Fantastic, I like the ambient in the track, how it flow

So dark and chilling composition... amazing work!!

Atmospheric, intriguing and frightening. Halloween in "The Fog." Anyways it's cool

Fantastic soundtrack, very well done and original, congratulations on the amazing track!

Bien podría ser parte del OST de Silent Hill [via https://sc.repostexchange.com]

Cinematic Composition for Sync

Composer: Andrea Pierantoni (100%), SIAE, IPI:1088848698
One Stop Clearance; singlehanded@neverenoughcowbellstudios.com; 100% master and 100% publishing control.

Remote Desert (Instrumental)

Shuteye

ZOLESKA soundcloud.com/zoleskaofficial
NIGHTPOST https://soundcloud.com/nightpost

This is a collab between 3 artists
A track by Nightpost : "Keep Whispering"
A track by Zoleska : "Portal"
Solo synths and editing by Mors Vivere

Keep Whispering [ ZOLESKA & NIGHTPOST & MORS VIVERE ] ( APERTURE MIX )

The Day The Fair Left Town by Jeremias Langsämmer is on the new album "Sleepers".

The Day The Fair Left Town by Jeremias Langsämmer

Follow Me

Airplane Mode

Where I Live

Where I Live - KRT Production

THE FOG intro ! Free Download !

I aimed for a caribbean feel using skank guitar, organ bubble, bass and percussion punctuated by a trombone chorus. I also added a sort of descant using a sampled accordeon to complement the voice. Overall I planned this as a response to what I could hear in the vocal line. For this reason the trombone riffs and snare patterns were totally improvised while listening to the voice.

tim holden

Neev Seawall Remix (ath)

Featuring: 
Vladimir Velichkov - kaval & kaval percussion 
James Hill - trumpet 
see Video: https://youtu.be/iIfAsIhmriA?si=XLp2QzItMyShY51i

THEME: 
As humans, we take ourselves far too seriously. Our world has always been divided by those who feel that their own voice is the only true voice. Monsters brutally rule others through ideologies, politics and money. 

Humans delude themselves of their own self-importance. Yet, “on the scale of worlds or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.” (Carl Sagan) 

Perhaps by understanding our universal insignificance, we can find the courage to more kindly behave towards one another, and to preserve and cherish our “pale blue dot” in the universe, the only home we’ve ever known. 

About VLADIMIR VELICHKOV (Bulgaria) 
Vladimir is a virtuoso musician performing on the kaval musical instrument, as well as a composer and professor at the Bulgarian Music Academy in Plovdiv, Bulgaria, where he teaches “Kaval, Chamber Ensembles, Orchestra and Theoretical Disciplines”. He has a doctorate degree in “The Art of Kaval - Tradition and Modernity”. 

The kaval is a woodwind instrument, characteristic of Bulgarian folklore music. Extracting sound and tone from the kaval is extremely difficult. Vladimir achieves an extremely varied sound by using new techniques such as playing two or three notes simultaneously while singing into the instrument; using the “voiced air column” effect where the whistling of air passes through the instrument at a certain pitch and a melody is played - the so-called “whistling wind” effect; overflow of several registers in one or two octaves; and playing percussion effects. https://youtube.com/@VladimirVelichkov0205?si=i6ZhJEmvSR4Z5HIF 

About JAMES HILL (USA) 
Born into a musical family in Burbank, California, James began playing the trumpet at the age of nine and never stopped! “James creates a beautiful and compelling array of musical landscapes - fusing genres, styles, instruments, and rhythms into intensely evocative compositions. His music is punctuated by stellar and often haunting trumpet interludes or overlays. There are certain beautiful and pointed experiences in life on earth that should not be missed, and must be savoured…. The music of James Hill is one of these experiences.” (R. Sebastian Bennett) https://youtube.com/@tcabstudio?si=o_z3iUDQi4K3FMty

Infinitesimally Insignificant

Limited edition cassette: https://perceptualtapes.bandcamp.com/album/unmetrical

‘Unmetrical’ is the new album by Vagantpoesi, a Swedish experimental sound artist and producer based in Copenhagen, Denmark. Vagantpoesi charts a course through abstract, minimal ambient, electronic and electroacoustic territories. Lush synths and samples are paired with fragmented, processed instruments, voices and other unidentified sounds which flutter and echo through the spacious soundfields. Rich with interesting details, Unmetrical rewards careful, quiet listening.
++
Written, produced and mixed by Edgar Ariza

Mastering by Viktor Eidhagen at Rumsklang

Artwork by Elise Wilson

Layout by Timothy Allen

© 2024 Vagantpoesi

PER007
Perceptual Tapes
www.perceptualtapes.com

Unmetrical

Limited Edition Tape

Vagantpoesi - Unmetrical - 04 Dawn Chorus

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

THE FOG intro ! Free Download !

Ninjacore Records

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