Chilled Tech

Tangled - Emmit Fenn

For promotion purposes only! I do not own this song, it belongs to it's rightful owners. Recondite - fiery. Label: innervisions 03-17-2014

Recondite - Fiery (Original Mix)

Clint Stewart - Throwing Stones EP
[SECOND STATE: SNDST006]

A: Clint Stewart - Throwing Stones 
B: Clint Stewart - Come Undone

For Clint's second solo effort on Second State he brings us two big room jams. With the Throwing Stones EP he takes the same approach as he did with the previous Warpaint EP by going for two different vibes on either side of the record. 
On the A side we have 'Throwing Stones'; a peak time club tune perfect for dark spaces and strobe lights. With giant rolling sub bass, a heavy kick, crisp hi hats and crunchy hand claps the groove slowly grows into a big break with atmospheric chimes and vocal snippets. Soon you are lost in an ethereal break, but suddenly snapped back into reality as the bass changes and a single looping synth takes center stage creating a driving yet euphoric peak time floor filler. 
With the flip side, Clint goes for a warmer, uplifting tone with 'Come Undone'. Starting with finger snaps and a growing arpeggio, the vibe slowly builds as big toms and dreamy atmospherics introduce a massive sub bass line. As a shaker creeps up and another synth blends with the original arpeggio the beat finally drops. A solid four to the floor groove ensues and culminates into a wash of delayed chimes as the breakdown introduces the lead; an unforgettable brass line that is sure to have all the hands in the air at a sunny open air or a morning at the club. 

VINYL
Decks.de: http://goo.gl/QXWTnx

DIGITAL
Beatport: http://goo.gl/pKDa5s
iTunes: http://goo.gl/VuZDCv

Clint Stewart - Throwing Stones

With 'Iyewaye', the first solo-EP after the release of his fifth album 'I am OK' last year, Oliver Koletzki shows himself in a new, but not altogether unfamiliar light: since his breakthrough in 2005 with 'Der Mückenschwarm' Koletzki hasn't sounded this hard. Preorder: https://itunes.apple.com/fi/album/iyewaye-single/id977201672

More Info

Oliver Koletzki - Iyéwaye

♬ Klick für mehr ☞ http://trndmusik.de/2015/11/powers-of-ten-stephan-bodzin-bekommt-remixe-von-pan-pot-und-co/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Mit der Veröffentlichung von „Powers of Ten“ bewies @stephanbodzin, dass der gebürtige Bremer noch immer zu den Meistern seiner Gilde gehört. Im Dezember 2015 legt der Musikproduzent, Liveact und Labelbetreiber nach: Am 18. erscheint eine Ansammlung von Remixen zu seinem im Juni 2015 erschienenen Longplayer. (...) „Wir haben uns für den Original-Titel „Zulu“ entschieden, nachdem wir uns alle Albentitel angehört haben und bei diesem Stück sofort wussten, wie unsere Version dazu aussehen sollte“, verdeutlicht Tassilo Ippenberger vom Produzenten-Team @pan-pot. (...)

Click for more

Stephan Bodzin - Zulu (Pan-Pot Remix)

BUY IT NOW: https://www.beatport.com/release/maskara-ep/1953959

Press Release: 
Wasting no time on the 2017 calendar, label bosses Pleasurekraft follow up the massive "Rigel" with their first EP of the year, with a little hand from Italian maestro Roberto Capuano. On the title track "Maskara", film aficionados might pick up on the use of composer Jocelyn Pook's "Masked Ball" which has now become infamous for its use in Stanley Kubrick's final film "Eyes Wide Shut". The boys' deft use of a small piece of the original work becomes the centerpiece around which everything else is constructed - with towering drums, and menacing chord stabs rounding out the track's dark landscape - just the way Kubrick might have envisioned it.

Closing out the EP, Roberto Capuano returns to the label to team up with the boys for the dark & brooding "Penetrator", a track that much like its lead melody slithers back and forth traversing the border between tech house and techno - a farewell to tech house - and a full embrace of the techno expanse that lay ahead for the imprint in 2017.

Both tracks already featured numerous times by Adam Beyer on his Drumcode podcast, Kraftek is very proud to present, the "Maskara EP".

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Maskara EP

BUY IT NOW

Pleasurekraft & Roberto Capuano - Penetrator [Out Now]

Get it here

Moby - Natural Blues (Reinier Zonneveld's Homage Remix) [Suara]

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Chilled Tech

Nico Kollertz