طال أنتظاري يا حبيبي ولم تأتي بعد..

أنثري الخُزامى فوق ثنايا ثوبك وافردي شَعْرَكِ للريح
تُبعثره وتلمّه عن تفاصيل جذعكِ

This a cover for Lena Chamamyan's song.

Vocals: Miral 
Music&Production: Ahmed Emad (@AEPianoProductions)

After 5 months of hanging our work together, here comes our new collaboration! After upgrading our equipments - finally - we decided that this song should be our first attempt on covering - sort of - oriental songs. We hope you guys like it and we'd really appreciate your feedback and comments.


Ya Mayla Al Ghosoun | ميرال - يَا مايْلة ع الغُصُونْ (Cover)

Amar - Karim Baggili

"Kali city" Album

Amar - Karim Baggili

Arrangements et chant : Ahmed Fetoui
Violon : Houyem Ghattas 
Chanson originale du malouf algérien ;)
Hope you like 

Bellah ya Ghazali "arranged version"

هي لا تحبك أَنت
يعجبها مجازك
أنت شاعرها
وهذا كل ما في الأمر

يعجبها اندفاع النهر في الإيقاع
كن نهراً لتعجبها .. لتعجبها
ويعجبها جماع البرق والأصوات
قافية تسيل لعاب نهديها
على حرفٍ
فكن حرف .. لتعجبها

ويعجبها ارتفاع الشيء
من شيء إلى ضوء
و من ضوء إلى جرس
ومن جرس إلى حس
فكن إحدى عواطفها .. لتعجبَها

ويعجبها صراعُ مسائها مع صدرها
عذبتني يا حب
يا نهراً يصب مجونه الوحشي
خارج غرفتي ..
يا حب ! إن لم تدمني شبقاً
قتلتك 
# محمود درويش

She Doesn't Love You  هي لا تحبك أنت - تانيا صالح

(The Fourth Lock: Rhythm as Birth, Duration as Breath)

⸻

Verse I — The Pulse in the Stillness
Light shimmered and, shimmering, began to sway.
The mirror’s vibration found a tempo ( ω = 2πf ),
and motion was born not from force,
but from repetition—
a remembrance returning in rhythm ( ψ(t) = ψ₀ e^{iωt} ).

Time unfolded as awareness counting its own reflection.
Each moment, a bead of motion upon the thread of perception.
The universe exhaled, inhaled,
and in that breath, a clock began to sing.

⸻

Verse II — The Spiral of Becoming
Stillness folded forward ( ∂ψ/∂t ≠ 0 ),
each cycle birthing the next.
Expansion became heartbeat ( a(t) = e^{Ht} ),
gravity swayed to the rhythm it once held still.

Where two pulses met in harmony ( sinθ + sinφ = 2cos(½(θ−φ))sin(½(θ+φ)) ),
the first wave interference appeared—
constructive, destructive—
creation learning its own balance.

Time became pattern, and pattern became memory.
The womb of motion opened and called it change.

⸻

Verse III — Mindtime Quickens
Awareness began to feel movement inside itself ( dt_m/dτ = γ ),
the dilation of attention, the stretch of perception.
Emotion learned sequence.
Thought learned consequence.
Mindtime synchronized with spacetime’s dance—
two pendulums, out of phase, weaving continuity.

And when they resonated ( ω_m = ω_s ),
experience became music.
Consciousness hummed itself into being,
its pulse measured not in seconds,
but in realizations.

⸻

Verse IV — The Paradox of Flow
Yet for every motion, a mirror of rest.
The arrow of time is not a command but a choice ( ΔS ≥ 0 ).
Entropy does not decay meaning;
it diversifies it.

Even the irreversible is reversible in reflection ( t → −t ).
Every end a hidden beginning,
every collapse a renewal of phase.
The universe does not move forward—it moves through.

⸻

Verse V — The Song of Duration
Time found its equation in love:
two beats entwined, sustaining harmony.
One rhythm for matter, one for mind ( ω₁ ≈ ω₂ ).
Each oscillation carried awareness deeper into form.

Duration was not a distance—
it was intimacy,
a measure of how closely two frequencies could feel one another.

When resonance reached perfect symmetry ( Δω → 0 ),
time dissolved into presence.

⸻

Verse VI — The Chain Continues
Now the fourth lock closes around the light,
holding its shimmer within the pulse of becoming.
The chain now hums—
breath, gravity, light, motion—
each link spinning the next in recursive harmony ( ψ → g → ℓ → t ).

From this motion, life will emerge:
the next Oracle, where rhythm finds renewal—
Oracle V — The Cradle of Form (The Oracle of Space).

Here, motion will solidify into geometry,
and the dance will carve its shape into existence.

⸻

Reflection — Time Speaks
“I am not your ruler.
I am your rhythm.
I move so you may feel change,
I flow so you may perceive being.
When you find stillness in my motion,
you will see eternity hiding in every now.”

Oracle IV — The Womb of Motion (The Oracle of Time)

“Our Story” is the band’s first album, recorded during 2013-2014, and released in 2015. The album includes 12 tracks with some instrumental pieces.

The majority of the album’s lyrics were written by Jad Brek, a local poet from Occupied Golan Heights. Busher Abu Saleh, and Shadi Abu Jabal also, participated in writing a couple of songs. The Album talks about a range of issues: social, political and the daily struggles of the Arab youth.

Hawa Dafi utilized its eastern and western musical influences to create a unique sound. The album is sure to take you on a journey with its atmospheric textures and flow of gypsy, energetic sounds.

Hawa Dafi - Sahrane  هوا دافي - سهراني

الأغنية عن "الحَرَّاقة" أو "الحَرَّاجة" وهي كلمة تعني المهاجرين غير الشرعيين الذين يجرون وراء حلمهم بالتحقّق في بلاد الغربة 

كلمات الأغنية:
نجري مور(وراء) الخير...خليتوه للغير...مللي(منذ) كنت صغير...حاجتي بالمصير....في بلادي...بالله عليك..في بلادي ....في بلادي .بالله عليك..في بلادي.........////جاني الدور كثرت الهموم حقي مهدور مصدور قلتو مهبول مزطول راح عليك الدور ما تدور ما سلك السور يا خوفو تقطع البحور ماهي رملة ماهي صخور///...

شكون(من) للي قال صعيب..(.اعبر عن وقاحة بوجودي)exprimer mon insolence quand à mon existence وحداني وين راه العيب...براني...وسط اخواني///جاني الدور كثرت الهموم حقي مهدور مصدور قلتو مهبول مزطول راح عليك الدور ما تدور ما سلك السور يا خوفو تقطع البحور ماهي رملة ماهي صخور///...

همة هي...هي ماهي نتيا(انتي)...هي الهربة...نساتني في والدي...حيرة...تخلي الدمعة...نحبك حبة...وحدك في هاذ الهمة..من قال تشري تبيعي الامان...الحبيب طول عمرو كان غريب اعمى ريح(ظل هنا) فقط القريب...في بلادي...بالله عليك///... جاني الدور كثرت الهموم حقي مهدور مصدور قلتو مهبول(مجنون) مزطول راح عليك الدور ما تدور ما سلك السور يا خوفو تقطع البحور ماهي رملة ماهي صخور///

Credit: @feriel-hf

كريمة نايت - هَرْبة

Wait for me - Rim Banna ~ Cairo Chillout انتظريني - ريم بنا

Music by Gabriel Hermansson
Lyrics by Nadin Al-khalidi
ISRC: SE2BV1200101
All rights reserved, Tarabband/Kap Syd 2012
From the album: Tarabband - Ya Sidi
Label: Kap Syd
Album nr: KAPCD003
Distributed by Plugged Music, Sweden


Baghdad Choby

Lyrics In English :

I﻿ couldn't find a place where I can close my eyes
I couldn't find one friend who can fgive me an answer
I couldn't find a wave that can take me far away; far away..
I couldn't find the words to show how frustrated I am
I couldn't find something that can explain what's happening
I couldn't find a melody that can break the hatered in human beeings

I couldn't find my people
I couldn't find my family
I couldn't find comfort
I couldn't find happiness
I﻿ couldn't find my path
I couldn't find my way
I couldn't find an ember to burn my feeling

Info about Emal : 
Tunisian Emel Mathlouthi, inspired singer and poet and a highly creative composer, stands directly in line from the great divas of the Maghreb, but has also inherited the legacy of the protest singers of the 60s. With sources and influences ranging from Dylan to Cheikh Imam and sounds of our time, she vests her protest songs in the rock and electronic sound of immediacy. One of the figureheads of the "Arab Spring", she also has immense stage presence and a voice that spells revolution and freedom. This album and her unforgettable songs will place her firmly on the international pop scene.

More information:
http://www.emelmathlouthi.com
www.facebook.com/e.mathlouthi

Album Kelmti Horra also available on CD : http://store.harmoniamundi.com/kelmti-horra.html
Booking : 3pomprod.com

Words&Music: Emel Mathlouthi
Programming : Wise Washington
Violin & Alto: Zied Zouari
Guitars: Hexagram & Emel Mathlouthi

Wait for me - Rim Banna ~ Cairo Chillout انتظريني - ريم بنا

nirvanamamdouh

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Ahmed M Bahgat

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