nikodem looks like michel berger, ,,, physicly i mean )

ain't my fault is this BP disaster off coast of USA in like 2010?

Ain't My Fault RMX_mastered.mp3, with no ID tag. Had this file for years and couldn't remember where I got it. Couldn't even remember who it was a remix of.

MOS DEF, LENNY KRAVITZ, THE PRESERVATION HALL JAZZ BAND, TROMBONE SHORTY came together to make this song in response to the BP OIL SPILL. Nickodemus & Brian J of The Pimps of Joytime busted out this REMIX because we simply HAD TO! ALL PROCEEDS for the purchase of this tune & the original album go to www.gulfaid.org *please make a donation!!  Still tryna wrap our heads around it all... still can't believe we witnessed this shit go down in 2010!

"Ain't My Fault" Gulf Aid Allstars (Nickodemus & PJT's REMIX)

Urban / Organic / Electronic / Global MUSIC you can bend a knee to!  
https://www.songkick.com/artists/30529-nickodemus

Nickodemus is a traveler at heart—a connector of worlds, scenes, and people since the mid-90s. Over his extensive career as a touring DJ and producer, including 5 albums and canonical tunes like “My Swing es Tropical” and “Cleopatra in New York”, he’s helped pave the way for an inimitable mix of global fusion and the heavy beats we yearn for in the club. His music has long thrived on the close relationships and mutual respect of friends he’s built across the continents, felt through the worldly potions he cooks up in the studio, and spanning electronic sounds rooted in Latin, African, and Eastern instrumentation. His latest album, A Long Engagement, serves as a culmination of the inspirations he’s absorbed and remains rooted in his life as native New Yorker and the city’s nostalgic energy. 

Nickodemus’ sound is often focused on the connective tissue of his many live collaborations and the electronic solitude of his studio (or record-filled bubble, as he calls it). Through his much-loved label Wonderwheel Recordings, he’s not only regularly releasing some of the most soul-shaking, eclectic sounds in the biz, but focusing deeply on artist development and creating long-lasting moments that live on far longer than their track length. The music you hear in his releases are filled with expression, reflection, and care; they’re both open-minded and deeply focused, a rarity at time in today’s overcrowded music industry. 

As a remixer, he’s also lent his “Remix Machine” to a wide range of artists including pioneers like Bob Marley and Nina Simone, as well as other like minded genre-welders like Thievery Corporation, Quantic, and Mr. Scruff. Throughout his career he’s also carved an important niche in the live music scene with his beloved Turntables on the Hudson parties, that have popped up everywhere from New York to Cairo.  
 
Currently on tour around Europe & USA, his latest album "Soul and Science" is another portrait into the importance of shared ideas and the dialogue artists can share when they look past language or place of birth. It’s another bass-heavy global party and we’re all invited.

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