Please keep making music like this. Looking forward to hear more of this kind. So authentic and original. 

you are a very talented producer, excellent work overall

Was.istenongtothis track onPutumayo's compilation......beautifuls always,,,

Hey Niraj, you're one of the best producers of our generation. An inspiration.

Don't be so proud of your possessions. Don't be so arrogant about your body. This body is like dust, like a dewdrop, blown away by the wind one day. A Bhakti folk song from Malwa, Madhya Pradesh.
Recording thanks to Vinod Eshwar and Santhos Nataraja in Bangalore.

मत कर माया को अहंकार, मत कर काया को अभिमान
काया गार से काची, जैसे ओस रा मोती
झोंका पवन का लग जाये, झपका पवन का लग जाये
काया धूल हो जासी

ऐसा सख्त था महाराज, जिनका मुल्कों में राज,
जिन घर झूलता हाथी, जैसे ओस रा मोती

भरया सिंधड़ा में तेल, जहां से रचयो है सब खेल,
जल रही दिया की बाती, जैसे ओस रा मोती 

खूट गया सिंधड़ा रो तेल, बिखर गया सब निज खेल,
बुझ गयी दिया की बाती, जैसे ओस रा मोती

झूठा मांई थारा बाप, झूंठा सकल परिवार,
झूठी कूंटता छाती, जैसे ओस रा मोती

आं-हां लाल में का लाल, तेरा कौन क्या हवाल,
जिन को जम ले जासी, जैसे ओस रा मोती

बोल्या भवानी नाथ, गुरुजी ने सर पे धरया हाथ
जिनसे मुक्ति हो जासी, जैसे ओस रा मोती

Mat Kar Maya Ko Ahankaar

The 700 year old verses of The Mystic Kabir gets a modern touch. One of the initial recordings of Neeraj Arya's Kabir Cafe. This track was done under the name of Flameshot Fakirs.

HALKE GAADI

आनन्द मंगल गावो मोरी सजनी,
भयो परभात सखी बीत गई रजनी।
उधरा निरन्तर फूली फुलवारी,
तहा मोरी मंसा करे रखवारी।।
वर्षी नाम अमी फल लागे,
पीवेंगे कोई संता स्वभागे।।
कहत कबीर गूँज की सैना,
सत्तगुरू शबद परख कर नैना।।

ānañd mañgal gāvo morī sajanī
bhayo parbhāt sakhī bīt gayī rajanī
udharā nirañtar phūli phulvārī
tahā morī nañsā karé rakhwārī
varśi nām amī phal lāgé
pīvéñgé koī sañtā swabhāgé
kahat Kabīr gūñj kī sèna
sattgurū shabad parakh kar nènā

Sing my friend, sing the bliss, sing in joy
The day has broken, the night departs.

In timeless breeze the garden blooms
A nurturing heart, desire grooms.

Nectar ripens in Name's shower
Those destined drink from the bower

Says Kabir the echo abounds
Beholding His Word the eye drowns

(Tr. Madan Gopal Singh)

Credits:-
Poem by Kabir - a 15th century mystic poet of India
Vocals & Composition Madan Gopal Singh
Steel-string Guitar Timothy Hill
Bass Guitar Joel Bluestein
Percussion Jerry Marotta
Nylon-string Guitar Deepak Castelino
Sarod Pritam Ghosal
Backing Vocals Deepak Castelino, Timothy Hill
Harmonic Vocals Timothy Hill, Joel Bluestein

Recording Engineer Mike
Mixing & Mastering Nikhil Berry
Recorded at Dreamland Studio, Woodstock, New York
Mixed & Mastered at Sound Lab, Noida, UP

*this is a single take, live recording.

ANAND, the song of joy and bliss

Ha Reham

Om Chanting

Euphonious presents "Sanu Ik Pal", the most loved track since decades, in a contemporary style with a soothing and soulful music.

Euphonious

Sanu Ik Pal -  Euphonious

Raag of the Night, Depicting Eternal Longing.

Bandish :
ae ri aali piyaa bin
Sakhi aeri aali piyaa bin
sakhi kal na parat mohe
ik ghari pal chhin
ae ri aali piyaa bin
Sakhi ae ri aali piyaa bin
jabse piyaa pardes gaye morey
ratiyaan katat mori taare gin gin
ae ri aali piyaa bin
Sakhi aeri aali piyaa bin

Video - https://www.youtube.com/watch?v=JKZhsbFh7vs

RagaLabs : Versatile and aesthetically pleasing, Raag Yaman is boundless in creative pursuit. The attempt in this piece has been to creatively showcase, in a short time-span, the various components of a Hindustani music presentation. It starts off with a soothing alaap that draws one into the depth of the raag while touching upon all the notes that define it. The actual bandish is then presented - a basic version first, followed by experimentation with several variations in the mukhda and antara. Aakar and swar taans are generously interspersed as ornamental interludes. The piece ends with each singer signing off in their own unique way and harmoniously concluding on the homecoming note of ‘Sa’ !

Ae ri Aali  Piya Bin (Raag Yaman)

Bangles

Jamuna Kinaray Mora Gaon - Prabha Atre

Here is Naiharva recorded in 2007 in a concert at the Alliance Francaise Chennai. It was Vedanth's Maati Kahe collection and he had invited different artists to collaborate in different songs. This was what I had sung.

Bangles

nirajchag

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