L'artiste canadien est de retour avec une chanson électro minimalistes aux penchants exploratoires. Ce captivant morceau est doté d'une interprétation vocale empreinte d'une mystérieuse sensualité. Tombez sous le charme de cette création atypique. 〰 The Canadian artist is back with a minimalist electro song with an exploratory bent. This captivating track features a vocal interpretation imbued with mysterious sensuality. Fall under the spell of this atypical creation.

rockon2022

survival

Umrandungen, Vol. 1

Umrandungen-01-09 (Remastered 2025)

Close 2 me

Faithful

Organised mayhem with distorted guitars, mangled bases, mellow saxophones, funk stuff, freaky bits and spoken dialogue. To be turned up as loud as possible

Manifest Vesectomy

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

When The Morning Comes

Sorry Is Not Enough

This is about going back to my childhood years and having fond memories of growing up. When life was simple and carefree. This also relates to my teenage and early 20" s times when there was a time of exploring and having adventures.
Special thanks to Pixabay for the background effects.

Years Gone By

This song I made with a vocal sample from the amazing Krolyat. https://soundcloud.com/krolyat
Please visit her profile to listen to her music.
In addition I gave her a duet partner in the second half of the track.

Love u - feat. Krolyat

2025 06 01 Song 1125

RepostExchange Pop / Rock Charts highest position #21 (2025 06 15)

Invisible stage

Exploration of dealing with our own headspace. Blend of CSN and Peter Gabriel.

Vocals: Will Montgomery & Julie Lavery
Acoustic Guitar: Spencer Brochard
Keyboards: Will Montgomery
Written, Produced and Mixed by Will Montgomery

Barely

Artiste, musicien et producteur, Nic All verse dans la musique électro-pop. Bassiste émérite ; on reconnaît son style aux arrangements synthétiques débridés et son approche downtempo exploratoire où les lignes de basse sont rythmiquement intéressante.
Pour une collaboration veuillez me rejoindre sur ma boite courriel n.allaire@hotmail.com
Nicolas  Allaire

Faithful

Nic All

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Nic All

(ShAnkAri)

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Denis Caouette

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