Nils Frahm

Graz

Lighter

Went Missing

Kurzum

Dazed (Foam And Sand Remix)

Reflection

Copyright 2025 Brian James McDonald Publishing (ASCAP)
Inspired by these words of William Wordsworth

"Moving about in worlds not realised,
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
                      But for those first affections,
                      Those shadowy recollections,
                Which, be they what they may
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
                Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake"

Before The Eternal Silence (Piano)

Obsidian Veil by Bislo is a reflective soundscape where piano improvisation meets ambient textures, creating an atmosphere that lives between shadow and revelation. The piece opens with intimate keys, gently unfolding into wider sonic spaces that invite the listener to traverse a hidden landscape. Like a veil of dark volcanic stone, the music conceals yet glimmers, revealing subtle shifts of light and emotion. Perfect for cinematic transitions, introspective sync placements and visual narratives that explore themes of mystery, inner journey and emergence.

Obsidian Veil

Spaces

An Aborted Beginning

Screws

Two years on from her critically acclaimed, self-titled debut, Polish cellist Resina (aka Karolina Rec) returns with her sophomore album for FatCat’s influential 130701 imprint. A less fragile, far more immediate album, ‘Traces’ sees the Warsaw-based artist working a sound which moves closer towards the listener, with increased viscerality and weight. It’s a bold, dynamic and assured step forward and an album fully deserving of your attention.

‘Traces’ is released on 130701 on 6th July on vinyl, CD and digital formats.  
Tour dates and a remix EP are being scheduled for early Autumn.

Traces

buy on iTunes

Resina - Resin

Because This Must Be

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Miscellany

Origamibiro - Hashimoto

O I End

what is your Icaro? 

Stay Tuned..
Audius: https://audius.co/psych0nautiqu3
Spotify: https://open.spotify.com/user/1t8judqvaa64z0yz8cq50n284?si=c8b1c04fc1a441d7

More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


Went Missing

Nils Frahm

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