Antiphonas (2014) for alto sax solo, flute, trumpet, trombone, violin, cello, double bass, piano and percussion
composer: Rodrigo Lima
soloist : Pedro Bittencourt (alto saxophone)
Linea and Proxima Centauri ensembles
flute: Sylvain Millepied
trumpet: Jens Bracher
trombone: Thierry Spiesser
violin: Marco Fusi
cello: Johannes Burghoff
contrabass: Sven Kestel
piano: Hilomi Sakaguchi 
percussion: Clément Fauconnet
Direction: Guillaume Bourgogne

"J’ai assumé la réciprocité et l’aspect ritualiste suggéré par le titre de l’œuvre en tant qu’élément propulseur des interactions entre soliste et ensemble. Pourtant, les dialogues ne sont pas de simples réponses ou répétitions ; ils se projettent dans le temps comme une espèce d’écho, ou d’un « dialogue antiphonal » distordu, créant un simulacre sonore où des points, des lignes et des textures ont tendance à se déformer dans un jeu de construction et de déconstruction des mouvements et des sonorités." — Rodrigo Lima

Antiphonas (2014) Rodrigo Lima - World Premiere - World Sax Congres - Strasbourg

Waste variations (variations on a theme from 2008), performed by ABSTRAI ensemble in the dress rehearsal for the premiere in Rio de Janeiro, May 15, 2018.

Performers: Andrea Ernest Dias, flute, piccolo, alto flute; Mariana Salles, violin; Pedro Bittencourt, tenor sax; Fabio Adour, electric guitar.

Waste variations, for fl, vn, sax, e-gtr (2018) [ABSTRAI ensemble - dress rehearsal]

Rituale W Premiere (19.V.2018 Mdi Ensemble)

Lindembergue Cardoso - Procissão Das Carpideiras - Procession of Mourners (1969)
Ambientação - A Procissão - A Primeira Prece - A Dança da Alucinação, A Segunda Prece - Dança da Bonança - Sem Solução
Live Recording - Sala São Paulo - April 15, 2000
Silvia Tessuto (ms)- Soloist
Orquestra Sinfônica do Estado de São Paulo
Conductor - Michel Tabachnick
Illustration - Candido Portinari

Lindembergue Cardoso - Procissão Das Carpideiras - Procession of Mourners - Live  São Paulo - 2000

de Mauricio 'Mauk' Garcia e Löis Lancaster

Dias a menos - instrumental em Bohlen-Pierce

Duo Scelsi: César Bernal & Claudio Bernier.

Recorded with a cell phone during a rehearsal.

(The image is not the actual score, but a graphical sketch of sonic ideas that were musically developed)

Effluvium

Effluvium (2016) for 2 double basses

For retuned Sheng, Dizi, Cello, and retuned Guqin.

Recorded by AIR Contemporary Music Collective, Beijing, summer 2019.
https://joshuamastel.com/an-experiment/

an experiment on a bird in the air pump

Luciano Berio (1925-2003) / SequenzaVIIb (1969)

soprano sax: Carlos Gontijo
conductor: Thiago Santos
Orquestra da UFRJ
Performed at Sala Cecília Meirelles, 11 November 2019
XXIII Bienal da Música Brasileira Contemporânea

Santuário de Baleias - Whale Sanctuary

Here are some excerpts of recordings of some of my compositions. I've concentrated on music which is not (yet?) available on CD or shared by others on YouTube, and which I haven't placed as downloadable material on my website (richardbarrettmusic.com).

Politeia (from CONSTRUCTION, 2011) for 13 instruments

"Talking about music is like fishing about architecture."
(Frank Zappa)

Waste variations, for fl, vn, sax, e-gtr (2018) [ABSTRAI ensemble - dress rehearsal]

Martin Herraiz

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