Lolita (born c. 1966), also known as Tokitae (Toh-Kee-Tay), is a female orca from the L Pod of southern resident orcas. She has been in captivity at the Miami Seaquarium in Florida since September 24, 1970, after she was captured and taken from her home in the Pacific Ocean. As of 2022, Lolita is the second oldest orca in captivity, and her enclosure (which is 80x35x20) is the smallest whale pen in the world. Lolita has been in this space for over 53 years, most of which have been spent alone, swimming in circles, over and over, as the bright inescapable Florida sun burns her skin. 
80x35x20 is written to tell Lolita’s story. The story is split into 3 seamlessly connected parts. Part 1, “Free Tokitae”, listeners learn about her life in the ocean, free, swimming with her pod. Part 1 is the shortest of the 3 sections in order to represent how most of her life has not been spent freely in the ocean where she belongs. Part 2, “Taken”, tells the story of Lolita’s capturing. Lolita is 1 of 7 whales captured from this violent event on August 1970. “Taken” is designed to recreate the events and feelings of that day from the perspective of Lolita.  Part 3, named “Free Tokitae” tells the story of Lolita’s life in her enclosure. This section showcases the isolation, and angst that Lolita experiences every day, for 53 years and counting. The very end repeats the main melodic idea in the piano, over and over, fading away, to visualize Lolita swimming circles in her tiny tank for eternity. One may notice part 1 and 3 are named the same. However from beginning to end, these names hold vastly different meaning.
The story of Lolita is absolutely heart wrenching, and is something I have known about since the age of 12.  I made this piece for Lolita, but also as a wake-up call to the world; animals aren’t for our entertainment. Afterall, Lolita’s story is just one of millions. As humans, it is our job to stand up for those without a voice, and to bring light to the very harsh realities of what we have done to the world and it’s other inhabitants. Ignorance is bliss, but not for the victims of these dark realities.

Recording: 
Central Washington University New Music Ensemble, May 20th, 2023
Nicholas Sassé, conductor

80x35x20 Premiere

Transient Canvas
Bass Clarinet and Marimba

Recorded in Alba Music Festival, Alba, Italy

June 2023

On White Mountain... (for bass clarinet and marimba)

Third Movement is a composition inspired by the painting of the same name. This painting is created by J.A. Tan, an artist on the autistic spectrum, and was made to amplify neurodivergent voices and to promote the idea of multiple life perspectives. Third Movement is ever changing in my eyes, which is why in the musical composition one will hear various moods, tones, and colors. The goal of the music is to get people to view the same painting through multiple lenses, in order to realize there are many (valid) ways of experiencing life. In the end, this ties into validating and amplifying different voices through the arts. It is important to learn that everyone’s existence and perception is different, and that’s what makes diversity so beautiful. So, instead of giving exactly what the composition means to me, I invite the viewers to create their own story, aided by the sounds and visuals experienced from the painting and music.

Percussion Ensemble Concert

Third Movement

Paris Fashion Week 2019 Mix

Nicholas James Sasse (B. 2001) is an American composer and clarinetist. Nick has been playing piano since the age of 9, clarinet since he was 10, and composing music since the age of 12. He has studied musical composition at a collegiate level since 2020 under the direction of Dr. Martin Kennedy and later under Dr. Jiyoun Chung. Nick has also participated in and won numerous composers competitions including the Trudie Woll Memorial Composition Competition, been a finalist in other competitions such as the ASCAP Morton Gould Young Composer Awards, and has been a composition fellow for the Alba Music Festival. Nick’s music has been performed both nationally, and internationally.
 Nick considers himself a composer whose goal is to make instrumental music accessible to the common listener. He strongly believes that instrumental music isn’t something that only a trained ear can appreciate; it is something that anybody should be able to understand and enjoy. He furthers his belief in that all music should have a meaning and hold weight in the larger context of the world. Nick constantly pursues this philosophy through his compositions; always drawing meaning to everything he writes. Pulling from many styles, Nick creates music which any person could connect to. His music is not categorized as “simply fun to listen to”, but instead as music which evokes specific emotion in people--- immersing them in environments which better connect them to their own self.


Third Movement

Nicholas Sasse

Related tracks