Connected paper (italian only):
http://antithesis2.blogspot.it/2017/06/zero.html

. Sunn0)))- Big Church
. Oneohtrix Point Never- I Bite Through it
. Om- State of Non-return
. Wille zur Macht- Junktion (sample rmx from Locrian- Exiting the Hall of Vapor and Smoke)
. Locrian- Return to Annihilation

Nexus is the non-place ruled by contingency, an O)))uter spacetime at the end of a mystical voyage. Journey through infinity. Ascetic passeges into the (un)knoweledge.
There's no dialectical synthesis between Being and Nothing but, at the same time, Being is already Nothing: contingency is the result of empirical and trascendental speculation (nothingness appears, ambiguously necessary: all is nothing, absurdly - without [no] reason). Drone and doom metal music infuses in the listener the feeling of precarity of reality itself.

Nexus (non)è-un-una-il-la-lo-le-gli-i-questo-quello-possibilità-o-necessità. Nexus continge necessariamente, congiungendo; abolisce tanto l’essere quanto il divenire. Ogni ente è Nexus, ogni Essere è Nexus, senza che Nexus sia questo o quello, l’Uno o l’Altro. Io parlo di Nexus e Nexus parla attraverso me, sminuendosi, disperdendosi nel tempo, contorcendosi. Questa è assieme meraviglia e inorridito stupore: Tutto è nulla e il Nulla è ogni cosa. Io sono l’Unicon − il nodo e il suo essere-divenire − e tuttavia sono il niente sprofondato nel niente. Io taglio, Io prelevo, Io connetto e assemblo nubi trascinate dal vento, Io mi sono ostinatamente nemico.

Fantasma io stesso, porgo i miei saluti ai compagni di pellegrinaggio

. Eliane Radigue- Kailasha rmx (samples from Alva Noto- Uni fac & Tetsu Inoue- Ambiant Otaku)
. Burzum - Dunkelheit
. sample from Merzbow- Requiem
. Alva Noto- Unitxt
. Tim Hecker- Stags, Aircraft, Kings And Secretaries
. Velvet Underground- Venus in Furs

This is an acid voyage into primordial feminine: night, abyss, uterine homeostasis awaits at the end of the day: sun explodes, obliterating the planet. The mad, black, morbid melancholy of Emily Dickinson poetry is the "fil rouge" of this sonic-essay, joining an anxious desire for personal death with the impersonal anticipation of human extinction. 
  The last track, Venus in Furs by the Velvet Underground is a freudian "submission-to-night" manifesto: melancholy hails silence and annihilation into the womb of imperceptibility; sadness, in its vastity, is a strong desire for impersonality and communion, a revolutionary desire for (empedoclean)love beyond confilct and competition.

"We grow accustomed to the Dark --
When light is put away --
As when the Neighbor holds the Lamp
To witness her Goodbye --
A Moment -- We uncertain step
For newness of the night --
Then -- fit our Vision to the Dark --
And meet the Road -- erect --
And so of larger -- Darkness --
Those Evenings of the Brain --
When not a Moon disclose a sign --
Or Star -- come out -- within --
The Bravest -- grope a little --
And sometimes hit a Tree
Directly in the Forehead --
But as they learn to see --
Either the Darkness alters --
Or something in the sight
Adjusts itself to Midnight --
And Life steps almost straight."

Emily Dickinson

When night falls she cloaks the world In impenetrable darkness. A chill rises from the soil

1) ClockDVA - "The Unseen", Buried Dreams, Anterior Digital Research Station, 1989. 
Sample from: Nick Land, da "Hermitix - Accelerationism & Capital with Nick Land" [00:46-00:56].
2) Clock DVA - "Kabaret 13", Clock 2, Anterior Research Media Comm, 2014 [5:09].
Sample from: Reza Negarestani, "The Labor of the Inhuman", #Accelerate: The Accelerationist Reader, Urbanomic, 2015 (Friedrich von Uxküll's YouTube channel) [5:22-5:31 and 13:42-13:45].
3) ClockDVA - "H.I.T. (Human Interactive Technology)", Man-Amplified, Contempo Records, 1992 [12:49].
4) ClockDVA - "De-Cyphered", Voice Recognition Test, Contempo Records, 1993 [17:44].
Sample from: "Curse of the Demon", trailer, Jacques Tourneur, 1957 [22:50-23:02].
5) T.A.G.C. - "Test Tone: 40 hz", Meontological Research Recordings: Recording 2: Teste Tones, Soleilmoon Recordings, 1991 [22:59].
Sample from: Bob Decker, "Gamma waves-40HZ: Isochronic tones" [29:05-31:08].
6) Psychophysicist, "Psience", Deepnet (comp.), Side Effects, 1996 [30:29].
Samples from: Unisonic Acension, "Gamma Centauri: Alpha & Gamma Solfeggio Hz Meditation" [38:27-41:19] and Aleister Crowley, "The Pentagram" [39:41-40:33].
7) T.A.G.C. - "Pre-Eval", Digitaria, Sweatbox, 1987 [40:28].
8) ClockDVA - "The Hacker", Buried Dreams, Anterior Digital Research Station, 1989 [45:14].
Samples from: Adi Newton, Level43 interview, 1989 [45:00] and Orphan Drift/Nick Land, "Meltdown" (audio version presented at 'Virtual Futures', 1994) [52:25-53:16].
9) T.A.G.C.: - "A.A.A. (Audio Alpha Activity)", Meontological Research Recordings Teste Tones, Soleilmoon Recordings, 1991 [53:14].
10)T.A.G.C. - "A.A.A.A. (Accelerated Audio Alpha Activity)", Meontological Research Recordings Teste Tones, Soleilmoon Recordings, 1991 [53:21].

"T.A.G.C.’s technotronic occultism expressed as radical art is an extremely potent assault engine at the frontline of the existential war of the Soul against the destructive Spirit. For those that have ‘ears to hear and eyes to see’ T.A.G.C. can become instrumental in their transformation and ultimate resurrection as the fabled ‘New Man’!"

From the intro of Meontological 3 by David Beth’s
La Société Voudon Gnostique, In "Adi Newton (Clock Dva/TAG/TAGC/The Anti Group) :: Selected Interviews 1990-2018 (ita/eng)", Rizosfera, 2018.

https://www.academia.edu/38015729/Adi_Newton_Clock_Dva_TAG_TAGC_The_Anti_Group_Selected_Interviews_1990-2018_ita_eng_

Adi Newton's Book of Xeno-Pleasure

Il silenzio è ritmo-del-vuoto, scansione temporale contraddistinta da un'assenza. Tale rimando a una posizione [/] (evento-barrato o evento-omessione)è l'aspetto determinante dell'esperienza mistica o interiore: la risata, il brusio dell'inumano e del non-umano, il "farsi avanti" dell'inorganico, per così dire, sono il contrassegno di un Altro che recede indefinitamente nell'abisso della non-coscienza e della non-conoscenza. D'altra parte, è proprio tale sospensione nel vuoto a contraddistinguere il dispiegarsi del mondo posto al di là del mondo-umano (o mondo per-noi).

"per utilizzare ciò che è
devi utilizzare ciò che non è."
Tao Te Ching

"The shift of man as person from person-centered self-prehension to self-revelation as the manifestation of absolute nothingness [...] requires an existential conversion, a change of heart within man himself."
Keiji Nishitani, Religion and Nothingness

Tracklist:

1+ Om - "Addis", Advaitic Songs, 2012: 
2+ Alpha & Omega - “Ababa Dub”, Advaitic Dubplate, 2013: 3.30
2+ Zero Kama ‎– "Death Posture", The Secret Eye Of L.A.Y.L.A.H., 1991: 00.06
3+ SunnO))) - "Big Church", Monoliths & Dimensions, 2009: 09.06
4+ Valaam Monastery Choir - "Behold the Bridegroom Comes at Midnight", The Valaam Monastery Chants, 1999: 11.31
5+ Tetsu Inoue - "Low of Vibration", Ambiant Otaku, 1994: 14.11
5b + AquaSonic, “Concurrently”, Between Musics, 2017: 15.22-20.27
6+ John Cage - "In a Landscape", In a Landscape, 1994: 20.27
8+ Bauhaus - "Bela Lugosi's Dead", Bela Lugosi's Dead, 1979: 25.40
9+ Ryoji Ikeda - "Data.Matrix", Dataplex, 2005: 34.46

Samples [YouTube]:

- Meher Baba Interview 1932 Newsreel: 00.40-01.02
- Tibetan Singing Bowl Sounds: 05.54-07.00
- Ritual Music of Tibetan Buddhism: 07.00-09.10
- Cathedral Sound Effect: 11.20-15.22
- Chuckling And Laughing Five To Six Women: 20.14-21.05
- Bat Sound: 25.18-25.58
- 5 Mice Squeaking Sound Effect: 35.00-35.20

L'Aura Nera :: Atmosphere - Silence §I

Philosopher and writer.

This is a "mixosophy" project. Each mix is an invite to think through sonic events and a trip into noise-driven fiction. My aim is to produce a blend of poetry, sound collage-assemblage, philosophy and techno-gothic materialism.

Nihil Obstat Obstat

Nihil Obstat Obstat

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