Release date 26th April 2022
Buy/listen: https://LateNightTales.lnk.to/whatdothestarssaytoyou
Taken from the album 'What do the stars say to you', released 24th June 2022 on 10-track vinyl and 15-track CD version (François Kervorkian Continuous Mix).

"From the cosmos to a seed, across the seas, slaves picking cotton, the Flos Potentia of the plantation crops, black hands in fields, on drums. We journey with our ancestors in their power, to the Yoruba Temple in Harlem with Oba Adefummi and Ile. We see the fires of industry, the trains bringing the crops and building this nation, expanding this vision. The dance of the Divine Horsemen, 16mm trip ticks of the America Road, storytelling by firelight. A tree grows, in the cosmos, Ron Trent and Khruangbin take us there."

Christopher Andrew, April 2022

Ron Trent Presents WARM - Flos Potentia (Sugar, Cotton, Tobacco) [Feat. Khruangbin]

Released 28th October 2022
Buy/stream: https://LateNightTales.lnk.to/withoutstarorcompass

Kennebec is the critically acclaimed musical outlet of Eric Phillips, a composer, producer, and multi-instrumentalist living in Portland, Oregon. Drawing from an eclectic array of influences to create his own unique style of cinematic electronic music, he is set to release his sophomore album ‘Without Star or Compass’ on the 28th October via Night Times Stories, the sister label to LateNightTales. 

Releasing his debut album ‘Departure’ at the beginning of the pandemic in early 2020, ‘Without Star or Compass’ was written and recorded during a phase in Phillips’ life which allowed him to re-examine his motivations. “The first primary influence for this record is that, more so than ‘Departure’, I wanted to write this record for my friends and others rather than for myself. Maybe it's also a product of maturing, but I wanted the music to communicate more clearly to others, and be less of an exercise of some kind for myself.” 

From the subtle electronica of ‘Leaving The Canyons’ featuring the distinctive vocals of Future Islands frontman Samuel T. Herring, the expanding electronic beats of ‘Tall Tales’ featuring Hemlock Ernst (the rap moniker of Samuel T. Herring) and US singer Sudan Archives, to the effortlessly cast rhythms of ‘The Great Divide’ featuring Yazz Ahmed on horns, Phillips set out to make an album which was more direct with sparser arrangements and distinct melodies, while still maintaining the eclectic and creative nature of his debut. “I think if I were a writer, my words would be all setting and very little narrative. I'm really trying to evoke a sense of place and motion and journey and environment but the facts of the story are left vague.” 

On working with Herring, Phillips adds, “I think our styles just resonated well with one another, and we clicked naturally. We sent some ideas back and forth remotely and then he flew out to Portland and we recorded all the vocals in three days together. It was so fun and inspiring - and really deepened my appreciation for his craft. He's such a nice guy and a total genius. Sam's lyrics really hit a beautiful balance between that sense of magic and folklore in the natural world that I'm after, while really bringing his own sense of narrative. He's really amazing at constructing lyrical concepts in a way that I think compliments my own strengths (and weaknesses).” 

Throughout ‘Without Star or Compass’, Phillips masterfully creates an evocative sense of place and motion in a cinematic way, in part due to his love of soundtrack music, a heavy influence on the album. ‘Castalay's Fountain’ was inspired by classic JRPG music such as ‘Zelda’, ‘Chrono Trigger’ and ‘Final Fantasy’, while instrumental tracks ‘Friendship song’, ‘The Great Divide’ and ‘Calyptra’ are rich in cinematic grandeur.  

In addition to the Kennebec project, Phillips has composed the music for numerous feature films, documentaries, podcasts and games. In 2020, alongside Mark Orton (of Tin Hat Trio) and John Hancock, Phillips co-composed the soundtrack to 'Wind of Change', a podcast created by New York Times Journalist Patrick Radden Keefe and produced by Spotify, recorded the Moscow Bowtie Orchestra for the feature-length film ‘12 Mighty Orphans’ starring Luke Wilson, Robert Duvall and Martin Sheen and scored Northfork Studios documentary ‘Chehalis: A Watershed Moment.'
 
Running since 2013, 'Night Time Stories’, the sister label to LateNightTales, is a platform for original artist material, hosting artists connected by a common thread of authenticity. 

#Kennebec #NightTimeStories #LateNightTales

Kennebec - Tall Tales Feat. Hemlock Ernst & Sudan Archives

Ash Walker - Afronaught feat. Amp Fiddler (Ron Trent Remix) 
Listen/stream here: https://latenighttales.lnk.to/afronaughtremix  

Bringing together London, Detroit and Chicago, legendary DJ Ron Trent gives an out-of-this-world remix of Ash Walker and the late Amp Fiddler's 'Afronaught'. The track oozes confidence, building an undulating cosmic atmosphere guided by Amp's lyrics and rooted in driving bass hits. It's the type of remix which could easily send you into psychedelic euphoria at 6am.

Four years on from his explorative third full-length ‘Aquamarine,’ Londoner Ash Walker returned in June 2023 with an equally ambitious follow-up, 'Astronaut'. Alongside a plethora of award-winning collaborators and combining a dizzying array of sounds, ‘Astronaut’ hears Walker push his astral shower of rhythm and vibes to new heights. If 'Aquamarine’ was the take-off of his audial spaceship, ‘Astronaut’ is the cosmic voyage reaching terminal velocity; a rocket-powered masterclass spanning jazz, blues, soul, funk, and reggae.

An avid record collector, Walker has DJed far and wide... from the infamous Royal Mail squat party to the canals of Venice, spinning vinyl in Brixton with The Specials to scattering dub across San Francisco and LA. His own production output is similarly exploratory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists including Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts and Gideon Coe.

Ash Walker - Afronaught feat. Amp Fiddler (Ron Trent Remix)

Ash Walker - Only Love feat. Lou Rhodes (Tiger Smith Remix)
Listen/stream here: https://latenighttales.lnk.to/onlyloveremix

Four years on from his explorative third full-length ‘Aquamarine,’ Londoner Ash Walker returned in June 2023 with an equally ambitious follow-up, 'Astronaut'. Alongside a plethora of award-winning collaborators and combining a dizzying array of sounds, ‘Astronaut’ hears Walker push his astral shower of rhythm and vibes to new heights. If 'Aquamarine’ was the take-off of his audial spaceship, ‘Astronaut’ is the cosmic voyage reaching terminal velocity; a rocket-powered masterclass spanning jazz, blues, soul, funk, and reggae.

An avid record collector, Walker has DJed far and wide... from the infamous Royal Mail squat party to the canals of Venice, spinning vinyl in Brixton with The Specials to scattering dub across San Francisco and LA. His own production output is similarly exploratory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists including Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts and Gideon Coe.

Ash Walker - Only Love feat. Lou Rhodes (Tiger Smith Remix)

Stream/download: https://latenighttales.lnk.to/run-ep/ 

Electronic artist and producer Leifur James releases ‘Run’.

'In between records I like to release some of my weirder work.. Music that doesn't necessarily fall in an album context. Run was written in 2020 and probably connects to that time, it felt right to start releasing again where I left off. This track was written in the same era as Sirens on the B side.. There's an escapist quality and warmth to both, I think? I find myself travelling with this work, movement - there's no real conclusion or destination to it, but it's going somewhere, in transition, opening up... Run.' - Leifur James

Leifur James - Run

Taken from the new album, 'Magic Seeds' - out 8 November 2024
Order/stream: https://latenighttales.lnk.to/magicseeds

Experimental producer, composer and vocalist Leifur James announces the release of his third album ‘Magic Seeds’ via Night Time Stories on 8th November. ‘Magic Seeds’ is a rebirth of sorts, and his most collaborative and personal offering yet. Out today, opening track and lead single ‘Smoke in the Air’ sets the scene, spectral and hypnotic; there are often literary and artistic references in James’s music but here it was the “barren romance” of the film ‘Portrait of a Lady on Fire.’ Like many songs on ‘Magic Seeds,’ ‘Smoke In The Air’ evokes the wonder of the natural world but also the threat to it, underlined by gritty, DJ Shadow-influenced bass.
 
Over the past few years, James has steadily built a reputation as a vital new voice in electronic music on both sides of the Atlantic. He’s played prestigious London venues with European tours to match, including notable nights at Village Underground and the Barbican, gaining support along the way from the likes of Pitchfork, KCRW, BBC 6Music, NTS, Gilles Peterson, Mary Anne Hobbs, Bradley Zero and actor Cillian Murphy. 

His 2018 debut album ‘A Louder Silence‘ defied convention, deftly blending IDM and minimalist avant-garde influences with Nina Simone-inspired vocals and capturing heady nights at London’s long-lost and beloved club Plastic People. A remix EP followed, featuring respected leftfielders including Bruce, FaltyDL and Coby Sey, yet James refused to stay in one lane. ‘Wurlitzer’s’ ominous crescendo of neo-classical piano and sub-bass won acclaim at film festivals thanks to its visual by Hungarian director Balázs Simon, and then came his second, more challenging electronic full-length. 2020’s ‘Angel in Disguise’ garnered attention from the dance music world, earning praise from Mixmag, CRACK and DJ Mag, and culminating in a full performance on Boiler Room.
 
For now, ‘Magic Seeds’ illuminates James as one of those rare composers who is capable of taking listeners to great highs and plunging them into inky depths; moody and moving music that feels equally airy, as if it was composed outside under the moon – which, he jokes, is exactly where he hopes people will listen to it. And though there are tracks that are more songs than soundscapes, he eschews formulas for musical freedom. It’s an ambitious record that could work both in open spaces and in dank clubs – as long as there is a smoke machine, of course. But more than anything, it feels as if it’s living and breathing; a sonic collage of James’s past few years whirled into one.

Leifur James - Smoke In The Air

Stream the single: https://latenighttales.lnk.to/magicseeds-single
Order the ruby 'Magic Seeds' vinyl: https://latenighttales.lnk.to/magicseeds. 
Released 8 November 2024

Experimental producer, composer and vocalist Leifur James announces the release of his third album ‘Magic Seeds’ via Night Time Stories on 8th November. ‘Magic Seeds’ is a rebirth of sorts, and his most collaborative and personal offering yet. 
 
Over the past few years, James has steadily built a reputation as a vital new voice in electronic music on both sides of the Atlantic. He’s played prestigious London venues with European tours to match, including notable nights at Village Underground and the Barbican, gaining support along the way from the likes of Pitchfork, KCRW, BBC 6Music, NTS, Gilles Peterson, Mary Anne Hobbs, Bradley Zero and actor Cillian Murphy. 

His 2018 debut album ‘A Louder Silence‘ defied convention, deftly blending IDM and minimalist avant-garde influences with Nina Simone-inspired vocals and capturing heady nights at London’s long-lost and beloved club Plastic People. A remix EP followed, featuring respected leftfielders including Bruce, FaltyDL and Coby Sey, yet James refused to stay in one lane. ‘Wurlitzer’s’ ominous crescendo of neo-classical piano and sub-bass won acclaim at film festivals thanks to its visual by Hungarian director Balázs Simon, and then came his second, more challenging electronic full-length. 2020’s ‘Angel in Disguise’ garnered attention from the dance music world, earning praise from Mixmag, CRACK and DJ Mag, and culminating in a full performance on Boiler Room.
 
For now, ‘Magic Seeds’ illuminates James as one of those rare composers who is capable of taking listeners to great highs and plunging them into inky depths; moody and moving music that feels equally airy, as if it was composed outside under the moon – which, he jokes, is exactly where he hopes people will listen to it. And though there are tracks that are more songs than soundscapes, he eschews formulas for musical freedom. It’s an ambitious record that could work both in open spaces and in dank clubs – as long as there is a smoke machine, of course. But more than anything, it feels as if it’s living and breathing; a sonic collage of James’s past few years whirled into one.

Leifur James - Magic Seeds

Pre-order the new album: https://yazz-ahmed.lnk.to/aparadise
Stream/download the single: https://yazz-ahmed.lnk.to/paradisesingle/

British-Bahraini trumpeter and composer Yazz Ahmed today announces her much-anticipated fourth studio album, A Paradise In The Hold, set for release on 28 February via her new label Night Time Stories. Alongside this announcement, she is releasing the record’s title track, a powerful 10-minute piece inspired by the voyages of Bahraini pearl divers braving the seas to bring home their precious cargo. It blends traditional Bahraini influences with dynamic textures, eerily manipulated field recordings, polyrhythmic clapping and layered instrumentation that crescendos into a euphoric celebration of collective strength. 

On her new single, Yazz offers: “Composition began during experimentation with recordings from a research trip to hear the Pearl Divers of Muharraq in 2014. I processed short fragments of ceremonial sounds and morphed them into an undulating beat emulating the rise and fall, the breathing of the ocean, the creaking of the boat’s timbers.The piece has evolved during live performances into something of an epic, with solos from myself, George Crowley on bass clarinet and Naadia Sheriff on Fender Rhodes. It continues with a darbuka solo by Corrina Silvester, played over an extended vamp with polyrhythmic clapping from the ensemble, before the uplifting coda. I wanted to paint a picture of the joyful celebrations of the collective efforts of the sailors to bring their riches home.”

A Paradise In The Hold is an album of yearning. It’s about Yazz’s dual heritage, drawing on traditional music and folklore as well as her own personal experience as a British-Bahraini woman. A sweeping epic where tradition meets innovation, she melds ancient rhythms with contemporary musicianship. The record is a tribute to the sorrowful songs of Bahrain’s pearl divers, the strength of Arab women, and the celebratory rhythms of women's traditional drumming circles, while also telling the story of Yazz’s own decade-long voyage of self-discovery. 

On the album, Yazz says: “A thread in my work has been searching for, establishing, and now finally embracing and celebrating my cultural identity. I want to change the narrative about Arab women. So often, they are misrepresented as oppressed, but in Bahrain, there are many creative women forging new paths. I hope this album shines a light on that vibrancy and strength.” 

The album also marks Yazz’s first foray into writing lyrics, in both English and Arabic, bringing a new dimension to her expansive sound. The project features an impressive roster of collaborators, including vocalists Natacha Atlas, Brigitte Beraha, and percussionist Corrina Silvester. An Ivor Novello Award-winning composer and one of the most innovative trumpet players of her generation, with A Paradise In The Hold, Yazz Ahmed delivers a groundbreaking fusion of tradition and innovation, creating a contemporary jazz project that is set to make a lasting impact on the genre.

Yazz Ahmed - A Paradise In The Hold

Stream/buy the new album, 'Magic Seeds': https://latenighttales.lnk.to/magicseeds
Released 8 November 2024

Experimental producer, composer and vocalist Leifur James releases his third album ‘Magic Seeds’ via Night Time Stories on 8th November. ‘Magic Seeds’ is a rebirth of sorts, and his most collaborative and personal offering yet. 
 
Over the past few years, James has steadily built a reputation as a vital new voice in electronic music on both sides of the Atlantic. He’s played prestigious London venues with European tours to match, including notable nights at Village Underground and the Barbican, gaining support along the way from the likes of Pitchfork, KCRW, BBC 6Music, NTS, Gilles Peterson, Mary Anne Hobbs, Bradley Zero and actor Cillian Murphy. 

His 2018 debut album ‘A Louder Silence‘ defied convention, deftly blending IDM and minimalist avant-garde influences with Nina Simone-inspired vocals and capturing heady nights at London’s long-lost and beloved club Plastic People. A remix EP followed, featuring respected leftfielders including Bruce, FaltyDL and Coby Sey, yet James refused to stay in one lane. ‘Wurlitzer’s’ ominous crescendo of neo-classical piano and sub-bass won acclaim at film festivals thanks to its visual by Hungarian director Balázs Simon, and then came his second, more challenging electronic full-length. 2020’s ‘Angel in Disguise’ garnered attention from the dance music world, earning praise from Mixmag, CRACK and DJ Mag, and culminating in a full performance on Boiler Room.
 
For now, ‘Magic Seeds’ illuminates James as one of those rare composers who is capable of taking listeners to great highs and plunging them into inky depths; moody and moving music that feels equally airy, as if it was composed outside under the moon – which, he jokes, is exactly where he hopes people will listen to it. And though there are tracks that are more songs than soundscapes, he eschews formulas for musical freedom. It’s an ambitious record that could work both in open spaces and in dank clubs – as long as there is a smoke machine, of course. But more than anything, it feels as if it’s living and breathing; a sonic collage of James’s past few years whirled into one.

Leifur James - Forest Of Love

Buy on black vinyl, gold vinyl, CD, and limited edition deluxe box set: http://sashadavinci.lnk.to/outnow/
Released 29th November 2024

Dance music royalty Sasha returns to Night Time Stories with his latest project ‘Da Vinci Genius’, released 29th November.
 
His 2016 release ‘Scene Delete’ on the same label was Sasha as you’ve never heard him before: an imaginary movie soundtrack score, and a slight left-turn for the veteran producer/DJ.
 
So, Sasha, the classical music composer? An immersive show that debuted in Berlin in 2021 and then transferred a year later to Amsterdam, ‘Da Vinci Genius’ featured the work of Leonardo Da Vinci, the great Italian Renaissance polymath.
 
Although the score is inspired and draws heavily on the notion of movie and TV scores, he used his experience as an electronic music producer – and movie buff – to re-frame his work and enlisted the help of ‘Scene Delete’ veterans Dennis White, Dave Gardner and Barry Jamieson to assist in this complex task.
 
“I’ve never written music like this before, so it was really exciting and interesting to do it. We wanted to capture some of the atmosphere of those incredible film scores we were inspired by. But also, we really wanted to try and strike this balance between classical music and electronic sounds. The nearest we’d come to classical music was sampling it. So, we said, let’s try and recreate these movies and sounds, so our approach was a lot more considered. We listened to the ‘Barry Lyndon’ score – because it’s Handel – and ‘Interstellar’ and ‘Succession’ and those ideas just kind of fitted creatively where we were at. We started in a place where we knew this was going to be a score. It was hard work, but it’s one of the most accomplished things we’ve ever done.”
 
A dream-like journey from start to finish, the nuances, atmosphere and melodic layers of compositions such as ‘Mosiac’, ‘Equality’ and ‘Clouds’, are woven into soft melodies and emotive timbres, and are perfectly presented. It’s only with compositions such as the beatific ‘Super Hero (with Sentre)’ and ‘Into The Metaverse’ where Sasha reverts to a more familiar sound, we would normally associate with him.
 
With ‘Da Vinci Genius’, it feels like Sasha may be moving into the next phase of his career. “I really wanted to try and strike a balance between classical music and electronic music, because although the show focuses on Leonardo’s original art, in most points of the show it’s getting messed with electronically. For instance, the Mona Lisa appears and then gets dissembled. So, I wanted to capture this classical mood, but with electronics behind it.”

Sasha - Last Supper - Oxford Suite Pt. 1 (with Ed Alleyne Johnson)

Stream/download 'Into The Night': https://yazz-ahmed.lnk.to/intothenight
Pre-order the new album, 'A Paradise In The Hold': https://yazz-ahmed.lnk.to/aparadise

British-Bahraini trumpeter and composer Yazz Ahmed shares a new track, ‘Into The Night’. A standout piece from her forthcoming album, A Paradise In The Hold, (out 28 February via Night Time Stories), the new single is constructed with carefully assembled layers of sound, all hinging on recordings of percussive, joyful hubbub at Yazz’s family home in Bahrain. Deeply personal, it is one of the pieces from the album that wears its Bahraini influence proudly whilst also being a remarkable celebration of female independence. 

On her new single, Yazz offers: “This short interlude continues the narrative of the celebratory song of independence, Dancing Barefoot. We follow the reluctant bride outside, dancing, laughing and singing into the night. Adding a very personal touch to the piece, the track features members of my own family, recorded at our home in Bahrain, providing the party hubbub and the joyful ululations. I recorded a fragment of the original melody over a drum ensemble, which was created entirely by Corrina Silvester, with multi-tracked layers of percussion and clapping. It is perhaps the most purely Bahraini piece on the album.”

Due 28 February, A Paradise In The Hold is an album of yearning. It’s about Yazz’s dual heritage, drawing on traditional music and folklore as well as her own personal experience as a British-Bahraini woman. A sweeping epic where tradition meets innovation, she melds ancient rhythms with contemporary musicianship. The record is a tribute to the sorrowful songs of Bahrain’s pearl divers, the strength of Arab women, and the celebratory rhythms of women's traditional drumming circles, while also telling the story of Yazz’s own decade-long voyage of self-discovery. 

The album also marks Yazz’s first foray into writing lyrics, in both English and Arabic, bringing a new dimension to her expansive sound. The project features an impressive roster of collaborators, including vocalists Natacha Atlas, Brigitte Beraha, and percussionist Corrina Silvester. An Ivor Novello Award-winning composer and one of the most innovative trumpet players of her generation, with A Paradise In The Hold, Yazz Ahmed delivers a groundbreaking fusion of tradition and innovation, creating a contemporary jazz project that is set to make a lasting impact on the genre.

Yazz Ahmed - Into The Night

Stream the single (and pre-order the new album, Chewing The Fat): https://franc-moody.lnk.to/chewingthefat/

London-based duo Franc Moody - the project from Jon Moody and Ned Franc - unveil ‘Space Between Us’ as a final preview of their upcoming third studio album Chewing The Fat, out 7th March via Night Time Stories. This track follows on from previously shared singles; infectious ‘Bloodlines’, furiously fun ‘Driving On The Wrong Side of The Road’ and the new era’s introductory track, ‘Going Through The Motions’. 

“‘Space Between Us’ feels like a funk fuelled cavalry charge that draws on elements of psychedelia, pub rock and space exploration.” Franc Moody explains. “It’s become a rule of ours to have a shuffle beat on each album, a groove we’ve grown to love in the FM format.”

The duo admits that they “came back from a writing trip in LA with the beat and bass line thinking nothing of it really, only for it then to all come together very quickly back in the studio HQ in London one evening. We hope you enjoy!”

Franc Moody are set to embark on a slew of highly anticipated EU & UK tour dates later this year, including an in-store album tour and a show at London’s O2 Academy Brixton on 3rd April 2025.

Franc Moody - Space Between Us

Stream 'lowlight:slowlight' and order the limited edition 7" vinyl: https://lavender.lnk.to/lowlightslowlight

lavender today release new single lowlight:slowlight, out now on Night Time Stories. The new single follows their debut EP, all will be well, which was released via Foundation FM Records. 

lavender are Oskar Rice and Adam Jackson; friends since school, one a DJ/producer, one in an indie band, their burgeoning friendship saw them bonding over Elliot Smith as much as J Dilla. Their debut EP garnered praise and appreciation, with lead single 'peppermint’ currently on 22 million Spotify streams. Worldwide FM and NTS were hugely supportive, as were BBC 6Music stalwart Cerys Matthews and Jack Saunders and Nels Hylton at BBC Radio 1. 

The writing of lowlight:slowlight was driven by a desire to experiment more with sampling, deconstructing Adam’s demo and treating it like another piece of the audio jigsaw. “I sent Oskar this layered recording and he flipped what I’d made into this beat,” says Adam. “I remember listening to it on the way to the studio and thinking this is crazy, when we finished it. There was a moment where we felt like we’d just unlocked this feeling and it was like that song just fell out the sky. We were both hyped because it was the best thing we’d ever made and the new benchmark of what this music could be.”

#Indie #Alternative #AltPop 

lavender - lowlight:slowlight

Stream/download 'She Stands On The Shore': https://yazz-ahmed.lnk.to/shestands
Pre-order the new album, 'A Paradise In The Hold': https://yazz-ahmed.lnk.to/aparadise

British-Bahraini trumpeter and composer Yazz Ahmed shares a new track, 'She Stands On The Shore', taken from her forthcoming new album, A Paradise In The Hold.

Due 28 February, A Paradise In The Hold is an album of yearning. It’s about Yazz’s dual heritage, drawing on traditional music and folklore as well as her own personal experience as a British-Bahraini woman. A sweeping epic where tradition meets innovation, she melds ancient rhythms with contemporary musicianship. The record is a tribute to the sorrowful songs of Bahrain’s pearl divers, the strength of Arab women, and the celebratory rhythms of women's traditional drumming circles, while also telling the story of Yazz’s own decade-long voyage of self-discovery. 

The album also marks Yazz’s first foray into writing lyrics, in both English and Arabic, bringing a new dimension to her expansive sound. The project features an impressive roster of collaborators, including vocalists Natacha Atlas, Brigitte Beraha, and percussionist Corrina Silvester. An Ivor Novello Award-winning composer and one of the most innovative trumpet players of her generation, with A Paradise In The Hold, Yazz Ahmed delivers a groundbreaking fusion of tradition and innovation, creating a contemporary jazz project that is set to make a lasting impact on the genre.

Yazz Ahmed - She Stands On The Shore

Stream the single: https://franc-moody.lnk.to/squarepegs
Pre-order the new album, Chewing The Fat: https://franc-moody.lnk.to/chewingthefat/

London-based duo Franc Moody - the project from Jon Moody and Ned Franc - unveil ‘Square Pegs In Round Holes’ as a final preview of their upcoming third studio album Chewing The Fat, out 7th March via Night Time Stories. This track follows on from previously shared singles; infectious ‘Bloodlines’ and 'Space Between Us', furiously fun ‘Driving On The Wrong Side of The Road’ and the new era’s introductory track, ‘Going Through The Motions’. 

Franc Moody are set to embark on a slew of highly anticipated EU & UK tour dates later this year, including an in-store album tour and a show at London’s O2 Academy Brixton on 3rd April 2025.

Franc Moody - Square Pegs In Round Holes

Stream/buy the new album, 'we're having a barn dance': https://lavender.lnk.to/barndance/
Stream the single: https://lavender.lnk.to/harlequinlosdias/

lavender are Oskar Rice and Adam Jackson; friends since school, one a DJ/producer, one in an indie band, their burgeoning friendship saw them bonding over Elliot Smith as much as J Dilla. Their debut EP garnered praise and appreciation, with lead single peppermint currently on 22 million Spotify streams. The recently released lowlight:slowlight won a plethora of support from Clash, Wonderland, The Line Of Best Fit, DMY, BBC 6Music and more. 

Their new album, we're having a barn dance, is the story of one tumultuous year of living, loving (and the falling out thereof). The songwriting is a diary of an eventful 12 months. “We had a big chat about what this all means to us,” explains Oskar, “And we boiled it down to this: it’s about love, but not necessarily romantic love. It’s about all of those competing emotions and how, if you love one thing, it might detract from loving something else.”
 
we’re having a barn dance is both literally and metaphorically their one year safari of discovery, starting in a farmhouse in France through to a studio behind Lidl in Limehouse. “I think the album for me feels like a journey,” explains Adam. “I was definitely fixated on this multifaceted concept of ‘home’ throughout the writing process. It seems to start with a departure and sets in motion an attempt to try and locate, then return to, an ever-evolving sense of home. Which is interesting as I was couch-surfing for the bulk of the time we were writing the album, living across so many different homes. Oskar and I gave each other permission to use the shared project as a personal outlet. And making it was entwined with a process of self-reckoning and was helpful in a way that I hadn’t experienced from music before.”

“We were pretty perfectionist,” says Oskar. “Took a while tweaking everything and making it right. And it really documents, I think, that year in a really nice way.”

"'harlequin/los días azules' is the conclusion of the album. It is a reflection and triumphant end of a chapter, simultaneously looking back with fondness and forward with optimism. It was the last track we made for the album, and benefits from hindsight providing some final musings and a level of resolve on the themes of the album".

lavender - harlequin/los días azules

stream 'missing you': https://lavender.lnk.to/missingyou
pre-order the new album, we're having a barn dance: https://lavender.lnk.to/barndance/

lavender share new single 'missing you', from their upcoming debut album, we're having a barn dance, set for release May 23rd on Night Time Stories. lavender are Oskar Rice and Adam Jackson; friends since school, one a DJ/producer, one in an indie band, their burgeoning friendship saw them bonding over Elliot Smith as much as J Dilla. Their debut EP garnered praise and appreciation, with lead single peppermint currently on 22 million Spotify streams. Recent singles have won a plethora of support from DIY, Clash, Wonderland, The Line Of Best Fit, DMY, BBC 6Music and more. On album release day, lavender will perform a special release-day show at Rough Trade, Denmark Street, London.

On 'missing you', lavender say - "The track is built around a sample from The Independents ‘Baby, I’ve Been Missing You’, which Oskar came across while stuck in London traffic listening to (our favourite radio station) Supreme FM (number 1 in North London!!). It’s probably the most direct sample on the album and repurposes the refrain from the original to express something we were both drawn to at the time for different reasons"

we're having a barn dance is the story of one tumultuous year of living, loving (and the falling out thereof). The songwriting is a diary of an eventful 12 months. “We had a big chat about what this all means to us,” explains Oskar, “And we boiled it down to this: it’s about love, but not necessarily romantic love. It’s about all of those competing emotions and how, if you love one thing, it might detract from loving something else.”
 
we’re having a barn dance is both literally and metaphorically their one year safari of discovery, starting in a farmhouse in France through to a studio behind Lidl in Limehouse. “I think the album for me feels like a journey,” explains Adam. “I was definitely fixated on this multifaceted concept of ‘home’ throughout the writing process. It seems to start with a departure and sets in motion an attempt to try and locate, then return to, an ever-evolving sense of home. Which is interesting as I was couch-surfing for the bulk of the time we were writing the album, living across so many different homes. Oskar and I gave each other permission to use the shared project as a personal outlet. And making it was entwined with a process of self-reckoning and was helpful in a way that I hadn’t experienced from music before.”

“We were pretty perfectionist,” says Oskar. “Took a while tweaking everything and making it right. And it really documents, I think, that year in a really nice way.”
 
we're having a barn dance is an album that is manifestly ambitious both in its production sound and as songwriters clearly finding greater confidence in their future pathway.   

lavender - missing you

Stream Waiting For The Punchline (Swallertrip): https://franc-moody.lnk.to/waiting

Franc Moody today share their new single, 'Waiting For The Punchline (Swallertrip)'. 

In their own words, the band explain that "This song exists on wax as “Swallertrip” simply because we found ourselves in the weird position of having to come up with a song title  before we’d written the actual song. What became “Waiting For The Punchline” started out as a sketch channeling the likes of Talking Heads, LCD Soundsystem and Fela Kuti. With the help of a chunky synth lead line on the ole FM stalwart Roland SH101 the tune took shape pretty  quickly and with some added voicenote magic from our pal Olivia and some extra Franc Moody quirk the song has since become a staple of the live set"

Franc Moody - Waiting For The Punchline (Swallertrip)

Order/stream the new album, 'we're having a barn dance': https://lavender.lnk.to/barndance/

lavender are Oskar Rice and Adam Jackson; friends since school, one a DJ/producer, one in an indie band, their burgeoning friendship saw them bonding over Elliot Smith as much as J Dilla. Their debut EP garnered praise and appreciation, with lead single peppermint currently on 22 million Spotify streams. The recently released lowlight:slowlight won a plethora of support from Clash, Wonderland, The Line Of Best Fit, DMY, BBC 6Music and more. 

their new album, we're having a barn dance, is the story of one tumultuous year of living, loving (and the falling out thereof). The songwriting is a diary of an eventful 12 months. “We had a big chat about what this all means to us,” explains Oskar, “And we boiled it down to this: it’s about love, but not necessarily romantic love. It’s about all of those competing emotions and how, if you love one thing, it might detract from loving something else.”
 
we’re having a barn dance is both literally and metaphorically their one year safari of discovery, starting in a farmhouse in France through to a studio behind Lidl in Limehouse. “I think the album for me feels like a journey,” explains Adam. “I was definitely fixated on this multifaceted concept of ‘home’ throughout the writing process. It seems to start with a departure and sets in motion an attempt to try and locate, then return to, an ever-evolving sense of home. Which is interesting as I was couch-surfing for the bulk of the time we were writing the album, living across so many different homes. Oskar and I gave each other permission to use the shared project as a personal outlet. And making it was entwined with a process of self-reckoning and was helpful in a way that I hadn’t experienced from music before.”

“We were pretty perfectionist,” says Oskar. “Took a while tweaking everything and making it right. And it really documents, I think, that year in a really nice way.”

lavender - we're having a barn dance

Buy album: https://LateNightTales.lnk.to/contodoelmundo

Globetrotting Texan trio Khruangbin present 'Maria También', the first single from their upcoming second album ‘Con Todo El Mundo'. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. ‘Con Todo El Mundo’ takes inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.

Khruangbin - Maria También

Buy/Listen: http://s.latenighttales.co.uk/gcm/ 

Garden City Movement have signed to Night Time Stories - Late Night Tales’ sister label for original artist releases - releasing single ‘Slightly All The Time’ and plan a debut album release in 2018.

The trio of Roy Avital, Yoav Saar and Johnny Sharoni produce a blend of sounds drawn from their diverse cultural worlds; ranging from art-pop to experimental house to horizontally aligned vibes. Since surfacing at the close of 2013 with their breakout track ‘Move On’, Garden City Movement have released ‘Entertainment’ and ‘Bengali Cinema’ EPs, the ‘Modern West’ 12” in collaboration with The Vinyl Factory, climbed the Hype Machine Popular Chart with multiple singles, recorded live sessions for Boiler Room, Majestic Casual and FACT, opened for Bonobo, Caribou, Alt-J and played all over the world. The band's music video for ‘Move On’ received a nomination for Best Music Video at the LA Film Festival, won “Best Video of The Year” at the MTV Israel Music Awards and the video for ‘She’s So Untouchable’ screened at the Raindance Film Festival in London this September.

The signing comes with the release of a new single, ‘Slightly All The Time’, a combination of dream-like vocals, languid beats and deftly deployed guitar hooks. The bittersweet music balances the song’s account of abuse committed during the breakdown of a fading relationship. This melancholic fusion hints at an emotional and confessional album filled with forward facing sounds and beats. 

Launched in 2013, Night Time Stories is Late Night Tales’ sister label for original artist releases. The label hosts a family of artists creating a timeless and diverse array of sounds, connected by a common thread of authenticity. Releases have featured the likes of Khruangbin, Rae & Christian and new Bristol artist Chaouche. 

“A gregarious, dancefloor-primed attitude” Pitchfork
“Rising stars” FACT
“Deconstructed, R&B-splashed electro” Stereogum
“Softly seductive” i-D
“Laden with pop potential” Clash
“Dazzling” Boiler Room
“Alt R&B textures” Consequence Of Sound

Garden City Movement - Slightly All The Time

Buy Album: https://LateNightTales.lnk.to/contodoelmundo

Globetrotting Texan trio Khruangbin present the video for their new single ‘Friday Morning’. A song about “jumping into love,” ‘Friday Morning’ skips between laid back Isley Brothers-­esque vibes via delicate tempo changes into gentle hymnal passages.

On 26th January, Khruangbin will release their second album ‘Con Todo El Mundo’ on Night Time Stories. Continuing their world music pedigree, the band has expanded their global influences on this record from Thai funk to sounds of Spain and the Middle East, particularly Iran, from the 1960’s, 1970’s and beyond.  Khruangbin will embark on a tour of UK, Europe and North America in support of ‘Con Todo El Mundo’.

http://khruangbin.com 
http://facebook.com/khruangbin 
http://twitter.com/khruangbin 
https://www.instagram.com/khruangbin 
http://nighttimestories.co.uk

Khruangbin - Friday Morning (Radio Edit)

Buy Album: https://LateNightTales.lnk.to/apollonia

Taken from Garden City Movement's debut album 'Apollonia'. The trio of Roy Avital, Yoav Saar and Johnny Sharoni produce a blend of sounds drawn from their diverse cultural worlds; ranging from art-pop to experimental house to horizontally-aligned vibes. 

“A gregarious, dancefloor-primed attitude” Pitchfork
“Rising stars” FACT
“Deconstructed, R&B-splashed electro” Stereogum
“Softly seductive” i-D
“Laden with pop potential” Clash
“Dazzling” Boiler Room
“Alt R&B textures” Consequence Of Sound

Garden City Movement ‘Apollonia’
Release Date: 16th March 2018
Label: Night Time Stories
Format: 2xLP // CD // Digital
Cat No: ALNLP48 // ALNCD48 // ALND48

Tracklist:
1. Again
2. Passion Is A Dying Theme
3. Before I Fall
4. Ueno Park
5. Slightly All The Time
6. A Means To An End
7. I Knew Before I Met Her (That One Day I Would Lose Her)
8. Rini
9. Foreign Affair
10. For Tomorrow
11. What If You Can't Win?
12. Now
13. Bitter Moon
14. Zaïre
15. Mediterranea
16. Apollonia
17. Sans Titre
18. Santal 33

https://facebook.com/GardenCityMovement 
https://twitter.com/gardencitymove 
https://open.spotify.com/artist/3HrczLBDJXJu6dJWEMbKHa 
http://nighttimestories.co.uk

Buy Album

Garden City Movement - Foreign Affair

Buy Album: https://LateNightTales.lnk.to/contodoelmundo

Globetrotting Texan trio Khruangbin present their second album ‘Con Todo El Mundo’. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. ‘Con Todo El Mundo’ takes inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.

http://khruangbin.com 
http://facebook.com/khruangbin 
http://twitter.com/khruangbin 
http://www.instagram.com/khruangbin 
http://nighttimestories.co.uk

Khruangbin - Con Todo El Mundo (Sampler)

Buy album: https://LateNightTales.lnk.to/apollonia

‘Before I Fall’ is the latest single from Garden City Movement’s debut album ‘Apollonia’, set for release on 16th March 2017 via Night Time Stories.

Musically the album’s dream-like vocals, cinematic-RnB and leftfield house mask the darker side of the lyrics; exploring the breakdown of a fading relationship and the depression, loneliness and abuse that follows. The band explain: "Before I Fall" is based on a real story ten years ago about a young couple who broke up. A year later, while she was at a Miss Universe beauty contest, he decided to go and walk on the railway with his back to the trains, until one hit him. This story and real life mixed while working on the album.”

“A stylish variant on left-field RnB” Mojo
“A gregarious, dancefloor-primed attitude” Pitchfork
“Rising stars” FACT
“Deconstructed, R&B-splashed electro” Stereogum
“Softly seductive” i-D
“Laden with pop potential” Clash
“Dazzling” Boiler Room
“Alt R&B textures” Consequence Of Sound

https://facebook.com/GardenCityMovement 
https://twitter.com/gardencitymove 
https://open.spotify.com/artist/3HrczLBDJXJu6dJWEMbKHa 
http://nighttimestories.co.uk

Garden City Movement - Before I Fall

Buy album: https://LateNightTales.lnk.to/aloudersilence

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Buy album

Leifur James - Argonaut

Buy album: https://LateNightTales.lnk.to/aloudersilence
"Subtly stunning jazz-soul" The 405 https://www.thefourohfive.com/music/article/leifur-james-presents-a-subtly-stunning-jazz-soul-ode-to-his-past-in-mumma-don-t-tell-405-premiere-153

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Leifur James - Mumma Don't Tell

Following the release of his debut record “A Louder Silence” last October on Late Night Lates, Leifur James returns with his new single ‘Wurlitzer’ ahead of a run of dates including a headline show at The Southbank Centre in late March.

Leifur’s debut fused ambient electronica, jazz, classical and soul music, a recording process which was over a 2 year period. ‘Wurlitzer’ is the first piece of music he reveals from a new creative period after those sessions.

“’Wurlitzer’ was kind of a break away from the ambience of the album.” says Leifur. “I was wanting to corrupt the mood of the album with something a bit intense and destructive. I guess there was an unusual balance there for creating something new but in a bit of a destructive mind-set.” 

“I’d been staying at my dad’s in the winter months, he lives in the middle of a rural pre historic stone circle, its quite an intense place in winter. I was playing on the old upright wurlitzer piano there and the wind was shaking the house, I could hear it aggressively whistling in the chimney. The contrast of the wind with the piano was interesting and gave me the idea.” 

The video was created by animator/director Balázs Simon. “We spoke about the video and this balance of creation and destruction in the music. The theme for the video being the duality of creation; creation and destruction and the cross over point between those.” The result is ravishing 4 minutes of piano-fused electronica haunted by ecological currents.

Leifur James – Live

16.03.19
Paradiso, Amsterdam
17.03.19
La Botanique, Brussels
30.03.19
Southbank Centre, London
06.04.19
La Petite Halle, Paris
10.05.19
The Great Escape, Brighton
01.06.19
Inner City Electronic Festival, Leeds (Solo)

Wurlitzer

Leifur James - Wurlitzer

Globetrotting Texan trio Khruangbin are set to release ‘Hasta El Cielo’, the band’s glorious dub version of their second album ‘Con Todo El Mundo’. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.

The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t find this a surprising release. Dubs of tracks from their first album ‘The Universe Smiles Upon You’ appeared on limited vinyl releases of ‘People Everywhere’ for Record Store Day 2016 and ‘Zionsville’ on the BoogieFuturo remix 12”. The especially eagle-eared will have caught a dub of ‘Two Fish’ playing over the credits of the track’s celebrated video. 

“For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.”
- Khruangbin

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. 

Since the album’s release, the band have continued their almost non-stop approach to touring, playing over 130 dates in 2018 alone. They return to the UK this summer for festival shows at Green Man, Latitude, Mostly Jazz, Funk & Soul Festival and Barclaycard British Summer Time.

https://LateNightTales.lnk.to/hastaelcielo
http://khruangbin.com  
http://nighttimestories.co.uk

Mary Always

Buy / stream here: https://LateNightTales.lnk.to/aloudersilenceremixes

One year after Leifur James released his debut album A Louder Silence on 5th October 2018, he returns with a remix EP; also released on Night Times Stories, original artist label of Late Night Tales; home to Texan trio Khruangbin.

The record attracted immediate support from Pitchfork, KEXP, XLR8R, Mixmag 8/10, Future Music UK 9/10, Electronic Sound 9/10.  In April 2019 ‘Wurlitzer’ was the first piece of music he revealed from a new creative period after those sessions. The video was created by animator/director Balázs Simon, premiering on Boiler Room and was nominated for the BMVA Berlin Music Video Awards in the experimental music category, airing at the British Film Institute BFI Southbank London, watch here

The remix EP of the debut album A Louder Silence features a slew of the finest musicians in electronic music today. Bruce coming off the back of his hugely well received debut album for Hessle Audio has a “resymph” of Osho in typical mind-bending austere electronic style. Whities producer and Tirzah/Mica Levi collaborator Coby Sey reconstructs Suns of Gold with his sampler. Blueberry Records founder FaltyDL aka Drew Lustman contributes a deep, skipping 2-stepping reversion of Mumma Don’t Tell. Auntie Flo AKA Brian d’Souza flexes his world-club fusion on a shimmering remix of Salaninam. And London cellist, composer and Radiohead regular collaborator Oliver Coates reshapes Red Sea into a swirling post-rock noise, leading into a jazz-chamber music outro.

The 4 most DJ friendly cuts from FaltyDL, Bruce, Coby Sey and Leifur’s own remix will also be released as a highly limited edition 12”. 300 vinyls are being pressed up. In total, it’s a refreshingly diverse and creative collection of new approaches to Leifur’s source material.

Tracklisting:
Osho (Bruce's Resymph)
Suns of Gold (Coby Sey Rework)
Mumma Don't Tell (FaltyDL Remix)
Salaninam (Auntie Flo Remix)
Suns of Gold (Leifur Remix)
Red Sea (Oliver Coates Remix)

Leifur James - Mumma Don't Tell (FaltyDL Remix)

pre-order now:  https://LateNightTales.lnk.to/angelindisguise

London based experimental producer and composer, Leifur James announces his return with news of a six date EU tour and the release of ‘Wise Old Man’ - the first single taken from his highly anticipated second album ‘Angel in Disguise’, which is due for release on the 24th April 2020 via Night Time Stories (sister label to the coveted ‘LateNightTales’).

Driving, melancholic electronica, ‘Wise Old Man’ is a nod to what can be expected of James’ second album, Angel In Disguise, showcasing a more experimental side to his production. Traversing through musicality, progressive synths and introspection, this first single unveils the producer’s distinct sound with disorientated vocals; speaking of the interplay between reason and emotion, the lyrics repeat “Wise old man in my brain, soul bursting through my veins”, opening the gates to this captivating electronically steered opus.

This news comes after an incredible few years for the artist. 2018 saw James release his esteemed debut album A Louder Silence on Night Time Stories and follow up remix EP that championed upcoming electronic talent including Bruce, FaltyDL and Whities producer, Coby Sey, on rework duties; projects which captured the attention of key tastemakers including Resident Advisor, Pitchfork, Mixmag, Electronic Sound, Future Music UK. 

An aesthetically driven artist dedicated to marrying powerful visual backdrops with sonic explorations, James teamed up with Hungarian director, Balázs Simon; producing the critically acclaimed, ‘Wurlitzer’ project which saw widespread support from the likes of Boiler Room, CLASH, Directors’ Notes, Motionographer, the UK and Berlin Music Video Awards, the London Short Film Festival, Dublin International Film Festival and more. 

A highly anticipated body of work, Angel In Disguise promises to explore the themes of love and loss through a masterful blend of harmonic vocals from James himself, nuanced electronic soundscapes and vibrant percussion - punctuated by bespoke visuals, directed by Balázs Simon. This exciting project is expected to make waves and see James step up, exhibiting his discerning ear and painstakingly honed production craft on a seminal label. 

Delving into intimate UK and European venues to showcase his ever-evolving live show, James’ tour will kick off May 2020 in Copenhagen, before heading to Berlin, Amsterdam, Brussels, London and Manchester.


Angel In Disguise is available for pre-order now:  angelindisguise.net

Leifur James - Wise Old Man

SESSION VICTIM – ‘NEEDLEDROP – REMIXED’
NIGHT TIME STORIES
JUNE 12TH 2020
Buy stream: https://LateNightTales.lnk.to/needledropremixed

1. Needledrop (Laurence Guy Remix)
2. Still High (Jackmate's Juke Rework)
3. Isle of Taste (Patrice Scott Remix) OUT NOW
4. Jazzbeat 7 (Dday One Remix)
5. No Sky, Blue Sound (Panoram Rework)

Following the release of the ‘Needledrop’ album via ‘Night Time Stories’, Session Victim announce ‘Needledrop Remixed’, set for release this June. Featuring Laurence Guy, Jackmate (aka Soulphiction), Patrice Scott, Dday One and Panoram, Patrice Scott’s remix of ‘Isle Of Taste’ is released today.

“For the remix EP of our album ‘Needledrop’, we got 5 artists on board who play and work in quite different areas and genres but all have had a substantial impact on us, musically and/or personally over the years.” – Session Victim

Expanding upon the album’s blend of jazz, electronic and downtempo, each of the remixers instill their own production styles to reimagine one of underground music’s most intriguing and genre-crossing acts into a new listening experience. From Laurence Guy’s melodic yet driving remix of ‘Needledrop’, to Jackmate’s transformation of ‘Still High’ into 5-minute, experimental rework, ‘Needledrop Remixed’ continues to reaffirm the original album as Session Victim’s most eclectic LP to date.  

With each remixer personally selected by Session Victim, the EP channels a deeper exploration of the album. Patrice Scott 90’s influenced take on ‘Isle Of Taste’ is a longer and more contemporary offering, whilst Dday One’s remix of ‘Jazzbeat 7’ adds a sinuous saxophone solo to fully embrace the experimental spirit of the original. The neo-jazz feel of ‘No Sky, Blue Sound’ is flipped to a slower tempo by Panoram, yet retains the explorative guitar solo heard on the album.

Released in March, ‘Needledrop’ is Session Victim’s anticipated 11-track album. With industry support from the likes of CRACK, Dummy, Mixmag, DJ Mag, Resident Advisor, XLR8R and more, the album was released on 'Night Time Stories’, the London based sister label to the coveted ‘LateNightTales’. Marking a notable shift towards the downtempo dynamic of artists like Nightmares on Wax, DJ Shadow and Portishead, ‘Needledrop’ provides a suite of both uplifting and easy-listening moments, refined and understated individually, yet cohesively crafted with the honest musicianship and inarguable credentials that we know of the production duo Session Victim.

‘Needledrop’ focuses on a large arsenal of influences across long-forgotten vinyl, 90’s computer games and beyond, rediscovering the intuitive and playful sides of their production personalities, while also demonstrating their cherished music knowledge.

Session Victim - Isle of Taste (Patrice Scott Remix)

KENNEBEC
“DEPARTURE REMIXED”
RELEASED 9TH OCTOBER 2020
Stream/download https://LateNightTales.lnk.to/departureremixed

Following the release of his debut album Departure earlier this year, Kennebec returns with a digital package of six remixes on 16th October 2020, building on the expansive, organic sounds of his debut outing in collaboration with some of jazz and lo fi’s finest. Upon Departure’s release Kennebec’s naturally inspired, exploratory work drew comparisons from Crack Magazine with early Four Tet, with them calling it “an ode to the beauty and solace found in the Pacific Northwest, to its sweeping landscapes and lush rainforests”. In keeping with Kennebec’s source material, this collection of remixes feels like an organic offshoot, spawned instead of made. The EP opens with Newham jazz maven Alfa Mist’s remix of Quest. A prominent artist/producer in UK jazz’s celebrated no-longer-new wave, for his remix he amps up Quest’s natural swing, employing his characteristic taste for chopped samples while weaving its guitar and string elements into a Dilla-esque jam. With a similar taste for exploring the blurred boundaries of jazz and hip hop, Stan Forebee takes the lilting piano lullaby of Yesterday Tomorrow and cradles it into a laid back, contemporary jazz roller, with undulating pads atop a steady, pensive beat. Getting to grips with one of Departure’s lead singles, Portland’s Kalaido draws all the song’s sprawling musical elements into a tight, lo fi work, emphasising the original’s stand out moment sampling its otherworldly sax solo. Next Santpoort tackles A Monsoon, maintaining its driving momentum while lending his own dreamy tone. Night Time Stories’ own Ash Walker steps up for remix duties on album title track Departure, drawing out and re-emphasising the original’s bassline to incredible, blissed out effect, before prolific downtempo composer Tristan De Liege
closes out the release with his take on the wending ‘Kalahari’, dressing it in ethereal piano chords, chopped guitar lines and warm pads.

Original Album Review Quotes:
'a beguiling journey' - Future Music
'a magnetic and beautiful album' - Future Music
'an evocative rhythm' - Electronic Sound
'an exhilarating deluge of sound' - CRACK
'as much about texture as it is about melody' - CRACK
'Play it before you go to work and nothing will bring down your day.' - Vinyl Chapters

Track List
1. Quest (Alpha Mist Remix)
2. Yesterday Tomorrow (Stan Forbee Remix)
3. Abundance In The Reeds (Kalaido Remix)
4. A Monsoon (Santpoort Remix)
5. Departure (Ash Walker Remix)
6. Kalahari (Tristan De Liege Remix)

Kennebec - Quest (Alfa Mist Remix)

Night Time Stories is the sister label of Late Night Tales for original artist releases. The label hosts a family of artists connected by a common thread of authenticity. Releases have featured the likes of Khruangbin, Garden City Movement, Sasha’s ‘Scene Delete’, Rae & Christian and Chaouche.

Popular tracks by Night Time Stories