Lolita (born c. 1966), also known as Tokitae (Toh-Kee-Tay), is a female orca from the L Pod of southern resident orcas. She has been in captivity at the Miami Seaquarium in Florida since September 24, 1970, after she was captured and taken from her home in the Pacific Ocean. As of 2022, Lolita is the second oldest orca in captivity, and her enclosure (which is 80x35x20) is the smallest whale pen in the world. Lolita has been in this space for over 53 years, most of which have been spent alone, swimming in circles, over and over, as the bright inescapable Florida sun burns her skin. 
80x35x20 is written to tell Lolita’s story. The story is split into 3 seamlessly connected parts. Part 1, “Free Tokitae”, listeners learn about her life in the ocean, free, swimming with her pod. Part 1 is the shortest of the 3 sections in order to represent how most of her life has not been spent freely in the ocean where she belongs. Part 2, “Taken”, tells the story of Lolita’s capturing. Lolita is 1 of 7 whales captured from this violent event on August 1970. “Taken” is designed to recreate the events and feelings of that day from the perspective of Lolita.  Part 3, named “Free Tokitae” tells the story of Lolita’s life in her enclosure. This section showcases the isolation, and angst that Lolita experiences every day, for 53 years and counting. The very end repeats the main melodic idea in the piano, over and over, fading away, to visualize Lolita swimming circles in her tiny tank for eternity. One may notice part 1 and 3 are named the same. However from beginning to end, these names hold vastly different meaning.
The story of Lolita is absolutely heart wrenching, and is something I have known about since the age of 12.  I made this piece for Lolita, but also as a wake-up call to the world; animals aren’t for our entertainment. Afterall, Lolita’s story is just one of millions. As humans, it is our job to stand up for those without a voice, and to bring light to the very harsh realities of what we have done to the world and it’s other inhabitants. Ignorance is bliss, but not for the victims of these dark realities.

Recording: 
Central Washington University New Music Ensemble, May 20th, 2023
Nicholas Sassé, conductor

80x35x20 Premiere

“Petrichor”, for Bass Clarinet and Marimba, is a musical composition dedicated to those affected by the world water crisis. According to a 2019 World Health Organization's report on water inequality, “one in every three people worldwide lack access to safe drinking water” --- and this number is growing. Being raised in a middle-class suburban town, in Washington State, I never knew that access to safe, clean water was something that many people lack, both here in
the USA and across the world. It wasn’t until I read up on the issue, that I realized that the basic necessity of water is something many people do not have. Places in the USA like Benton Harbor (MI), Pittsburgh (PA), Central Valley (CA), Newark (NJ), and Flint (MI), are all but a few places which have faced unsafe water conditions in recent years. Globally many countries such as Ethiopia, Papua New Guinea, Uganda, and many more lack water infrastructure to more than half their populations, according to the World Vision Organization. The problem goes far beyond safe water --- some parts of the world have no water. A classic example would be Lake Mead (NV) --- to which I visited in 2022. The once massive reservoir has lost over 150 feet of water since the early 2000s. The water levels were so low when I went, that the view from the top of Hoover Dam was dizzying. In surrounding areas, citizens are under water
restrictions whereas big corporations and casinos are not held to the same standard. As one may see, the issue of water is broad, complex, and sad. I personally have never felt the effects of water scarcity, but my heart goes out to those who have.

Composed for the internationally acclaimed duo Transient Canvas, the composition explores what it feels like when one has fresh water after a long drought. Petrichor is the earthy scent which is produced when rain falls on dry soil. To me, petrichor is fresh, an ode to spring--- to many, it is the difference between life and death. The composition aims to put listeners into the landscape, to feel petrichor, and to bring out the emotions associated with this
beautiful phenomenon. By doing so, it is my goal as a composer to get people to understand that water is much more than a bottled commodity, it is the essence of life.

Petrichor

Transient Canvas
Bass Clarinet and Marimba

Recorded in Alba Music Festival, Alba, Italy

June 2023

On White Mountain... (for bass clarinet and marimba)

Paris Fashion Week 2019 Mix

Nicholas James Sasse (B. 2001) is an American composer and clarinetist. Nick has been playing piano since the age of 9, clarinet since he was 10, and composing music since the age of 12. He has studied musical composition at a collegiate level since 2020 under the direction of Dr. Martin Kennedy and later under Dr. Jiyoun Chung. Nick has also participated in and won numerous composers competitions including the Trudie Woll Memorial Composition Competition, been a finalist in other competitions such as the ASCAP Morton Gould Young Composer Awards, and has been a composition fellow for the Alba Music Festival. Nick’s music has been performed both nationally, and internationally.
 Nick considers himself a composer whose goal is to make instrumental music accessible to the common listener. He strongly believes that instrumental music isn’t something that only a trained ear can appreciate; it is something that anybody should be able to understand and enjoy. He furthers his belief in that all music should have a meaning and hold weight in the larger context of the world. Nick constantly pursues this philosophy through his compositions; always drawing meaning to everything he writes. Pulling from many styles, Nick creates music which any person could connect to. His music is not categorized as “simply fun to listen to”, but instead as music which evokes specific emotion in people--- immersing them in environments which better connect them to their own self.


Petrichor

Nicholas Sasse

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