry or tell her I miss her but that just a part of the party
The henny got me over friendly
She smelling like Fendi
I hoping that she can come catch me
We whippin
The wrist in the kitchen
We got the prescriptions that prolly get you out ya feelings
I’m drippin, I stay water whippin
But I shoot like Pippen cause I could wear red any minute
All of these girls on prescriptions
But it ain’t prescribed
She pop her a pill to get high
She pop her another now she on cloud 9
She pop her another she prolly gon die
Don’t pop but I’ll still put my blunt to the sky
For the ones in the sky ima light up this blunt
For the ones who had died from the hand of a gun
For the ones who’ll cry cuz they losing they son
We P triple s d s
Right now we don’t care bout the fame or the press
Reminisce on the ones who done stabbed in my chest
Ain’t believe in my vision I’m here in the flesh
I knew I was gifted right from the first breath
But I’m thinking bout what if they get the last laugh
Cuz you second guess when ya life going left
Momma said that we warriors not talking Steph

She been poppin, she been smokin
Too much too much tonight
I been drinking, I been rolling
Too much too much tonight
Wake up baking, always faded
Too much too much tonight
P triple s d s through the night shift
P triple s d s cause we like it
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
Pop shit, smoke shit, drink shit
P triple s d s
I been smoking, I been drinking
Too much, too much tonight
I been drinking, I been rolling
Too much, too much tonight
Wake up baking, always faded
Too much, too much tonight
P triple s d s through the night shift
Too much, too much tonight

PSSSDS (Interlude)

Tight

Been experimenting with a lot of different genres lately and though this isn't bass music necessarily I thought it would be a shame to not upload it.

When the sky was ours

hey what is wrong with you
is it already too late
why don't you defend your values
is it already too late
hey what is wrong with you
is it already too late
why don't you defend your values
is it already too late

tell me
what's wrong with you
why do you let it 
just happen like this

it's time to say goodbye
from all the lies
it's time to say goodbye
from all the hate
what's wrong with you
why do you let it happen 
tell me why 
tell me why

What is wrong with you

What Is Wrong With You

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

Hallelujah, Love Has Come

Nibriell

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