Tracks missing from radio playlist:
X - Delta 88 Nightmare
Mind Rays - Cease/Commence
Kavi Kwai - False Impressions
Hana Vu - Order

Music To Soothe The Savage Beast - December 10th, 2019 (10:00pm - 1:00am)

Awaited for years by the large nationwide cult of Boggers in the know, Erin Birgy’s second LP at the helm of the fog-shrouded ship they call MEGA BOG is an instant and timeless classic. It’s equal parts nostalgic and futuristic, mapping a new, jazz-literate and free form of songcraft onto the model of the traditional guitar-based band. It’s poetry on roller skates, defying recognizable structures in favor of a stream-of-consciousness flow that guides Erin’s lyrics around their many soft and uncertain turns. It’s an inspiring example of a unique vision carried to it’s most honest and vulnerable realization. Happy Together was assembled on tape amidst a lot of movement, including Erin’s relocation from Seattle to New York. Like Joni Mitchell or Beefheart, Birgy has a seemingly magical ability to steer a diverse bunch of players into her own dream-world. And this album has a lot of players, many with big credentials we’ll refrain from mentioning (except for Zach Burba and Will Murdoch from IJI, and James Krivchenia from BIG THIEF, who earn mentions for being particularly present). Considering its variety of personnel and its long gestation, Happy Together is a remarkably consistent and complete record that cuts the deepest when experienced from start to finish, as it arcs from the surreal bubblegum tempos of “Diznee” and “Marianne,” thru the extended dreamscapes of songs like “192014,” and out to the free-wheeling catharsis of “Blackout” and “Fwee.” Take the journey.

Mega Bog - London

A1. Electric Dreams
B1. New Dawning
B2. Blue Thorn

Out April.29. 2017 
#STBO002 
ANNA DEBUT 7” 
All lyrics and music are produced by Nana Yamato

STBO

ANNA - Electric Dreams

Awaited for years by the large nationwide cult of Boggers in the know, Erin Birgy's second LP at the helm of the fog-shrouded ship they call MEGA BOG is an instant and timeless classic. It's equal parts nostalgic and futuristic, mapping a new, jazz-literate and free form of songcraft onto the model of the traditional guitar-based band. It's poetry on roller skates, defying recognizable structures in favor of a stream-of-consciousness flow that guides Erin's lyrics around their many soft and uncertain turns. It's an inspiring example of a unique vision carried to it's most honest and vulnerable realization. Happy Together was assembled on tape amidst a lot of movement, including Erin's relocation from Seattle to New York. Like Joni Mitchell or Beefheart, Birgy has a seemingly magical ability to steer a diverse bunch of players into her own dream-world. And this album has a lot of players, many with big credentials we'll refrain from mentioning (except for Zach Burba and Will Murdoch from IJI, and James Krivchenia from BIG THIEF, who earn mentions for being particularly present). Considering its variety of personnel and its long gestation, Happy Together is a remarkably consistent and complete record that cuts the deepest when experienced from start to finish, as it arcs from the surreal bubblegum tempos of “Diznee” and “Marianne,” thru the extended dreamscapes of songs like “192014,” and out to the free-wheeling catharsis of “Blackout” and “Fwee.” Take the journey.

LP and CD available here: http://niceymusic.com/product/mega-bog-happy-together-lpcd/

Mega Bog - Blackout

It's last winter. Enter COLBY NATHAN, a sweating sack of cold Maine blood weirdly washed up in Los Angeles, fresh off at least a half decade of tours with his “strange Maine” kin CAETHUA and Tom Kovacevic, and The New England PATRIOTS (the Boston-based progressive clown-metal band he fronts when he can scrub the “country” from his soul). He's crashing on the floor of the Roach Motel, the now eradicated and sorely missed DIY venue and recording studio that his long-time collaborator GREG HARTUNIAN runs in an old mechanic shop on Eagle Rock Boulevard – where the first DIMPLES tape (released on BIG BLOOD's culty imprint Dontrustheruin) was gestated the year before and where Whimpers was fated to be gestated in turn. It seems that the duos famously eerie folkiness has been tainted by their own perception of “the spirit of the West.” The lagging dry rhythms of a desert locomotive carry us through 16 expansive soundscapes, sketched by desperate, almost brutal campfire strumming and accented with the reverbed leads and horsey percussion of Ennio Moriccone's most famous soundtracks. Falsettos in harmony blow in like distant wind from the hills, delivering a steady stream of introspective but untrustworthy lyrics like “I did my parents proud / but I guess they were just easy on me.” Richly tracked on the Roach's reel-to-reel 8-track according to Hartunian's long-perfected, Joe-Meek-inspired technique, this record treats the ears to a high grade of textural enjoyment, which, along with the songs' often lullaby-like deliveries, can transport a listener to a deeper place like between waking and dreaming. 

Limited to 330 copies, lovingly co-released by Feeding Tube Records, Dontrustheruin, and Laughable Recordings.

Dimples - Pit of Bones [from Whimpers, coming 2/24/17]

NEHEMIAH ST. DANGER remixes BANNY GROVE's track "Earthling Sound of Longing" from the 2016 LP 'Who Is She?'

Banny Grove - Earthling Sound (St-Danger Remix)

Track 9 from Ryan Power 'They Sell Doomsday' [NNA104]
Available October 20th, 2017 on Vinyl, CD, and Digital formats.
http://nnatapes.com

They Sell Doomsday

Ryan Power "Empty the Jewels"

Healing Contest is out April 20 on Sybaritic Peer/ May 18 on Nicey Music

Healing Contest Album Teaser

Owe it 2 the Girls

Readjusting the Locks

M.P.S.

Silhouettes

Shadow Show - Shadow Box

Art-punks Deliluh have returned with their second album of 2019. Recorded in the same veterans hall 5 months prior to it’s sibling record (Oath Of Intent), Beneath The Floors delves deeper into their dark imagination, stretching further into stylistic extremes. Spoken stories that thread through the ringing clamour of post-punk anthems (Incantessa, Lickspittle: A Nut in the Paste) are juxtaposed by the soft whisper of ballads (Via5A, Hangman’s Keep) and sinister instrumental passages (Falcon Scott Trail, Con Art Inc.) Rests between songs are seldom. Hard cuts and hiss from the reel-to-reel tape sessions inject a spirit of conviction through each passing movement, leaving behind a sense of wonder in their wake.

Beneath The Floors

Deliluh - Beneath The Floors

recorded on 4 track by ricky hamilton & marty brass in los angeles october 2019. this is a monophonic recording.

Meet Me Outside

New single from ShitKid, featuring Paul Leary (Butthole Surfers) and Josh Freese (Devo, NIN etc), out now. New album Duo Limbo/"Mellan himmel å helvete" out Jan 24 via PNKSLM Recordings. Pre-order at www.PNKSLM.com/store

www.shitkid.biz
www.PNKSLM.com

Get jealous

ShitKid - "Get jealous"

A review and sharing of music from a Burqueño...

Mega Bog - Blackout

Nicey Music

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