Name: Happy Meals - If You Want Me Now (Apostille Wants You Now Remix) by Night School Records
Duration: 6 min 17 s
Description: Apostille Rework of If You Want Me Now by Happy Meals.

Taken from Bobo Eyes - "Midnight Pearl", out on cassette and digitally 12 August 2014.

Buy Tape: http://1080pcollection.bandcamp.com/album/midnight-pearl

Press: 1080pcollection.net/boboeyes.html

www.facebook.com/1080pcollection

Bobo Eyes - Do U Miss Me (Rainstick Mix)

favorite place

From the album Off World 2
Constellation CST127
06 Oct 2017
http://cstrecords.com/cst127

ALBUM TRACKLIST:
1. Wet Max
2. Island Fanfare
3. Scrubdown
4. Memory Drip
5. The Mask
6. Play Room
7. Night Valve
8. Decamp
9. Satellite Beach
10. The Grail 

PLAYERS:
Sandro Perri: bass, drum machine, electronics, guitar, piano (all tracks)
Drew Brown: electronics (tracks 2 & 8)
Eric Chenaux: guitar, percussion (track 10)
Matthew Cooper: electronics (track 8)
Craig Dunsmuir: bass, guitar, percussion (tracks 1, 6 & 7)
Brandon Hocura: electronics (track 7)
Susumu Mukai: drum machine, electronics, guitar (tracks 1, 2 & 8)
Lorenz Peter: drum machine, electronics (tracks 3, 5 & 9)

Off World • "Decamp"

Greg Fox - By Virtue Of Emptiness

Learn more at RVNG: smarturl.it/rvngnl38-rvng
Add to your collection at Bandcamp: smarturl.it/rvngnl38-bcamp
Download + stream everywhere else here: smarturl.it/rvngnl38-digi

©2017 RVNG Intl. / igetrvng.com

The Gradual Progression (RVNGNL38 - 320 Promo)

Greg Fox - By Virtue of Emptiness

Apostille Rework of If You Want Me Now by Happy Meals.

Happy Meals - If You Want Me Now (Apostille Wants You Now Remix)

Bura Bura - The New Flesh 
To be released January 2018

Sydney’s Bura Bura aka Colin Thompson (Ghastly Spats, God K) has been performing his driving EBM, newbeat, cold wave solo project for over two years. In 2018 Bura Bura presents his debut full length solo album “The New Flesh” on cassette and we are extremely excited about it - The album takes influence from David Cronenberg’s Videodrome and is an exploration of body horror and the relationship between humans amd technology as well as dreams, nightmares and the structures of the human condition. A world of post apocalyptic cyber reality.

https://soundcloud.com/bura-bura-704639819

Bura Bura - Kissing The Whip

First song of the upcoming album "The Paris Tapes" out on April 21st 2018!
Previously unreleased album, recorded in Paris in the 80s!

Robert Goerl - The Paris Tapes - Part 2

Rain Song

Have you ever taken care of someone for years to the point where you become a vessel, an enabler for this person? [You] feels a million light years away, a glimmering spot in the Cosmos. But then one day your vessel self gets a break and travels in light years through the sharpest black and reunites with You after all those years. You were just hanging there, forgotten, and you realize you've missed yourself more than you've ever missed anyone before. 

But after you've exploded and levitated all over the carpet it doesn't take long, a couple of days perhaps, to go missing this other person you've been necessarily enabling and loving. And perhaps loosing yourself so completely was worth it just for that comeback.

Performed, written and produced by Pictorial Candi.
Mixed by Michał Kupicz.
Photo by Jason Gold.
Released on April 29, 2019 from Berlin to the world via Mansions and Millions and Nicey Music.
Single from the LP record "The secret salts" out June 14, 2019.

SOFTEST COSMOS

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

La Goony Chonga - 5D Intro (2019)
World Sounds - Un son la machine à sous (2015)
Yazuaki Shimizu - Seiko (1987)
Jeanne Mas - En Rouge et Noir (1986)
Alain Souchon - Vous Êtes Lents (1985)
Ryuishi Sakamoto - Thousand Knives (1978)
Slowpoke Rodriguez - Punchline (1959)
Spidex de Spontex (1988)
Daniel Balavoine - Sauver L’amour, extended version (1986)
Wilfred Warrior ft Michael Rapaport - This Stray Cat Looks Like Grandma
L.A Style - James Brown Is Dead (1992)
Enya - Boadicea (1987)
4 Mariages Pour Une Lune de Miel - Pamela (2017)
Caroline Polachek - Doors (2019)
Oceania Project - Whale Song (2008)
The Whitey - The Light At The End Of The Tunnel Is A Train (2005)
Alain De Roque - Tous Les Soirs, Les Bars (1982)
Yves Remord - Deux mecs bourrés en pleine discussion de bar (2015)
Peter Jackson - Bad Taste, Vomit scene (1989)
Un Diner Presque Parfait à Grenoble - Le dîner chez Sandra (2015)
Alain Kan - Devine qui vient dîner ? (1979)
Faite Entrer L’accusé - Le Gang des Souris Vertes (2012)
Liaisons Dangereuses - Los Niños Del Parque (1981)
La Folle du Métro - Titititatata (2015)
Whyu1695 - Anime Wow Sound Effect (2014)
Nancy Sinatra & Lee Hazlewood - Some Velvet Morning, Nightcore version (2019)
L’Atelier Burki dans le bus, en route vers le Maury Show (2020)
Hermine - TV Lovers (1981)
Queen - I Want To Break Free, Vocals Only (1984)
Art of Noise - Moments In Love (1985)
Corrosive Crowd - Insektenliebe (1980)
Carl Sagan - Cosmos, Épisode 01 : The Shores of the Cosmic Ocean (1980)
Column - スキャン 「Scan」 (2013)
AG Cook - DJ Everynight (2020)
Jiberock Rouen - Le France, reprise de Sardou (2019)

Happy Meals - If You Want Me Now (Apostille Wants You Now Remix)

Night School Records

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