"running. out of tune" (2013)
für 2 Cembali und Elektronik (Zuspiel und Transducer) -
Cembalo 1 (zweimanualig): temperiert gestimmt / Cembalo 2 (einmanualig): mitteltönig gestimmt

Petteri Pitko und Marianna Henriksson, Cembali

Matthias Erb, Tonmeister

Mitschnitt vom 27.10.2013 TAK Berlin, Projekt "Cembaloille" von Klangnetz e.V. und Uferbüro (Berlin)

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"running. out of tune" - for two harpsichords and electronics (tape and transducer) - harpsichord 1 well tempered, harpsichord 2 meantone tempered

"running. out of tune" (2013) - two harpsichords and electronics

In February 2022, Russia invaded Ukraine. One year later, Vladimir Putin justified the war in a staged speech to the Russian Federal Assembly on Tuesday, February 21, 2023. The piece silences Putin. Only the pauses in his speech can still be heard.
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Im Februar 2022 überfiel Russland die Ukraine. Ein Jahr danach rechtfertigte Wladimir Putin den Krieg in einer inszenierten Rede vor der russischen Föderalversammlung am Dienstag, den 21. Februar 2023. Das Stück bringt Putin zum Schweigen. Nur die Atempausen seiner Rede sind noch zu hören.

Pauses in Putin's Presidential Address to the Federal Assembly on 21/02/2023

"venus" was performed at the Phoenix Cultural Centre in Sydney on 30 September 2023, by ELISION: Peter Neville, Marshall McGuire and Ben Ward, conducted by Tristram Williams. Recorded by Richard Hundy and mixed/mastered by RB.

"venus" is a component of the ensemble composition "elsewhen", which itself forms part of the conglomerate composition "PSYCHE". The title refers to the prehistoric figurines with stylised female forms (like the well-known “Venus of Willendorf” in the illustration). It isn’t known whether they were sculpted by men or women or both and for what purpose, although they do seem to embody the origin of what subsequently evolved in human culture as a sense of aesthetic beauty. This composition is so to speak “sculpted” from a musical material which remains mostly consistent in terms of pitch-range, placing the contrabass in its extreme high register almost throughout.

venus (2018-19) for percussion, harp and contrabass

Atempause  UA 15.9.2001 basel sinfonietta, Ltg Muhai Tan Schweizer Rundfunk

Sarah Nemtsov
KETER (2020)
for amplified quintet (bass clarinet, viola, cello, detuned harp and prepared piano) with electronics

Soloists from the Ensemble InterContemporain 
Dimitri Vassilakis, piano 
Alain Billard, clarinet 
John Stulz, viola 
Renaud Déjardin, cello 
Valeria Kafelnikov, harp 

Live recording from the world premiere January 2024 in Paris

Title of the concert: BON ANNIVERSAIRE, PÉTER EÖTVÖS !
 Date of recording: 13 January 2024
 Place: Paris, IRCAM, Espace de projection 
 Interprets: The Soloists from the Ensemble intercontemporain (Dimitri Vassilakis, piano ; Alain Billard, clarinet ; John Stulz, alto ; Renaud Déjardin, cello ; Valeria Kafelnikov, harp) 

IRCAM Computer Music Production: Augustin Muller 
IRCAM Sound diffusion: Clément Cerles
IRCAM Sound recording: Sylvain Carton
IRCAM Video recording: Eric de Gélis, Joachim Payen, Antoine Plouzen-Morvan, Bastien Sabarros
IRCAM-Centre Pompidou production

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Published with kind permission by Ensemble Intercontemporain and IRCAM

photo Quentin Chevirier

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more info
https://www.ensembleintercontemporain.com/fr/2024/01/keter-de-sarah-nemtsov/

KETER (2020) excerpt - Ensemble Intercontemporain

MDR Sinfonieorchester
Michael Wendeberg, conductor
Leipzig, Germany April 2024

fermented wax, implosive sacks stain flowers for Orchestra

Live-Recording
Dialogue Concert SCELSI // WAGNER
17.01.2024, HfM Dresden

Giacinto Scelsi: Anahit

Commissioned by Deutschlandradio 2014. With Theo Nabicht, contrabass clarinet.

Black Bat (excerpt)

"Bei unserer Höhle dahinten"
performed by Sprechbohrer

10.11.2018 Lettretage Berlin

Bei unserer Höhle dahinten

Premiere: 6.10.2019, Venice Biennale 2019
Karin de Fleyt (fl)
HERMESensemble
Gilles Doneux / Centre Pousseur (electronics)

http://www.baltakas.net/work/neon-sea

Giacinto Scelsi: Anahit

Nicolas Kuhn

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