Owl City - Shooting Star (Acoustic) from The Midsummer Station Acoustic EP.

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The Midsummer Station

Shooting Star (Acoustic)

Music by Vylet Pony
Vocals by Vylet Pony
Produced, Mixed, & Mastered by Vylet Pony
Art by Voreburger

ANTONYMPH

Wandered To LA (with Justin Bieber)

stronger

Allow your seeds of doubt to wither away, and begin your year anew.
Don't let the past influence what you choose to do next. You can do this, big guy.

Rebirth

Orbit

Artwork: @PR0JECT_001 on the hellsite Twatter

[Lyrics]

My mind's been doing roundabouts on this road of uncertainty
And the stress of the past plays with my anxiety
Is she into me? Or is this fantasy?
Used to the deep end so I'll dive in and just have to see

The deeper I go, the less I want to surface
This treasure is so profound, yet it makes me nervous
You're the key to a shackle around my heart
The way you make me feel? My love, I wouldn't know where to start

Nectar festers in my heart every day I'm not with you
A ray of sunshine in my soul, always within reach and view
Life isn't always easy, sometimes it's hard to look ahead
Yet you took my frown away and gave me butterflies instead

I thought I was too lost to be found
Then you came along and scooped me off the ground
Is it weird to say I fell for you without a shove?
It's undeniably so...I am, in love

Nectar festers in my heart every day I'm not with you
A ray of sunshine in my soul, always within reach and view
Life isn't always easy, sometimes it's hard to look ahead
Yet you took my frown away and gave me butterflies instead

Nectar festers in my heart every day I'm not with you (festers in my heart)
A ray of sunshine in my soul, always within reach and view (sunshine in my soul)
Life isn't always easy, sometimes it's hard to look ahead (not always easy)
Yet you took my frown away and gave me butterflies instead

Nectar festers in my heart every day I'm not with you
A ray of sunshine in my soul, always within reach and view
Life isn't always easy, sometimes it's hard to look ahead
Yet you took my frown away and gave me butterflies instead

Butterflies

Life has been one incredible journey so far. Would I have changed things along the way? Absolutely. Do I regret where I am and who I've become? Never.

I don't care if this song sounds messy, it's the self expression of a person who's been too harboured in his feelings, and needing to express it.

Artwork: https://www.deviantart.com/jjpeabody/gallery

No Regrets.

Cover Art: TsaoShin (http://tsaoshin.deviantart.com/art/Sans-579956243)

This is the first track for this weekend's orchestra cover marathon, I hope you all enjoy! If you'd like to know more about the orchestra cover marathon, click this link: https://www.youtube.com/watch?v=F1kJqhmFwxI

Snowdin - Undertale Orchestra Cover

Following our bewilderment at the resounding success of our Clocks cover, we decided we should calm down. Then we did this.

Never mind the fact that it took us nearly a year.

All parts tracked on a Dell XPS L502x, equipped with a PreSonus AudioBox 1818VSL and FL Studio 10.

Guitars were tracked with an Epiphone Les Paul Standard. Completely stock, filed down the frets and the headstock had completely snapped off at one point; now held on by epoxy. :D Ernie Ball Regular Slinkies.
Guitar processing is Native Instruments' Guitar Rig 4 Pro. JMP and Plexi models were used, and run through Poulin LeCab 2, which loaded RedWirez' Marshall 1960A cab impulses. The Neumann KT84 mic was used a lot. The rhythm and lead parts ran through Waves' Kramer Master Tape for an analog and colorful sound.

Bass was tracked using a several-years-old Squier MB-5. All stock, pretty sure only the neck pickup worked at the time. Ernie Ball Regular Slinkies.
Bass processing was fun. I used Native Instruments' Guitar Rig 4 Pro again, but only the Pro Co Rat stomp model before running the track through a Fender Rumble 100. The preamp out then went back into Guitar Rig, where I used a special combination of cab settings designed to make a deep but distinctly colored sound. To aid that, I used Kramer Master Tape to fatten up the low end.

Drums are all Superior Drummer 2.0 and the stock Avatar kit. Some processing was done inside SD2.0, and bleeds are all enabled. Outside of that is FL Studio's stock compressor set for transient content, and iZotope's triode-modeled tube exciter module. On the ambient mics, I used a high pass and slammed Kramer Master Tape for a bigger room sound. Then it's onto some compression and limiting on the drums buss, and another Kramer Master Tape. That compresses the whole kit the way tape does, and gives it a meaty edge in the character of tubes and tape combined. Big cymbals, big toms. Love it.

Synth is Native Instruments' Mikro Prism, set to the preset "Lonely Molecules." No tweaks. Beautiful pad right out of the box. And it was free. Thinking about getting Prism though.

Piano was played by yours truly, no sequencing this time. Minor edits to certain notes, but otherwise it's just me playing my M-Audio Keystation 49e right into Pianoteq.

Vocals were once again recorded in Reid's garage/bedroom. Or is it bedroom/garage? Reid, as usual, sings lead, and I sing background. Same setup on both tracks, minus the echo on my tracks.
We used a Shure Beta 57A, iZotope Ozone 5, FL Studio's Reeverb 2, and Guitar Rig 4's Roland RE-120 tape echo module. Manual correction was done in Celemony Melodyne, but I assure you, we didn't auto-tune anything. Not with Auto-Tune, and not with Melodyne's "Correct Pitch" macro. All that we did was by hand alone.

Although we pretty much didn't touch the cover for a good four months, I worked painstakingly on the mix once in a while, working hard for a bit then putting it down again, until it reached this point.

This is in fact the final mix! No more updates, I'm pretty happy with how it sounds.

Go find the "SD2.0 ... Test" sounds on my profile to see what the drums used to sound like.

Safetysuit - Annie

If you keep up to date, you'll probably have noticed that my account turned a little funny some time ago.
Well, past the decoded stuff, I was teasing this song.

Anyhow! This was a track that was in progress a little bit back. Likely, this very early drafts of this song were in December 2019 or January 2020. It went untouched as I lost a lot of my motivation thanks to a certain matter (see Be Mine's description).

Originally, it was going to have vocals, but honestly? It sounds better without any, it's just one of those songs. I wasn't going to force vocals into a song that simply didn't need any.

My friend Jack asked me to make him a Cyberpunk / Synthwave song for his birthday. Whilst this doesn't really fit either of those genres, I still think it's one that he'd enjoy. So, all in all, happy birthday Jack! I pulled out all the stops to get this song ready for your birthday, and I hope you enjoy it.

I have another song scheduled for release at some point this month perhaps? Depends on when I can get it done.

Background for icon taken from: https://wallpapercave.com/dystopia-wallpapers

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Written, Composed, Produced, Mixed and Mastered by NightmareBliss

Follow me on social media!
> Instagram: www.instagram.com/nmb.music/
> Twitter: twitter.com/NightmareBlisss
> Soundcloud: @nmbliss-music
> Twitch: twitch.tv/nightmarebliss

> Join my Discord Server: discordapp.com/invite/kCbXTA8

[IMPORTANT]
I do not give anyone permission to use this song unless you have permission from me directly, thank you for your understanding.

Exousía

My name is Dan, alias is Bliss.
I'm 22 years old and I try to produce a wide range of songs!

I've got years of production experience under my belt, self taught, still learning! If you'd like more information on my music arsenal, check this out: https://pastebin.com/YfrgZMLW

I upload all of my drafts over here >> https://soundcloud.com/bliss-drafts

Stay connected:
https://linktr.ee/NightmareBliss

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"go bald again" - The Coochie Conductor

Exousía

Bliss

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