A very suggestive topic. Melancholy in abundance and great deal of sensitivity. As a medicine for the soul. I like. congratulations

this song is so beautiful outstanding work!

Für Joséfine - for Joséfine

Have been getting back in to playing piano - particularly some Einaudi and Olafur Arnalds stuff.
Recorded using a custom patch in Kontakt with the Galaxy Vintage D piano, played on my 88-key CME UF-80. 
I recorded straight to audio rather than midi, so the slip-ups are still in there. :)

Indaco (comp. Ludovico Einaudi)

universe

This track is from the album Carpe Lumen and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/bossenbroek3

Rest


Video Link:  http://youtu.be/9Luk_J1Ik-U

Helen Jane Long - Porcelain

Beautiful collaboration with Martin Herzberg https://www.facebook.com/martinherzberg/?pnref=lhc 
and Band.
My violin meets his wonderful sound.
Enjoy !!

No Fear - Martin Herzberg feat. Lena MolFa

My recording of Phillip Glass' Metamorphosis I at the Queensland Conservatorium of Music, recording by Jake Bragg.

Phillip Glass - Metamorphosis I

Winner of 2nd place in the International Songwriting Competition, in the instrumental category.

Its the end of another year, and what a wild and chaotic year it has been. Needless to say lots of good things have happened in 2016 as can be found in this blog post http://helthehatter.tumblr.com/post/152910935316/good-things-that-happened-in-2016.


All Rights Reserved

Charge Into 2017

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For many years, whenever I play the piano and compose, before even touching the keys to play, I stay still. I begin from silence. I enter into a precise, recognized state and from this silence, the sound appears. It is an essential and directed sound that surpasses obstacles and divisions. It is not a mental or intellectual process but rather it is music that flows from emotion through melody and harmony, which, throughout time, have been the primordial elements of the power of sound.

“Quarto Tempo” is the space beyond the confines of the three time periods: past, present and future where the before, the now and the then, meet and cancel each other out. This inexplorable space is the setting where I find an attitude open to listening of the music and the sentiments that spring from it. This desire to go beyond these limits is a constant that is central to my work.

The historical view that at one time placed the musical time periods distant from one another has now changed from temporal, prospective and spatial; this modifies the relationship with consequentiality. One is not influenced only from what comes immediately beforehand but rather is impacted in the same way by a sound from five hundred years ago as by a sound from five years ago. 
The running of the tape or the turning of the needle on the vinyl of the LP, symbols of the running of time, is replaced by Hard disk where memory, rather than this running, exists. Here, the spanning of time becomes space.

Personally, I am interested in Music within mythology. This very music that through the powers of sound, charmed dolphins and made trees dance in the myth of Orpheus, sound that through its objective power, made the walls of Gerico come tumbling down. 
I believe that music, the universal language, should speak to everyone and needs not extensive explanation, at least in a deeper sense, but rather should be allowed to resonate within us so that we can hear what it evokes. 
The relationship I have with music has for many years, been tightly interwoven with my own search for personal evolution. It is an education that approaches, in essence a mirror. Through music I find myself in a vast and limitless flow. I have the opportunity to transmit my aspirations, to communicate what I feel and what I believe.

Floating- Quarto tempo

Joy (Piano Solo Edit)

Interpretation of the music of the film "Cloud Atlas".

This is also available on YouTube! Just search for it and you'll find the video :)

An arrangement for piano of different parts of the music from "Cloud Atlas" by Tom Tykwer and more.

Most of the parts are played by the character Robert Frobisher in the movie, and can not be found on the soundtrack.

Additional composing has been made to shape the different parts into the one piece: "Cloud Atlas Sextet for Piano".

An interpretation of "The Atlas March" has been used as prelude and postlude - these include a bass, a cello, and a violin.

The only named full piece from the movie ("Cloud Atlas") incorporated in this arrangement for piano is "Travel to Edinburgh".

Enjoy.



Cloud Atlas Sextet for Piano (With prelude and postlude: The Atlas March)

Ambient textures with techno reflections.
Too old for the fast stuff. 

Indaco (comp. Ludovico Einaudi)

Nic Hodges

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