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Chillin' with soundclouders keeping us warm during those long winter nights…
IF YOU WISH TO D/L THIS (limit reached or maybe another SC trick, who knows with these greedy bastards), check me at hearthis: https://hearthis.at/laszlo.kovacs.52035772/

Idris Muhammad - Loran's Dance (Platurn Bass Sick Edit) @https://soundcloud.com/platurn
Christophe Lacroix - I'm a Boy @https://soundcloud.com/lacroixchristophe
Chord Marauder - Aljubarrota @https://soundcloud.com/chord-marauders
Jupiter Tuning Center - Soft Landing
Chicago '87 - Last Drink (Vostok-1 rmx) @https://soundcloud.com/nightvizionrecords
Nick Holder - America Eats Its Young (Terry Farley downtempo mix)
A Number of Names - Shari Vari (Mike Grant Cool People Mix)
Teddy Douglas Ft Marcel & Natalie The Floacist - Good Morning Love (Encore's Re-Groove) @https://soundcloud.com/blazing-encore
Mario Biondi -This Is What You Are (Dim's Hipster Jazz Version)
Lack of Afro - The Importance of Elsewhere
Gene Boyd - Thought of You Today (Karim's Extended Edit) @https://soundcloud.com/karimchehab
Gummy Soul - That's When Ya Lost
Billy Paul - Am I Black Enough For You (Smart Edit) @https://soundcloud.com/evil-smarty
BFE - Take the L Train (To Bklyn)
Quincy Jones - If I Ever Lose This Heaven (Dig It Dub Edit by Urban Grooves) @https://soundcloud.com/bergerdenis



Chillin' on deep funky jazz notes

Day 18 - 'Listen-in' featuring Mino Cinelu, Baba Israel & Matt

a great remix by Shazalakazoo from Serbia, we love that track!
blaaaast! 
available on dowload!
http://www.junodownload.com/products/1405144-02.htm
and Lp!
http://www.cd1d.com/diaspora-remixed-p-12176.html

Watcha Clan are the fierce posse of musical nomads to watch out for lately, their multi-ethnic, multi-groove infusions whip audiences into a dance frenzy, regardless of where in the world W-Clan happen to be on their never-ending tour trail. Along the way Watcha Clan met talented DJs, fellow musical travelers on dance floor journeys. Friendship and mutual inspiration blossomed, communicated in the languages of dub, ragga, reggae, drum'n'bass and electro, sung to melodies traditional or modern, with arabic and Mediterranean flavorings. "Diaspora Remixed" is Watcha Clan's tuneful travel diary, documenting these encounters in descriptive sound chapters. The authors include pioneering London collective Transglobal Underground, Balkan breakbeat maestri and kazoo virtuosi Shazalakazoo, EarthRise SoundSystem (NYC), Viennese sound-spice mixer Dunkelbunt, Dj Click (Paris), Gaetano Fabri (Brussels), BalkanXpress Soundsistema (Cologne), Spark (Berlin), Undergang & Mars Exist (Marseille), Barrio Populaire (Hamburg) and Stratman (Athens). Each give Watcha Clan's music a new, individual interpretation. Have a listen and take a sound trip

http://www.piranhashop.de/watcha_clan/diaspora_remixed/electric_world/7868/en

Balkan Qoulou (Shazalakazoo remix)

From bright Nigerian highlife horns to Ethiopian fuzz-tone guitar riffs, this Rough Guide presents a broad selection of rare African dance grooves. Hard to find but easy to dance to.

Free tracks, videos and more information at www.worldmusic.net/africanraregroove

The concept of ‘Rare Groove’ has come a long way since its origins in the 1980s London club scene, where DJs would try to out-do each other with soul and funk obscurities. These days the blogosphere is full of enthusiasts sharing their latest vintage vinyl finds, with African music providing rich pickings. But there is a largely untapped resource of independent labels in Africa, America and Europe releasing fabulous sounds that deserve a much wider audience. This collection pulls together a variety of African grooves music from Mozambican marrabenta to Nigerian highlife.

Gentleman Mike Ejeagha and his protégé Celestine Ukwu are both known for morally instructive songs in the Igbo language of south-eastern Nigeria. ‘Ikpechakwa A-Akem Kpee’ starts with a clarion call of horns and quickly settles into an old-school highlife groove. Ukwu is a bit more laid back, with a fabulously languid horn section. Osayomore Joseph is known as ‘Ambassador’ for popularising the Edo language through music. ‘Oyeye’, with its ringing guitar and rasping brass was one of his first hits in the early 1970s.

Orchestra Marrabenta Star De Moçambique takes its name from an urban music style from Maputo, speeding up the rural majika rhythm and adding pulsing horns. Ayalèw Mèsfin started singing with Ethiopian Police Orchestra before developing his own rock’n’roll-influenced sound full of moody fuzz-guitar riffs, keyboard stabs and horn punches. Analogue synths meet old school East African Rumba in ‘Kai Kai’ by Yam Yam, a previously unreleased track featuring the talents of Congolese émigrés Les Mangalepa, now based in Nairobi, and British producer Guy Morley. International Orchestra Safari Sound, formed in Tanzania in 1985, developed a style known as ndekule, which refers to both a traditional war dance and a species of snake. ‘Homa Imenizidia’, with lyrics about an overpowering fever, certainly has a serpentine grace! 

West Nkosi’s sax jive style provides a stepping stone between penny-whistle kwela and mbaqanga, the township music unforgettably dubbed ‘The Indestructible Beat’. ‘Malombo’s ‘Mbaqanga Blues’ is an edgier proposition featuring multi-instrumentalist Phillip Tabane and Gabriel Thobejane on percussion.

Super Cayor De Dakar described their brand of Afro-Latin music salsa-mbalax. The 1996 version of ‘Dégoo’ included here is more immediate than later recordings, with a sublime combination of keyboards and horns. Saleta Phiri was one of the first two musicians to receive ‘The Malawi Honours Of The Achievers Award’. His songs speak of the hardships of life in the volatile township of Ndirande. On ‘Ndolo’, Cameroonian polymath Francis Bebey combines pygmy flute, a rattle-bag of percussion and a gently funky bass-line with intriguingly contrasting vocal styles, though the theme is given away in the final line: ‘I’m singing my love for you’.


Gentleman Mike Ejeagha & His Premiers Dance Band: Ikepechakwa A - Akem Kpee

Barbecue Bob was one of the best-selling and most innovative blues artists of the late 1920s before he died at the age of just 29. Undoubtedly some of the most engaging early blues that you are likely to hear, his original and witty compositions had a huge influence on many of the blues greats that followed.

More information at http://www.worldmusic.net/barbecuebob

Barbecue Bob: Barbecue Blues

Before there was the bluesman there was the songster. Priding themselves on their huge musical repertoires, they performed every form of popular music of the day and could be described as the human jukeboxes of their time.

More information at www.worldmusic.net/songsters

Luke Jordan: Pick Poor Robin Clean (taken from The Rough Guide To The Blues Songsters

Cymande - Dove

Eco Il Mondo - violin

This cutting edge Rough Guide digs deep into today's dynamic, shape-shifting Brazilian jazz scene – leaving 'The Girl From Ipanema' lounging in the shade.

For more information: http://www.worldmusic.net/store/item/RGNET1345

Fernando Moura & Ary Dias: Mexido (taken from The Rough Guide To Brazilian Jazz)

Music composed for the concert hall, with influences from Eastern Europe, Appalachia, and the poetry of Robert Service and Mahmoud Darwish

13. Maramures I (excerpt)

15. Maramures III (excerpt)

Blanoz Ft. Maria Casandra Hausi - Cuvant Viu (rework)

Back To Her Man - Homage to Leonard Cohen

The look of hunger in a woman with heat
Is enough to lift an old man from his knees
Like the piece of a puzzle
he's been lookin' for
He was leanin' to dyin'
now he's comin' back for more.

The look of a woman
when she gets you alone
You can't see what's comin'
but there's blood in your bones.
There's powder in your pocket
and ships in your sea
Well it doesn't often happen
but it happened to me.

Then she goes back to her man
Back to her man
Back to, back to her man.

There's a look of war in the way that you go
But the lead in your arrow is loose,
don't you know?
And all that you've got is lost in the game
Of picking your own pockets
for someone to blame.

There may be nothin' above the art of love
Depending on who you're dreaming of
And you can't escape
when it feels like rape
But who's raping who?

Then she goes back to her man
Back to her man
Back to, back to her man. (2x)

She don't love him
She don't love him no more
Love him, love him (2x)

She don't love her man
She don't love (2x)

She goes back to her man
Back her man
Back to, back to her man.

Damien Rice - Back to Her Man

A duel with duality. 
Prod by Lantz
Additional Vocals by Kafaye 
Petal Garden Studios

Art by @reachmoonbase
Thank You For Your Patience. 
FLEUREVER 2018

• How Did I Get This Deep?

“KonKoma is the name of a tribe in Northern Ghana. They are very colorful and the rhythms are wonderful. This band is like a live rebirth of Ghana’s music from the 70s and 80s, it feels like very authentic and rhythmic Ghanaian music.” Alfred ‘Kari’ Bannerman

London based Afro-funk outfit KonKoma will release their self-titled debut on Soundway Records on June 25th.  Rooted in 1970s Ghana the group was produced and formulated by saxophonist Max Grunhard and producer Ben Lamdin (Nostalgia 77). The idea was to create a band around two highly esteemed Ghanaian musicians - Alfred Bannerman and Emmanuel Rentzos. Both are mercurial talents who over the years have graced the stage with the likes of Bobby Womack, Hugh Masakela and Peter Green as well as being long term members of the Afro-rock band Osibisa, but it wasn’t until KonKoma that the two old friends have had a band built around the two of them.  

The English-speaking West African country was the destination of Soundway’s acclaimed compilation series Ghana Soundz Afro-Beat, Funk And Fusion in 70’s Ghana. It has been a long held ambition for the label to work with a contemporary Ghanaian band who can push the country’s unique take on Afro-beat and highlife forward.

KonKoma adds a progressive edge to their rich blend of Afro-funk, jazz, soul and traditional African rhythms as well as acknowledging the 70s recordings that spawned the sound. Produced by Max Grunhard and Ben Lamdin, the album was recorded and mixed by Mike Pelanconi (aka Prince Fatty) in Brighton. 

Guitarist Alfred Bannerman, founding member of teenage Afro-rock band Boombaya (featured on the Soundway compilation Ghana Special) has remained one of the mainstays of the UK’s African music scene for more than 20 years. Keyboardist Emmanuel Rentzos has been playing alongside his fellow Ghanaian since the early 1970s when he was the lead singer of the young Ghanaian outfit Santrofi. Once Max and Ben had won the support of Alfred and Emmanuel, Ghanaian musicians and now key members of KonKoma, Nii Tagoe and Reginald ‘Jojo’ Yates came on board. As Nii explained in a recent interview with Soundway, it didn’t take much to persuade him. 

“If Alfred and Emanuel say, “Jump!” I would say, `’How high?” 

Nii Tagoe, a member of the Pan African Dance Troupe for over 20 years and the most natural frontman on stage, takes lead vocals on ‘Kpanlogo’ a ferocious up-tempo Afro-funk number that took it’s inspiration from a traditional Ghanaian dance where the movement of a dancer mimics the movement of a snake. Likewise Nii Tagoe found his inspiration for ‘Sibashaya Woza’ in a traditional dance from Zululand.  

Celebrating their 10 year anniversary this year, Soundway’s Ghana Soundz compilation featured amongst others, Ebo Taylor, who inspired a young Alfred Bannerman in his formative years growing up in Cape Coast. Alfred fondly remembers breaking out of his house as a child to hear the big highlife bands of the 60s play in his home town in Central coastal Ghana. 10 years on from that inaugural release Soundway have signed a living, breathing live re-birth of the music found on their seminal Ghanaian compilations. 

KonKoma make their live debut at The Rich Mix in London on 1st June.

KonKoma - Kpanlogo

Cat: HS007
CD/Digital Released: April 2012 (AU/NZ), May 2012 (Worldwide)
Gatefold LP Released: May 2012 (Worldwide)
Format: 12" Vinyl, CD, Digital
Label: HopeStreet Recordings
Web: www.hopestreetrecordings.com

The Bombay Royale are dedicated to bringing music and mayhem of vintage Indian cinema back to the future, where it belongs. Their debut album You Me Bullets Love is a blend of haunting Hindi and Bengali vocals, pulsing deep funk and disco breaks and shimmering surf-a-delica. Expect huge horn riffs, wild spaghetti guitar, bustling tabla, screaming organs and all the synthesizers, sitars and strings that made the music of 1960s and 1970s Bollywood so electrifying. Starring vocalists Parvyn Kaur Singh as "The Mysterious Lady" and Shourov Bhattacharya as "The Tiger," You Me Bullets Love is the soundtrack to a story of espionage, excitement, extended dance sequences and the eternal power of true love. 

The golden age of Bollywood was a riot of saturated color and dramatic excess and the music that accompanied it was unmatched in bizarre experimentation, deep sophistication and outright funky badness: a treasure trove for sample hungry hiphop heads and secretive, vinyl-obsessed funk collectors.  Musical director Andy Williamson ("The Skipper") formed The Bombay Royale to bring the hidden musical gems of that lost era out into the light.  The originators, people like R.D Burman, Asha Bhosle and Mohammed Rafi are still household names in India, but largely unknown in the outside world. The Bombay Royale is here to rectify that situation. You Me Bullets Love is for the neophytes and enthusiasts alike, a combination of vibrant original material and vintage Hindi superhits. Available on Gatefold LP, CD and digital worldwide, You Me Bullets Love sounds like no other record you will buy this year. 

Download the title track for free from www.hopestreetrecordings.com/ymbl

Buy on iTunes

The Bombay Royale - Monkey Fight Snake

Peyman Yazdanian - Deserted station (part 1)

* DOWNLOAD FOR FREE BY PLAYING THE <I>GOOD MAN</I> GAME AT <A HREF="http://goodman.theheavy.co.uk" target="_blank">THEHEAVY.CO.UK</a> !! *

New Album<a href="http://theheavy.co.uk/webstore/" target="_blank"> 'The Glorious Dead'</a> Out Now!

Can't Play Dead

The Heavy : What Makes A Good Man?  (Kenny Dope remix)

Teardrop (Massive Attack) performed live @ Teatrul de Artă Bucureşti, 07.03.2013

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Nicolae Rafael