Elijah

The fifth piece in a set of introspective anthems for solo piano.

Inner Anthems

Inner Anthem No. 5 : Regardless

Taken from "Layers" by Barry Kernachan. Release on March 29, 2018: https://soundcloud.com/bkm-508038203

Layers

Reminisce

Reminisce – Barry Kernachan

Live version of 'Look Me In The Eye', the original appears on Nightports w/Matthew Bourne (2018)
nightports.bandcamp.com/album/nightpo…atthew-bourne

nightports.co.uk
facebook.com/nightportsmusic
twitter.com/nightports

@matthew-bourne @theleaflabel

Nightports w/Matthew Bourne - Look Me In The Eye(Live)

preview of my acoustic new song "VARA" for PIANO DAY

"VARA" preview for PIANO DAY

A minniature piece for piano and layered dulcimer

for march

Canopus, the second brightest star in the night-time sky.

A piece written for Piano Day 2018.

Composed: HAMU
Produced & Mixed: Patrick Jonsson (http://patrickjonsson.com/)

www.facebook.com/hamumusic/
Check out my debut EP; 
hamu.bandcamp.com/releases
open.spotify.com/album/6GfmsZ395BIThxu86iDX4K
itunes.apple.com/gb/album/introve…on-ep/1315805632

Touch Canopus

Inspired by last weekend's concert I recorded a piano version of the title track of my album "Moj". Listen to the original version here: https://janhertz.bandcamp.com/album/moj

Moj (Piano Version) | Pianoday 2018

Happy Piano Day! 
Enjoy!

Vocals (choir): Marcus G. Kyed
Mix & Master: Marcus G. Kyed
Cover art: Marcus G. Kyed

EH - Piano Day 2018

From "A Forward-Facing Review".
Composed, performed, recorded and produced by Philipp Rumsch between February and July 2017.
Mastered by Markus @ Abendroth Mastering.

„A Forward-Facing Review“ is one of his works resulting from a one-year study period at „Rytmisk Musikkonservatorium“ in Copenhagen. In contrast to his previous work, Rumsch is responsible for both composition and sound design / mixing. Inspired by composers like Morton Feldman, Giacinto Scelsi and Elaine Radique and by the music of William Basinski, Tim Hecker, Brian Eno and Ben Frost, Rumsch draws up concepts to approach electro-acoustic music with pianistic elements. By only using acoustic and electronic keyboard instruments like piano, fender rhodes and various synthesizers, Rumsch first created the sounds for his composition in order to manipulate and edit them on the computer.

"A Forward-Facing Review" is a twenty-minute long concept composition with two parts exploring in two different ways a various amount of sounds as well as their gradual modulation. "Part II" is the more minimalistic chapter of this composition. An almost constant number of elements creates a sonic composition, which rests in itself. Thus development emerges through a gradual modulation of a few parameters. Philipp Rumsch invites the listener to accept subtle developments and offers the possibility to immerse into a difficile and diverse soundscape. 

Danish artists Anders Bach and August Rosenbaum as well as Icelandic composer, sound designer and multiinstrumentalist Valgeir Sigurðsson supported Rumsch in producing „A Forward-Facing Review“.

A Forward-Facing Review - Part II

Words To September For Piano Day 2018

Nightports is a collaborative project based around the concept of sonic restriction. In each manifestation of the project, only sounds created by the featured musician can be used. No other sound sources are permitted in the work. The sounds that are captured are then transformed, distorted and translated to arrive at a new music of extremes.

Nightports w/Matthew Bourne - Look Me In The Eye(Live)

Nightports

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