Live recording at Wentworth Woodhouse, 15 April 2022

Mark Fell, electronics
Limpe Fuchs, percussion

Recorded and mixed by Nicholas Moroz

Mark Fell & Limpe Fuchs — Live

Watch the music video: 
https://youtu.be/t1mN5RdC0Z4

Written, recorded, produced and mixed by Martyna Basta
Mastered by Adam Badì Donoval
Released by Stroom

Flame After Flame

https://larrycreature.bandcamp.com/album/machine-demons

Night Of The Demon - Machine Demon)))

Track by Yakovenko Ihor. from EP "De rerum natura", that will be released 08/11.  

Pre-order link: https://eco-futurism-corp.bandcamp.com/album/de-rerum-natura

When Botanica meets Eco Grime.

De rerum natura

Yakovenko Ihor. - lupus timere - in silvis, non coitae!

Half-improvised set with vocals and generative synthesizers, specially prepared for this invitation. Thank you to Mika Oki for having me, and Loto Retina for the sound and recording.


Live at Brasserie Atlas - Bruxelles 24.11.07

SIMILAR SITUATION

GŐZKABIN

GŐZKABIN - sublime

Pluxin

This track is for relaxed listening, headphones on eyes closed. I have used samplers, synths and field recordings in its production.

soundscape IV (arrival)

The haiku that guided this;

Winter waterfall
a rock untouched
by sunrise or sunset
(Naviar haiku challenge 607, details here: https://www.naviarrecords.com/haiku-music-challenge ),

has an obvious staring point, "Winter Waterfall" the track has finished up quite experimental.


Waterfall = white noise.
So I started with a noise source in Voltage Modular and created an evolving sequence that processed the noise output through a spectral filter bank using two instances of the WC-96 Spectral Processor from DMT Audio. I then created a rhythmic element by feeding that output through an LFO controlled envelope, passing the output on to Quadelay from Waverley Instruments. 

With the noise elements in place I added some pulses using basic VM modules then moved on. Having used a couple of tweaked Dreamsynth presets last week I decided it was time to take the deep dive and learn how to patch Dreamsynth from scratch. Dreamsynth (https://cherryaudio.com/products/dreamsynth) is deep, almost modular. I made a patch for the chord sequence; yes I know it's a bit weird but I liked it in isolation while developing the DS patch so kept it all be it sequenced, converted to MIDI and passed out from VM. While experimenting I found that if I played in a low register I got a rumbly semi random texture so I split that off and tweaked it a bit to represent the rock, triggered by a separate sequence in VM. The final element is a drone layer made from DMT Audio's "West Coast" modules (Uncertainty and Harmonic Oscillator), left over from an early experiment and passed through a band pass filter modulated by reused control, voltages from the noise sequencing. 

With all the elements in place I made two changes before recording, I added a small amount of ShimmerVerb from Eventide to the chord sequence and replaced the pure white noise that I'd planned to use at the beginning with a sample of a real waterfall from freesound (Staying close to waterfall by trader_one -- https://freesound.org/s/670515/ -- License: Creative Commons 0), because I wanted a touch of gurgling water.

With everything in place; opening waterfall, mapped physical controls, multitrack recording and no real plan. I hit record and improvised, one take, longer than I'd expected.
I'll own up to doing a lot of mastering to make the dispirit elements gel but didn't add anything significant.

Mark Fell & Limpe Fuchs — Live

Nicholas Moroz

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