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Preorder the vinyl of S. Fidelity’s upcoming album "Fidelity Radio Club" here: https://sfidelity.bandcamp.com/album/fidelity-radio-club
Find all radio shows & links to the album here: https://fidelityradioclub.com​

FRC (Fidelity Radio Club) is a radio show where I invite people to give them the space to play the music they love and that inspires them. This time, Swiss homie and "Love International Inc." feature @melodiesinfonie shares his favorite tunes at the moment.

The FRC series is evolving around the same-titled album "Fidelity Radio Club", which is released on April 9th via Jakarta Records.

Have a wonderful day, Fidelity

TRACKLIST: https://bit.ly/3rHSV7Y

FOLLOW MELODIESINFONIE:
Instagram: https://www.instagram.com/melodiesinfonie/
Spotify: https://open.spotify.com/artist/3YndyZk8nVLJKspIBo0nLd
Apple Music: https://music.apple.com/de/artist/melodiesinfonie/429518996
Facebook: https://www.facebook.com/melodiesinfonie/
Soundcloud: https://soundcloud.com/melodiesinfonie/

FOLLOW S. FIDELITY:
Instagram: https://instagram.com/s_fidelity
Facebook: https://facebook.com/s.fidelity
Bandcamp: https://sfidelity.bandcamp.com
Spotify: https://open.spotify.com/artist/3XQIlYQsopsDCYMSkf1rEW
Apple Music: https://music.apple.com/de/artist/s-fidelity/908330756
Soundcloud: https://soundcloud.com/sfidelity/

Buy Vinyl

MELODIESINFONIE – S. Fidelity's FRC Radio Show (Episode 008)

Bill Evans "Live at Art D'Lugoff's Top of The Gate.

Deluxe digi-pack & Limited edition 3LP, 180 gram box set.


 A newly unearthed discovery of Bill Evans recorded in Greenwich Village, NYC on October 23, 1968.

Featuring Eddie Gomez-Bass & Marty Morell-Drums. 

 2 Complete Never Before Released concerts!

 All previously unheard performances.

 The only Evans recording ever released from The Village Gate.

 Digitally remastered from the original tapes recorded & mixed live providing stellar sound & clarity.

 Features rare tracks (in some cases recorded live with the Bill Evans trio for the very first time).

 Deluxe 2 CD digi-pack contains 28 page booklet with essays by Nat Hentoff, Gary Burton, Eddie Gomez, Marty Morell, George Klabin & Art D'Lugoff's son, Raphael D'Lugoff.

 Includes iconic photos by Tom Copi, Jan Persson, Raymond Ross, Fred Seligo, & Herb Snitzer.

 Interesting historical documents including contracts, postcards, family photos and more.

Also Available as a Limited 3LP Box Set Edition:

 180 gram vinyl pressed on 12" LP's at 45 RPM by Record Technology Incorporated (R.T.I.).

 Deluxe hand numbered (lift off) 13"x13") box by Ross-Ellis.

 Mastered by Bernie Grundman.

 Includes 4 panel 12" x 12" version of the CD booklet.

TRACK LIST:

Disc One - Set 1 
1. Emily (Mandel & Mercer)
2. Witchcraft (C. Coleman)
3. Yesterdays (J. Kern)
4. Round Midnight (T. Monk)
5. My Funny Valentine (Rogers & Hart)
6. California Here I Come (De Sylva, Jolson & Myers)
7. Gone With The Wind (Magidson & Wrubel)
8. Alfie (B. Bacharach)
9. Turn Out The Stars (B. Evans)

Disc Two - Set 2 
1. Yesterdays (J. Kern)
2. Emily (Mandel & Mercer)
3. In A Sentimental Mood (D. Ellington)
4. Round Midnight (T. Monk)
5. Autumn Leaves (J. Kosma)
6. Someday My Prince Will Come (Churchill & Morey)
7. Mother Of Earl (E. Zindar)
8. Here's That Rainy Day (Burke & Van Heusen)

http://www.resonancerecords.org/release.php?cat=HCD-2012

Bill Evans - Someday My Prince Will Come

Live 60-minute mix of over 50 J Dilla jazz samples, aimed at the fans who want to know everything the man ever used.  All tracks are ripped from 100% original vinyl.  Enjoy and RIP Dilla - STILL NUMBER ONE.

Mediafire Link - http://www.mediafire.com/?l63my21on5u3qhi

The Token Jazz Hour

15 Mins

this tune is finally out properly on digital and vinyl!

please check here

https://www.unearthedsounds.co.uk/products/romaal-kultan-no-time-like-the-future

or here
romaalkultan.bandcamp.com/album/no-time-like-the-future

thank you!!
xxx

Romaal Kultan & Cypriano - Music Room

Fort Worth Stomp - Aurora Nealand & The Royal Roses

Don't Let Your Love Go Wrong - Aurora Nealand & The Royal Roses

Jordan Rakei x Street Rat - The 4th Element

“Letters“:

Nicholas Payton — Trumpet, Piano, Rhodes, Organ
Vicente Archer — Bass
Bill Stewart — Drums

Playing with Dilla's beats is just another way for me to practice and improvise, guess I'm not the only one doing that.
 
There's no losin' game when playin' with Love 
that's what I've learned from you, Dilla.
 
Blessing

1. What's up (Detroit 98)
2. I believe in a love Supreme (Let me be the one)
3. What a color (Colors of you)

Art Work by J.Lamotta Suzume

About Love #1 (Dilla Tribute)

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

Presave 'Elevate': ffm.to/abaseelevate

Jessie Davis - vocals
Szabolcs Bognar aka Àbáse - Fender Rhodes, Moog Opus 3, Moog Little Phatty, Micro Korg, percussion, drum programming, Fanni Zahar - flute, Tamas Heilig - bass

Mixed at Studio Einz by Andras Koroknay and Andras Kalman

Mastered at Analog Cut Mastering, Berlin by Marco Pellegrino

Cover art by Levente Csordas

Elevate (feat Jessie Davis, Solqlap Budapest)

'In The Spotlight' Volume 1 with Kaidi Tatham

More than 3 hours of killa gems. by @kaidi-kat

It is Kaidi Tatham at all, the master of future jazz and broken beats 🇬🇧

IG: https://www.instagram.com/kaidikat/
Twitter: https://twitter.com/kaidi_kat

@ M I X C L O U D ----- ► https://www.mixcloud.com/Peeano/in-the-spotlight-volume-1-with-kaidi-tatham-compiled-by-peeano/

'In The Spotlight' Volume 1 with Kaidi Tatham (Part I), compiled by Peeano

Our latest Compilation featuring family from all over. Enjoy <3

Featured Artists:
https://soundcloud.com/saintnwaizu
https://soundcloud.com/maloontheboom
https://soundcloud.com/asonleaux
https://soundcloud.com/alithatdude
https://soundcloud.com/undadesango
https://soundcloud.com/rylersmith
https://soundcloud.com/beatsamprassa
https://soundcloud.com/milessingleton
https://soundcloud.com/alecbe
https://soundcloud.com/melodiesinfonie
https://soundcloud.com/soulofzurich
https://soundcloud.com/loj-2
https://soundcloud.com/sptmbr-yngstr
https://soundcloud.com/lexamor
https://soundcloud.com/dylannegativ
https://soundcloud.com/sunheavy
https://soundcloud.com/intalektmusic
https://soundcloud.com/lowusounds
https://soundcloud.com/johnyholiday
https://soundcloud.com/dizkar
https://soundcloud.com/usandsparkles

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