Name: Disintegration from lack of self worth by nicholas sandhaus no made it soulishzz
Duration: 9 min 27 s
Description: Some alt/classic rock elements blues riff with rock/rap vocal flow about depression

Can't stop playing this. The guitar riff is everything, and that flow hits differently.

It’s not just a song, it’s a feeling.

I can tell you put everything into this song. It’s raw, it’s real, and it’s so relatable.

OUT NOW!! Available on all major streaming platforms and digital outlets. 

Recorded @LevelzStudiosJax 

Produced by Kujah Records / BBT 

#AmSoGhana  #newmusic   #KujahRecords 

Stream; https://youtube.com/channel/UCFLc86-G14gsrgVnjL5JCXA

Follow Mexxy Bone,

https://www.instagram.com/mexxy247/

https://open.spotify.com/artist/0K5VAfnD2TTpcKXqHL1xaa?si=rSEF1B4KTu2a0glWqx7nkw&utm_source=copy-link

https://music.apple.com/us/artist/mexxy-bone/1519681310?ls

https://audiomack.com/mexxy-bone

https://www.iheart.com/artist/mexxy-bone-34657727/

https://music.amazon.com/artists/B08BKX5RWG?ref=dm_sh_IDM0RPSBUSmQNRqkZsVQiKYAV

Facebook; @KujahRecords

Am So Ghana by Mexxy Bone

Enter the electrifying world of professional track and field, where the lanes are lined with conspiracy, corruption, and murder. This gripping sports drama follows the intertwined lives of athletes, media moguls, coaches, gangsters, and families, all racing toward their version of success and survival. 

Episode 1 is entitled ‘The Ties That Bind’.

The S Factor Episode 1

This by LANDR remastered club mixes takes the oppressive yet hopeful atmosphere of the prologue to Book 2 of "Hinter uns das Land" ("Behind Us The Land") and transforms it into a powerful dancefloor experience. Driving beats, heavy bass, and energetic synthesizer sounds create an atmosphere oscillating between despair and a sense of new beginnings. The song musically portrays the final moments of deceptive calm before the storm, highlighting the inner turmoil of the Feyerabend family. Feel the looming danger, but also the love and cohesion within the family.

Dieser von LANDR remasterte Club Mix fängt die bedrückende und zugleich hoffnungsvolle Stimmung des Prologs zu Buch 2 von "Hinter uns das Land" ein und überträgt sie auf den Dancefloor. Treibende Bässe und energiegeladene Synthesizer-Klänge erzeugen eine Atmosphäre zwischen Verzweiflung und Aufbruch. Der Song zeichnet musikalisch die letzten Momente der trügerischen Ruhe vor dem Sturm und stellt die innere Zerrissenheit der Familie Feyerabend dar. Spürbar wird die aufziehende Gefahr, aber auch die Liebe und der Zusammenhalt der Familie.



1 - Fathers Stand In Silence (LANDR remastered)

It's been awhile soundcloud... But guess what, i'm back babyyy

GUESS WHO? OH ITS CK

Ich bin 17 Jahre alt und habe hier meinen ersten Bedroom-Mix aufgenommen. Das Set besteht aus House-Musik, die ich mit viel Freude zusammengestellt habe. Da es mein erstes veröffentlichtes Set ist, freue ich mich über jede Rückmeldung 

Viel Spaß beim Anhören!

📲 Instagram: @kyrillosfranjo

House of Kyrillos

This album is Classic Rock…Vol.9 which is my 57th Album and continues with more classic rock hits across the generations and contains hits from 1968 to 2008.

‘3AM’ is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996).

‘25 or 6 to 4’ is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in August 1969 for their second album, ‘Chicago’.

‘Whiskey in the Jar’ is an Irish traditional song set in the southern mountains of Ireland. In the U.S., the song was popularised by the Highwaymen, who recorded it on their 1962 album ‘Encore’. Irish rock band ‘Thin Lizzy’ hit the Irish and British pop charts with the song in 1973. 

‘The Road to Hell’ is a song by British singer-songwriter Chris Rea, the tenth studio album of the same name, released in 1989.

‘Endless Summer Nights’ is a song performed by American rock singer Richard Marx, released in January 1988 as the third single from his debut album titled ‘Richard Marx’.

‘The Whole of the Moon’ is a song by Scottish band the Waterboys, released as a single from their album ‘This Is the Sea’ in October 1985.

‘Band on the Run’ is a song by the British American rock band Paul McCartney and Wings, the title track to their 1973 album ‘Band on the Run’.

‘Mercy’ is a song performed by the Welsh singer Duffy, released as the second single from her debut studio album, ‘Rockferry’ (2008). 

‘Turn to Stone’ is a 1977 song by Electric Light Orchestra (ELO). The song is the opening track to the double album Out of the Blue and released in early 1978.

‘A Little Bit Me A Little Bit You’ is a song written by Neil Diamond, recorded by ‘The Monkees’, and released as a single on March 8, 1967.
 
‘Magic’ is a 1974 song by Scottish pop rock band Pilot and was the first hit single for the group. It was written by band members David Paton and Billy Lyall for their debut album, from the Album of the same name.

‘Back in the U.S.S.R.’ is a song by the English rock band ‘The Beatles’. It is the opening track on their 1968 double album, The Beatles (also known as the ‘White Album’).

‘Atomic’ is a song by American rock band Blondie from their fourth studio album, ‘Eat to the Beat’ (1979).

‘Gloria’ is a 1979 song written and composed in Italian by Umberto Tozzi and Giancarlo Bigazzi. It was translated to English by Jonathan King. A 1982 cover version by American singer Laura Branigan, with different English lyrics, peaked at number two on the US Billboard Hot 100.
 
‘Bring Me Some Water’ is a song by American singer Melissa Etheridge. It was released in 1988 as her debut single from the Album titled ‘Melissa Etheridge’.

‘Copperhead Road’ is a song written and recorded by American singer-songwriter Steve Earle. It was released in 1988 as the first single and title track from his third studio album of the same name.
 
‘I Still Haven't Found What I'm Looking For’ is a song by Irish rock band U2. It is the second track from their 1987 album The Joshua Tree and was released as the album's second single in May 1987.

‘Hotel California’ is a song by American rock band the Eagles, released as the second single of their album of the same name on February 22, 1977.

I really enjoyed doing these cover songs for this classic rock album, which I feel is one of best rock album that I have recorded and produced to-date.

Enjoy!!!


Hotel California (O'Neill Fernandes)

This set was a labor of love...took a while to compile...poured my recent learnings into this....Hope you like it as much as I do....JUST HIT PLAY

Just Hit Play

This week LTP host David Boylan is stoked to be joined by Cheryl Storms, chef-owner of New Wave Bagels in Leucadia, Encinitas. Cheryl has an impressive culinary background and was definitely shaped by the new wave music of the 1980's. She shares her story and all about her fabulous bagels and more this week on Lick the Plate San Diego.

Cheryl Storms - Chef-owner of New Wave Bagel in Encinitas

Some alt/classic rock elements blues riff with rock/rap vocal flow about depression

Disintegration from lack of self worth

Enter the electrifying world of professional track and field, where the lanes are lined with conspiracy, corruption, and murder. This gripping sports drama follows the intertwined lives of athletes, media moguls, coaches, gangsters, and families, all racing toward their version of success and survival. 

Episode 2 is entitled ‘Chasing Shadows’.

The S Factor Episode 2

Stage 2 - 13 End The World Has Come Between Us

nicholas sandhaus no made it soulishzz  I am Nick or Nicholas Sandhaus guitar vocals with most of the songs drummed by drummer artist name Jay snake who also plays guitar on here as well as vocals as well some with digital drums I created along with a guitar and a guitar used for bass with a bass effect as well as digital organ keyboard 
Mixed original songs include : alternative rock grunge metal and some rap type vocal phrasing in most songs 
About societal political and emotional obstacles and speaking truly about it . Being an introvert with limited opportunities has created a depression aroma and been through alienation consistently so this music is basically a vent out of failure and desperation of being an outcast and unsuccessful in life because of my mental disorder and how it has been used against me .. I don’t know what to expect from all this but at least it’s something to be remembered after I’m dead even if never become a famous musician or celebrated artist  

Email: snieley@aol.com

Or snieley999@gmail.com

Nicksandhaus773@gmail.com

From Philly

Disintegration from lack of self worth

nicholas sandhaus no made it soulishzz

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