Kyle Apple - Drums
Richard Sage - Acoustic and electric guitars, first solo
Nigel Cherry - Bass guitar, second solo

APEX - Strummy

Lovingly constructed from samples of approximately eight pre-existing Nathan Brown home recordings. Some sounds have been heavily treated with effects. One sound has been reversed.

All instruments - THE Nathan Brown.

1977 Ghettos, Yeah?

Jesse Apple - Drums
Richard Sage - Acoustic guitar
Nigel Cherry - Bass guitar, keyboards, occasional acoustic guitar overdubs

Another collaborative project in want of vocals and a guitar solo.

APEX - Starlight

Darcy Apple - Drums
Richard Sage - Acoustic and electric guitars
Nigel Cherry - Bass guitar, electric guitars

Yet another unfinished collaborative Project. "Bombay Potato" is a working title. A proper title will arrive if/when some lyrics ever get finalised.

Bombay Potato

Logan Apple - Drums
Nigel Cherry - Guitar, bass guitar, synthesizer

Awaiting vocals and a guitar solo.

Overspill

Brief demonstration of bass guitar, principally to annoy one person and amuse another.

Feet Of Clayton

Unfinished song recording. Awaiting lyrics, vocals from me and some additional guitar from Richard.

Composed on a Harley-Benton "Mosrite" baritone guitar that, for years, has been doing the rounds at The Fret Board internet forum. Rickenbacker 4001 bass guitar. Can't remember what guitar was used for the twiddly lead bits. Probably, the Fender Jaguar.

APEX - Is There Anything Out There?

Straightforward pop song. Simple narrative lyrics (unfinished, naturally!)in the style of Richard Thompson and gratuitous guitar solo yet to be added.

APEX - Ambulance At The Ace Café

Acoustic guitar doodle, mainly to test Martin DM tone and playability. Gratuitous Rickenbacker 4001 bass guitar line. Classic case of "we can always fix it in the mix".

Seventy Nine Stores

Another unfinished demo. 

Nigel Cherry - Guitar and programming
Richard Sage - No overdubs so far

Seventy Six From The Rocket

Some obvious influences showing in this one. Stingray bass, Partsocaster guitar, KORG Legacy soft synth and lashings of Spectrasonics Metamorphosis loopage. The "Funny Cat" guitar treatment occurred by pure chance whilst fooling about with a Boss ME-50B multi-effector. 

The working title Quirkoid came from the names of the two percussive loops with which the piece began.

nigelcherry

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