Piano Concert 'Tragique' / ピアノ協奏曲 "悲壮"(DEMO)

La Meije

Marco Lucchi : piano and synthesizer

3 luglio 2022

minimalismo in modo ionio (second rendition)

Fragments

Fragments 8.

It Only Took A Single Breath

* Charango
* Bombo legüero
* Synth pad
* Glockenspiel
* Upright bass

All real instruments


Composed and performed by DD
Part of the album Landscapes Consonance & Solitude
https://danieldiaz.bandcamp.com/album/landscapes-consonance-solitude

Shared on @soundcloud for the first time Friday December 9th 2022 for this weekly joint:
Disquiet Junto Project 0571: Child’s Play
The Assignment: Make music inspired by a nursery rhyme.

Photo: Villa Gesel by DD

Berceuse d'été (disquiet0571)

Winter Lament

Henrik Meierkord : cello
Marco Lucchi : synthesizer

music by Henrik Meierkord
adds and mixdown by Marco Lucchi

aprile 2023

Henrik Meierkord & Marco Lucchi - Mossa och Sten II

"Prelude to Making Tellus"
Recording of performance by Andrew R. Munn, bass; Rami Sarieddine, piano; Julian Lambert, contrabass | May 1, 2015.

This piece is a small teaser/prelude to multi-media opera "Making Tellus: An Opera for the Anthropocene".

--------
Text:

Word-tipped arrows and song-made gods,
Let loose in the multitude of voices,
Weaving and rending, words forged in the hearth.

-Andrew R. Munn, 2015 [used with permission of the author].


Genesis 11:6 (King James Bible):

And the Lord said, Behold, the people is one, and they have all one language; 
and thus they begin to do: and now nothing will be restrained from them, 
which they have imagined to do.

Prelude to Making Tellus (2015) for bass voice, piano, and contrabass

Please, support me on Spotify 
open.spotify.com/artist/4S0YJChwahh8jxgOcYTNxY

Title:  APOTHEOSIS
Written, arranged and produced by Davide Angelini
Album: THE MYSTIC OPERA I
Publishing: 2016
(p)&(c) 2016 Davide Angelini

THE MYSTIC OPERA I

APOTHEOSIS

full album on Apple

APOTHEOSIS - (instrumental)

The music of composer Nina C. Young (b.1984) is characterized by an acute sensitivity to tone color, manifested in aural images of vibrant, arresting immediacy. Her experience in the electronic music studio informs her acoustic work, which takes as its given not melody and harmony, but sound itself, continuously metamorphosing from one state to another. Her musical voice draws from elements of the classical canon, modernism, spectralism, American experimentalism, minimalism, electronic music, and popular idioms. Her projects, ranging from concert pieces to interactive installations, strive to create unique sonic environments that can be appreciated by a wide variety of audiences while challenging stylistic boundaries, auditory perception, and notions of temporality. 

Young’s works have been presented by Carnegie Hall, the National Gallery, the Whitney Museum, LA Phil’s Next on Grand, and the St. Paul Chamber Orchestra’s Liquid Music Series. Her music has garnered international acclaim through performances by the American Composers Orchestra, the Milwaukee Symphony, the Minnesota Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Phoenix Symphony, Le Nouvel Ensemble Moderne, the Aizuri Quartet, Either/Or, the JACK Quartet, wild Up, and Yarn/Wire. Winner of the 2015-16 Rome Prize at the American Academy in Rome, Young has also received a Koussevitzky Commission, a Civitella Ranieri Foundation Fellowship, a Charles Ives Scholarship from the American Academy of Arts and Letters, the Salvatore Martirano Memorial Award, Aspen Music Festival's Jacob Druckman Prize, and honors from BMI, IAWM, and ASCAP/SEAMUS. 

IN 2019 Carnegie Hall commissioned "Out of whose womb came the ice" with the American Composers Orchestra: for baritone, orchestra, electronics, and generative video, commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17.  Other recent projects include "Tread softly" that opened the NY Philharmonic’s Project 19, a violin concerto for Jennifer Koh from the Philadelphia Orchestra, and "The Glow that Illuminates, The Glare that Obscures" for the American Brass Quintet alongside an immersive audio-visual installation version commissioned by EMPAC showcasing their wavefield synthesis audio system.

A graduate of McGill University and MIT, Young completed her DMA at Columbia University. She is an Assistant Professor of Composition as USC’s Thornton School of Music.  She serves as Co-Artistic Director of New York’s Ensemble Échappé.  Her music is published by Peermusic Classical.

ninacyoung.com

Prelude to Making Tellus (2015) for bass voice, piano, and contrabass

Nina C. Young

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