Picc. / C.B.Flute : Ryo Iijima,
Superpluck
 Guitar : Rody van Gemert, 
 Harpschicord  Assi Karttunen,
 Kantele : Eija Kankaanranta 

about tamayura
The faint sound that occurs when "magatama" touch each other.
An ancient word that means "just for a while”
"a moment" or "faint”. ( the beautiful scene of Sange which I saw at a memorial serrvice in my child hood. This scene war also included in the concept.)
In this piece, the meaning of "moment " is adopted.
"tamavura phenomenon” is a light ball (orb) like a small water drop that is mainly reflected in photographs.
When | express light rays ; fluctuations, and - particles, a contrabass Fl. was added to give a range of tones.

tamayura

acousmatic

used a toaster, keys rattle and fireworks for this remix soundscape. Tried to get some different sounds from around the house, to try and gain some different sound perspectives. tried to go for like a rock type remix, but im not to good with remixing. using firworks as like a snare/bass instrument and keys as cymbals/hit hats, i tried to get a simple type of beat going. By altering some of these sounds using Eqing I was able to change some of the sounds.

Musique Concrete

Musique cONCRète, Ambient experimental, Avant-garde Sampling.
Only original samples.
Sampled with TASCAM DR-05.
Mixed with Elektron Octatrack and Sony VEGAS pro.
Acousmatic Electroacoustic music.

Mixjil

the title of this piece means carnivorous plant.
it consists of 5 sections-"dionaea","nepenthes", "drosera", "utricularia" and "genlisea". 

vla. : yasutaka henmi

carnivorous

Dueto de escaletas com o Pedro sem que ninguém saiba quem é quem

resolution

Berliner27

Colagem de Ex Dei In Machinam Memoria, do Henri Pousseur, com duas versões de Fidalga, do Ernesto Nazareth: a primeira do Arthur Moreira Lima e a segunda do Radamés e da Aída Gnattali.

Apenas outra obra do acaso em que Pousseur acaba fazendo o contraponto de duas Fidalgas do Nazareth

Twine, something that wraps around itself.
Listen to the entire track on Spotify: https://open.spotify.com/track/2zjNAqpXPkcUbOotXORfpZ?si=O7Zq9iNFT9a2MM2yTQddsw

Excerpt from Twine

Nicola Monopoli (1991) is an Italian musician and composer born in Barletta (Italy).
He earned a Bachelor’s Degree in Music and New Technologies with honors and an honorable mention, a Master’s Degree in Electronic Music with honors and he graduated with full marks in Composition from ‘N. Piccinni’ Conservatory in Bari.
He was the first composer to earn the Artist Diploma in Composition from The Royal College of Music in London supported by a Clifton Parker Award and a scholarship by Giovani Artisti Italiani Association, Project DE.MO./Movin’Up (partner of the Italian Ministry of Culture).
His compositions were performed in Italy, France, Germany, Australia, England, Ireland, Norway, Greece, Russia, the United States, Spain, the Netherlands, Canada, China, Taiwan, South Korea, Japan, Cyprus, Mexico and Brazil.
He participated in electroacoustic and contemporary music concert seasons and festivals of international relevance such as International Computer Music Conference, De Montfort SSSP, Seoul International Computer Music Festival, NYC Electroacoustic Music Festival, Stanford University Linux Audio Conference, Asian Composer League Conference and Festival, File Festival, Hannover Hochschule C-Sound Conference, Emufest, Fullerton Annual New Music Festival, Camerata Musicale Barese – “Dedicato a...”, FIMU, Festival Internacional “Punto de Encuentro”, Shanghai Conservatory of Music International Electronic Music Week, Urticanti – Contemporary Music Festival, University of Central Missouri New Music Festival, Perugia Conservatory Segnali Festival, Electronic Music Festival of the Cypriot Composer League, Silence Festival, San Francisco FCM, Di_Stanze, NoiseFloor Festival, Fresh Minds Festival, From Tape to Typedef, Lecce Conservatory Concert Season, Kinokophone, CIM, Hilltown New Music Festival, Béal Festival, LPM, UNDÆ, Oxford Brookes University - New Music Festival, Sonorities, SpazioMusica Project, etc.
He held concerts in major concert halls such as Amaryllis Fleming Concert Hall and Recital Hall of the RCM in London, Great Hall of “Carlo Felice” Theatre in Genova, “Gesualdo da Venosa” Conservatory Auditorium in Potenza, Shanghai Conservatory Concert Hall, Shi-Ying Theater in Taipei, Vaughan Recital Hall in Orangeburg, Conservatory of Trieste “Aula Magna”, Chamber Hall of the Moscow Philharmonic Society, Sviatoslav Richter Memorial Apartment in Moscow, Centre Chorégraphique in Belfort, Meng Concert Hall in Fullerton, “G. Curci” Theatre in Barletta, Salone degli Specchi of Circolo Unione in Bari, Vallisa Auditorium in Bari, Bari Conservatory Auditorium, Rome Conservatory Auditorium, Hannover Kammermusiksaal, Elebash Hall in New York, Town Center Pavilion in Kansas City, Leggate Theatre in Liverpool, Jayu Theatre in Seoul, City Theatre in Corfù, Barnes Hall in Ithaca (USA), The Italian Cultural Institute in Sydney, etc.
He was awarded first prize in the Golden Key Composition Competition 2015 (USA), third prize in the Musicworks Magazine Competition 2011 organised by the Canadian magazine Musicworks, received a Mention at the Piars Award 2013 and he was one of the four finalists of The National Prize of The Arts of Electronic Music in 2012 (Acousmatic Category). He was funded by Puglia Sounds for the project Puglia Sounds Export 2015 to engage a series of three concerts in Australia and he also won the Call for Projects ‘Principi Attivi’ organised by Apulia Region.
He conceived and is the artistic director of the 'Creative Tools' - Composers in Residence project funded by the Italian Music Rights Collecting Society (SIAE) and the Italian Ministry of Culture (MiBACT).
He performs regularly with the violinist Carmine Marcello Rizzi in violin and electronics duo as a composer and electroacoustic performer and he collaborates with the pianist Emanuele Arciuli realising and performing the electronics for his concerts.
He actually teaches Electroacoustic Composition at the “Carlo Gesualdo da Venosa” Conservatory in Potenza.