Name: Fogfall by niloofar ashgray
Duration: 4 min 59 s
Description: Fogfall

زندگی و آثار «شوپن» - کانون پرورش فکری کودکان و نوجوانان
سال انتشار: ۱۳۵۱
نوشته‌ی کلود دوفرن
ترجمه‌ی محمد قاضی
با صدای: مظفر مقدم، خسرو فرخزادی، ژاله کاظمی 
نقاشی: مصطفی اوجی

🔴کانال «شهر ترانه» در تلگرام: 
https://telegram.me/shahrtaraneh1

🔴صفحه‌ی «شهر ترانه» در اینستاگرام:
https://www.instagram.com/shahretaraneh

زندگی و آثار «شوپن» - کانون پرورش فکری کودکان و نوجوانان

The revered Japanese noise artist stops by for a regular NTS slot, playing some surprising selections from his diverse & deep record collection. 
https://www.nts.live/shows/merzbow/episodes/merzbow-22nd-january-2024

Merzbow 220124

OPEN HAND REAL FLAMES is a monthly show presented by Bass Clef. Each episode has a theme - usually a specific musical instrument or process, perhaps an artist or composer, sometimes a record label. Ranging wide over centuries and genres, looking for connections and joy. Always welcomes contributions, music, suggestions.

For old Floating World Music shows click [here](https://www.nts.live/shows/floatingworldmusic) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/open-hand-real-flames/episodes/open-hand-real-flames-12th-february-2025

Open Hand Real Flames - Merzbow Special 120225

@stagno-records pres. Terre Rare 08 w/ @upsammy
Live recorded at @inbeatwin, Milano
Video: youtube.com/live/fYKs7rd2W64?si=8nBLSMnCkFbh5Qrc


"Opening the new season of Terre Rare, upsammy conjures shifting, iridescent terrains here synthetic flora moves with prismatic motion.
A delicate balance of warmth and alien detachment, her echoing expanse oscillates between chiseled clarity and fluid disorder.
Alongside her, Pietro Agostoni reinterprets the concept of the Stagno drawing session, transforming it into a perceptual flow where gestures layer, deform, and recombine through a visual language in constant mutation. 

Frequencies fracture, memories disassemble. Unheard cadences and fluid impressions fuse, bending the 𝑡𝑒𝑟𝑟𝑒 into new forms. Vibrations rise, ancestral, synthetic, primal. Reverberations warp, surfaces melt, light and sound seep into each other, distorting perception. 
Season 2 deepens the convergence, expanding the threshold of experience. A ritual of contamination."
🕳️
Live drawing session by Pietro Agostoni
Stagno machine by Umberto Napoletano

Originally streamed on www.fritto.fm

Stagno Records pres. Terre Rare 08 with upsammy 31.01.25

Editions Mego reissue the 2001 release Asuma by Finnish artist Ilpo Väisänen. Originally released on CD this is the first ever vinyl issue, remastered by Rashad Becker. 2001 is a landmark year for the artist following a wave of success from the notable outfit Väisänen formed alongside Mika Vanio, Pan Sonic (as they were now known then). Following a string of highly acclaimed and influential releases such as “Vakio”, “Kulma”, “A’ and “Aaltopiiri” Pan Sonic had toured the globe extensively leaving a trail of blown expectations and rumours of all manner of objects in venues cracking or falling apart due to the immense sound the duo concocted with their unique instruments.

Taking a break from the ecstatic cacophony of Pan Sonic, Väisänen retreated to work on a solo release which conjured the spirits of the former outfit whilst simultaneously carving out a more personal take on these new electronic forms.

Asuma is a precise study of drones, rhythms, clicks, ambience and gentle confusion. Whilst inhabiting a zone of abstraction the results also move in a natural field as Väisänen’s native Finland permeates these recordings as much as the idea of experimentation itself.

Autioitu 1 opens the album as delicate pinball rhythms bounce across the spectrum as a hairy drone hovers underneath. The mood is both intriguing and unsettling. Tukahduttaja is a delightfully disorientating sound sculpture that is hard to pinpoint what it actually is. Klikki is comparable to a microscopic version of Pink Floyd’s “Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict”. Asumaton is a foreboding miniature acting like a segway to Vallitseva which embraces the icy clicks that punctuates much of the Pan Sonic output. Arvioimaton Ongelma is an audio riddle whilst Jaettu jitters around a dancefloor crawl. Autioitu closes proceedings as a gentle ambient thumper. Asuma is awash with contradiction and mystery. This is time wrapped in twisted turns and rewards a neat payoff for those interested in the absolute fringes of electronic ‘dance’ music.

Ilpo Väisänen 'Autioitu 1 [2025 Remaster]' (EMEGO037)

Fogfall

OPEN HAND REAL FLAMES is a monthly show presented by Bass Clef. Each episode has a theme - usually a specific musical instrument or process, perhaps an artist or composer, sometimes a record label. Ranging wide over centuries and genres, looking for connections and joy. Always welcomes contributions, music, suggestions.

For old Floating World Music shows click [here](https://www.nts.live/shows/floatingworldmusic) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/open-hand-real-flames/episodes/open-hand-real-flames-2nd-july-2025

Open Hand Real Flames - Theremin special 020725

شعر و ملودی : همایون اسدی
تنظیم: سعید اسدی زاده

بهار اومد ، بهار اومد ، بهار اومد
ولی این هم ، بدون تو غم انگیزه
کجا رفتی ؟ کجا رفتی ؟ چرا رفتی ؟
بدون تو ، بهار از غُصه لبریزه
من آن رنگِ سیاهِ شامِ اندوهم
من آن روزم ، که صبحم صبح پائیزه
میان آهوان ، مجنون صفت هر دم
نمی مانم ، همی گردم ، همی گردم
تو را می جویم و هرگز نمی یابم
تو آن عشقی ، که افزون می کنی دردم
بهار از شاخه هم دیگر نمی روید
درخت خشک عشقم کَس نمی جوید

بهار اومد - محمد رودگر | Mohammad Roudgar - Bahar Oumad

phubu, aka Phoebé and cousin of RAMZi, finally gave us a selection of her favorite kwaito tracks with her own edits

* uploaded by Phoebé herself coz Kerr broke his computer, waiting for Kerr to add his comment 

'Kwaito started emerging in the 1990s. It is a mixture of a number of different rhythms from marabi of the 1920s, kwela of the 1950s, mbaqanga/maskhandi of the hostel dwellers, bubblegum music of the 80's, and Imibongo (African praise poetry).  At times the use of styles drawn from the African Diaspora's Hip-Hop, Dub, Jazz and UK House is evident.

As pioneering DJs like Oscar "Warona" Mdlongwa, explains:" In the late 80s, we started remixing international house tracks to give them a local feeling. We added a bit of piano, slowing the tempo down and putting in percussion and African melodies". Another founding father, Arthur Mafokate says: "Lyrically we were inspired by the rising stars of the older "Bubblegum" disco music. They were representing us and talking about what was happening in the ghettos, and they spoke in a mixture of English, Zulu, Sesotho and Iscamtho (slang)."

The word Kwaito is derived from the Afrikaans word kwaai, which translates to "angry" in English. In colloquial slang, negative words or phrases often acquire a positive connotation or "cool" status. The language of Kwaito is Isicamtho, South African township slang. '  (http://www.sahistory.org.za/article/history-kwaito-music)

GeezerMix 017 - phubu

Taken from the album 'Last Live' released as 2LP, CD and Digital.

Cave12 / Editions Mego co-release

Fogfall

niloofar ashgray

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