Name: Heavenchord And Amanita Phalloides - MAMA ( free DL ) by ☦ Heavenchord ☦
Duration: 6 min 17 s
Description: Светлой памяти моей дорогой мамы

Нет слов, благодарю за эту необъятную музыку <3

Очень сильная работа - мощная энергетика!

👌👂👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

https://soundcloud.com/simasokas
https://nosejob.bandcamp.com/album/plexihog
Simas Okas, hidden away in the depths of a murky swamp, is trying to create a new species - a combination of natural and synthetic, capable of adapting and thriving in the harshest conditions. He becomes subject of his own creation and is transformed . . . Chasing down a magical, mystical, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. From reeds to smudge, everything's a dream. Much beauty in the swamp, if only you look...

Mastering • Carsten Dämbkes
Drawing • Gvidas Pakarklis
Boogie School Sans/Boogie School Serif • Or Type
Kupole • Studio Cryo
Graphic Design • Rick Shiver

B3 Simas Okas - Gris-Gris

B1. Earthen Sea - Spectral Sky

arbitrary11 - Framework 3 (CD track 3)

https://arbitraryproject.com/Framework-3

Mads Emil Nielsen + Katja Gretzinger + Nicola Ratti: Framework 3
Available again, February 2022

https://arbitrary.bandcamp.com

@nicola-ratti

Nicola Ratti - Framework 3 - 3

Even Sonny Crockett had regrets.... a nod to Tim Truman and S5 OST. I just love these synthwaves with killer guitars displayed in the S5 by Truman. Maybe even I feel nostalgic for those times...

Sonny`s Regrets

Serge & Mondriaan

The Garden of Eden

Светлой памяти моей дорогой мамы

Heavenchord And Amanita Phalloides - MAMA ( free DL )

Joachim Nordwall &
Coppice
Gabi Losoncy
Kevin Drumm
Tim Barnes & Jeph Jerman
John Duncan

Commuication is the Key
CD (E235)

entracte.co.uk/projects/joachim-nordwall-e235/

Release date: January 2019
Limited edition of 100 copies
Mastered by Jacques Beloeil
•
Challenge, stimulation, creativity.
Admiration. Inspiration.

Communication is the Key

Joachim Nordwall (E235; 2019)

The Last Cut is The Deepest

Sweet Sins (Abul Mogard Remix)

We're very pleased to announce the simultaneous launch of our new division, Ediciones Capablanca, which will focus on DIY limited editions while expanding the label's format output into carefully crafted tapes, prints, zines and clothing, and its first reference, Madrid’s “k-jazz” combo Metametal, which offer us ‘Desgasta Meseta’. 

A daring, beautiful album which sounds unlike anything else you’ve heard. Borja’s granular synthesis experiments having endless after hours poetic conversations with Jacobo’s mutant sax, a puerta cerrada. Nada Bien makes sure the meaning is not in the words but in the nonssence. Melancolía tries to find them but No Hay Futuro has wrapped Garage Hermético into an ethereal, invisible blanket. 

Housed in a transparent cassette + snapbox with Riso printed sleeve on handcrafted Michel paper and dymo spine designed by Pablo Mirón.

releases November 1, 2020 

Música improvisada por Metametal entre 2017 y 2019 
Effectos de guitarra en Jenz Jazz Montemor por Beni Bratchel 
Voz y letra en Futile por Nada Bien 
Diseño por Pablo Mirón 

Gracias a SVS, Emil Saiz, Damián Schwartz y Natxo Checa.

Metametal - Desgasta Meseta (album medley)

'Blues Alif Lam Mim' is available at https://blankforms.org/publication/chorassan-time-court-mirage-blues-alif-lam-mim-2xlp/

Having already unearthed three collections of archival ‘70s recordings by Catherine Christer Hennix, Blank Forms continues our annual illumination of the visionary Swedish composer’s music by turning to more recent work with this first-time vinyl edition of Hennix’s “Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis,” a 2014 piece first released as a CD in 2016.

The double album captures the April 22, 2014 premiere of Hennix's composition by the Chora(s)san Time-Court Mirage, her expanded just intonation ensemble, featuring a brass section of Amir ElSaffar, Paul Schwingenschlögl, Hilary Jeffery, Elena Kakaliagou, and Robin Hayward; live electronics by Stefan Tiedje and Marcus Pal; and voice by Amirtha Kidambi, Imam Ahmet Muhsin Tüzer, and Hennix herself. Intended to reveal the blues’ origins in the eastern musical traditions of raga and makam, “Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis” has its roots in Hennix’s 2013 realization of an “Illuminatory Sound Environment,” a concept developed in 1978 by anti-artist Henry Flynt on the basis of Hennix’s own “The Electric Harpsichord.”

As Hennix explains in Other Matters, Blank Forms’ 2019 collection of her writings:

“Rag Infinity/Rag Cosmosis presents fragments of 'raga-like’ frequency constellations following distinct cycles and permuting their order, creating a simultaneity of ‘multi-universes.’ When two such ‘universes’ come in proximity of each other and begin unfolding simultaneously along distinct cycles, there is a kaleidoscopic exfoliation of frequencies as one universe is becoming two, but not separated—the effect of cosmosis is entrained, binding two or more frequency universes into proximity where their modal properties interact and blend, creating in the process entirely new microtonal constellations in an omnidirectional simultaneous cosmic order with phenomenologically ‘transfinite’ Poincaré cycles (cyclic returns to initial conditions).”

As with Hennix’s best work, the organic unfolding of this quivering drone belies a precision that opens onto the infinitesimal. Upon its mesmerizing ebb and flow, the vocalists incant a devotional poem written in Arabic by Hennix and featuring quotations from the Quran. Also reproduced on the album’s gatefold jacket, Hennix’s reduction of the sacred text to its most elegant formulation invites the contemplator to bring their inner knowledge to the composition for use as a prompt for meditation. Yet the piece offers depth to even the most secular listener willing to immerse themselves in music brimming with such serene intensity.

Chora(s)san Time-Court Mirage - Blues Alif Lam Mim Side C

The hum of the over saturated compressor, the hiss generated by dubbing and overdubbing, the psychoacoustic phenomena of the phaser/flanger, the neverending feedback noise reinjecting its own signal through echo+reverb: that is what we like.


Heavenchord And Amanita Phalloides - MAMA ( free DL )

☦ Heavenchord ☦

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