I love the expressiveness of this music. I can the journey of excitement and trepidation!

What a wonderful track! Amazing composition!

Done around 1980, recorded in the front room, the music all recorded to two tracks on a Fostex 4 track cassette deck, which I still have. The drums were in the downstairs bathroom, behind the front room, surrounded by microphones. The vocals were added later but are only rough. Never got round to recording them properly; when I find the original music I will record them properly. The tape this recording is taken from is damaged, so it is cutting out, but I do still have the original Fostex recording.
>
The band was called TALKING ABOUT LIFE, Mark Harrington and I shared lead vocals, and I played keyboard; if we had been based in Manchester rather than a nothing town like Crewe, it would have been a different story, we might well have broken through, instead, the band disintegrated, although Mark, myself and Steve Lomas continued to do stuff together. 
>
Steve wanted me in a later band of his called Sensibility, because he wanted to bring in more variation, but the lead in the band didn't--that band didn't last long either--a pity, it had real potential, but stuck the same style, which wasn't at all good for Steve, a brilliant guitarist playing in a limited style that, in truth, wasn't him, was beneath him, tantamount to putting handcuffs on him.
>
Tragic that Steve died at such a young age, and I was told Mark committed suicide, but I still haven't been able to confirm that--I continue to pray the information was wrong, but have a feeling it was true. If Steve was still living today that's who I would be in a band with. And what a pity the drummer quit drumming, which is the main reason why the band came to an end!

AT THE NECROPOLIS (Swing Shift City Of The Dead) inst

Ba,E.Piano,E.Drums with Syn Manip, and Keys,Gt
ポップでファンク、リズムポケットの妙、お互いみてないようで見てるんかい！という掛け合い。
リズム隊はややNeoSoulにありそうな揺れを意識しました。ドラムのキックとSyncClock、それぞれをトリガーにアナログシンセがミョンミョン鳴る様に仕込んであります。

大分おこがましく、若干ハービー・ハンコック73'のヘッドハンターズのテイスト。

この頃は本当に！どれも素晴らしいプレイヤーばかり。
ジミヘンのジプシーズフィルモアイーストの盤が70年に、クラプトンの461 Ocean Boulevardが74年。
改めて好きな年代です。

①基本的にベーシスト思想なので、ベースがカッコいい曲。イナタイ感じを求め、手元のプリアンプはスルーしてます。出来るだけ弾かずして、ドラムのポケットに入っていく感じでプレイ。

② E.DrumsはHipHopキットみたいなのを作成。アコースティックのドラムに808の音をレイヤー、さらにパラアウトでキックがアナログシンセのSAW波をトリガーするようにしています。

③シンセにはキックからのトリガーとは別にGate信号でSyncさせたLFOが2基シーケンスするようにしています。

④ウワモノのエンジンは真ん中のマシン。下の鍵盤からトリガーしています。(オルガンの時は真ん中の鍵盤で演奏)
エレピは下がステイしている間は自由にボイシングしています。
P.fのバッキングパターンは最後まで悩みましたが、今回この様な感じに。

⑤ ギターが随分地味ですが、左右2トラック入ってます。左が裏メロ、右がワウカッティング。

???!〜どういうイミやねん！〜

All Quiet

Robotic Beach Love

Technical Leg Warmers

The Fume Of Sighs by Amy Fear. My Fault Music 2023.

The Fume Of Sighs

Recorded live. My interpretation/cover of the Tim Buckley song that was covered by This Mortal Coil. The video is on my YouTube channel. Please see links or visit https://youtu.be/CdP6DpMWFdE?si=N01sHsg3RPLjYYg4

Song To The Siren (This Mortal Coil Cover By littleuniverses)

Open Collab by Order 0v Thee Octopi
https://soundcloud.com/jameshootman

Original Track
https://soundcloud.com/jameshootman/sheteaches2nakednuitpriestcraft

Order 0v Thee Octopi + Insatiable Void - Night Rollers

A New Dawn

Final Approach

While feeling the stones and crevices, you see a figure, barely distinguishable beyond a silhouette.

Hadal

Amazing original music by @kybernetix
Vocal arrangement, lyrics and mix by me.

"chances are i will never forget you
as we fall in love again
bring home the moon
chances are we will never forget
holding on to what may be
as we fall
we tell ourselves
when the days end
and all is lost
standing on the edge
standing on the edge of the world"

Lyrics by Wildsilences

Wildsilences - on the edge (feat. Kybernetix)

KR - Pharaohs - Revenge

Songwriter, Composer, Producer. I write music and songs for TV, Film and for digital release. 🌱 New Classical Album “The Garden” out 3rd September!

Final Approach

Nick Hinton Music

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