What a wonderful surprise, they are from Sweden. I get so proud, many talented producers and artists are from here. Two thumbs up from me to niki and the dove. You create great music :)

SoAgainItBegins

Alice Ivy - 'Howlin' At The New Moon feat. Mayer Hawthorne' 
Out now via Helix Records! https://helixrecords.ffm.to/hatnm

Follow Alice Ivy: 
Instagram: https://www.instagram.com/aliceivymusic/
Facebook: https://www.facebook.com/aliceivymusic
TikTok: https://www.tiktok.com/@aliceivymusic
Twitter: https://twitter.com/aliceivymusic
Website: https://www.aliceivymusic.net/ 
Sign Up: https://mailchi.mp/67226ff31de1/aliceivy

Howlin' At The New Moon feat. Mayer Hawthorne

Turtle Pizza Cadillac

weight watchers (original)

Buy / Stream: https://tinyurl.com/zyhr2ou

Via @Juiceboxfm

DOWNLOAD

Dopamine

Join us a we head poolside, with their remix of "Leila"

Listen on your favorite app here: http://smarturl.it/LeilaPoolside

https://soundcloud.com/poolside

free download for all you djs: http://bit.ly/2u8RW4b
--
Miami Horror Presents: The Shapes

Spotify, Apple Music, Google Play, etc: smarturl.it/theshapes
iTunes: smarturl.it/theshapesbuy
Bandcamp: miamihorror.bandcamp.com/releases
Vinyl: www.miamihorror.com

Miami Horror's conceptual new release "The Shapes" - a unique 5 track release that see's Miami Horror step out of their comfort zone. The Shapes combines upbeat percussive grooves, and experimental vocal styles that echo post-new wave groups of the 80s.

www.miamihorror.com
www.facebook.com/miamihorror
www.twitter.com/miami_horror
www.instagram.com/miamihorror__

Artwork By: Lynnie Zulu

www.miamihorror.com
www.facebook.com/miamihorror
www.twitter.com/miami_horror
www.instagram.com/miamihorror__

Miami Horror - Leila (Poolside Remix)

Production @Max-Graef @Julius Conrad
Mixed by @jan-b-300086776 
Mastered by @BenjaminTierney
Photo by @LeaGotfredsen
Artwork by @Krashkid

Lyrics:

Red runner you make my heart beat so slowly
Red runner I won't to do this thing with you
Red runner we can dance all night and go on crazy
Red runner I want to steal the day and the night with you

We can move and groove this thing down

Red Runner

CSLSX & I Break Horses - Violent Sea

The first play of Niki and the Dove's next single 'Tomorrow' on Annie Mac's show on Radio 1

Tomorrow - Out 13th May
Instinct, the debut album - Out 14th May
Sign Up for more info: http://bit.ly/JnDUMQ

Pre-order below:
iTunes - http://tinyurl.com/6rqmqof
PLAY.com - http://tinyurl.com/7easfog
HMV.com - http://tinyurl.com/7wk6upq
AMAZON.co.uk - http://tinyurl.com/88wxdh4

Instinct

Tomorrow

Lightenup

Lightenup (Breakbot Remix)

From Miami Horror's debut album - Illumination.

I Look To You

From Flume's debut album. Download the Deluxe Version on iTunes here:
http://smarturl.it/flume_deluxe

www.facebook.com/flumemusic
www.flumemusic.com
www.facebook.com/futureclassic
www.futureclassic.com.au
www.facebook.com/transgressiverecords
www.transgressive.co.uk

Sleepless feat. Jezzabell Doran

Hideout

Hideout (Disco Despair Remix)

Dream in Colour

Night Flight

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

Listen/download: https://miamihorror.ffm.to/ilty_francmoody

https://www.miamihorror.com
https://www.facebook.com/miamihorror
https://instagram.com/miamihorror
https://twitter.com/miami_horror
https://soundcloud.com/miami-horror

I Look to You (feat. Kimbra) [Franc Moody Remix] - Single

I Look to You (feat. Kimbra) [Franc Moody Remix]

'So Much It Hurts' out now! http://po.st/SoMuchItHurts
Listen to 'Play it on my Radio': http://lnk.to/Playitonmyradio

Soaring freely above genres, occasionally diving into one or the other, Malin Dahlström and Gustaf Karlöf make music together as Niki & The Dove. The foundation for the collaboration is a profound love and respect for music that gives both members a hunger for the exploration of new music.

Malin and Gustaf was first brought together in Gothenburg where they played together in different bands before forming Niki & The Dove in 2010 and releasing the debut single “DJ, Ease My Mind”. As a song that tells the story of what a simple pop track can do to a human, it was a fitting introduction to the band’s outlook on the beauty of music. The songs were there before the band united, and what happened after the formation seemed like the logical progression.

The following full length album, Instinct, came one year later and consisted of chosen parts from the EP:s and previously unreleased tunes that landed Niki & The Dove a nomination for the prestigious BBC Sound of 2012.

Four years after Instinct another Niki & The Dove album was released. Under the title Everybody’s Heart Is Broken Now, thirteen pop songs are gathered, taking off from a song writing tradition where melody and the craft is focused upon. Among the tracks are the singles “Play It On My Radio” and “So Much It Hurts”, two songs that bring to mind yearning eyes meeting across a dark dance floor. As inspiration for the sound, Malin and Gustaf kept certain catchwords in mind during the creation of the record. Two of those were “Dance Romance” and “Bladerunner Disco”, fitting nicely onto the romantically futuristic album. Starting with one foot in days passed Niki & The Dove aspire to step into the future, holding the music they love near to them wherever they may go. The finished product takes what started with “DJ, Ease My Mind” in 2010 a step forward. If Instinct covered everything that happened before the formation of Niki & The Dove, Everybody´s Heart Is Broken Now is a divination regarding what is yet to come.

Tomorrow

Niki & The Dove

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