I like the song and its a very good vocal, very catchy.

😩 this song is soo cool, the vocals so clean.

Incredible powerful amazing wonderful gorgeous

your artwork is so good ontop of an epic track, big UPs^____0

DAMNN this slaps! You have such intense chops and grinding synths and bass and the overall production is so top-notch this track truly deserves everything =)

This is Lit, This track is Flawless i feel

that drop goes freaking hard! those lazer/electric sound effects are really the cherry on top. beautiful cover art too!

Beautiful vocals on the track. Track has great energy.

Cool composition 👏 nice sound on the vocals!

Related tracks: Goodbye,goodbye

Hello my friends! Hope everything is great with all of you. Today we are going to release and share a new song.. "Get On The Floor" (Sabrina & Lillemäe) Dance & Edm & Techno in 133 Bpm.. Composed, Produced and Mastering by me and Sabina Larsson.. We don't know what you gonna think about this, so please tell us.. We hope that you will like it.. And thank you to all listeners, I hope all of you know that we are so honored for all feedback and awesome comments we get.. you are our inspiration and source of energy.. Always
Best regards Robert & Sabrina

Get On The Floor (Sabrina & Lillemäe)

Gonna Make You Mine feat : Khaye

Been about a year since I first started releasing music, 
and this is my first time collaborating with @atthewllis aka Burlington.

He has an amazing voice and is just a super talented guy, it was honestly a pleasure, cheers brother!

This one actually came from just playing with some different sound design ideas and then wanting to put it into a song, once I got going it all came together pretty nicely.

A bit moody, a bit hopeful, a bit melancholic, a bit of drive, all-around super fun to make!

I Hope You Like It!

Cheers!

P.S. Comments, Contact, and Collabs are always welcome!

Without A Trace (Ft. Burlington)

Olivia Rodrigo - traitor (TENZER Remix) 
...
i hope you like the track
stay healthy.

Follow me...
IG: https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Ftenzer808%2F&token=2ea61d-1-1636201006849

Youtube: https://www.youtube.com/watch?v=-Uqze6G4euA

#oliviarodrigo #traitor #sour

Olivia Rodrigo - traitor (TEN:ZER Remix)

Turbulence

Turbulence (feat. Destructor Zaro)

In this track I've tried to up my melodic skills a bit. I hope this track motivates you and brings you enjoyment! 

Cody Buck - Without Even Trying.m4a

Dedicated to SlowD 🙏🙏
https://soundcloud.com/detmar-van-gageldonk

The Grinnswood Brook - Reborn (NA Flute)

Soaring Through The Clouds

Bad Habits

Created in Ableton Live
Novation SLMK3
Klangheim Compressor
Sample from "That Thing You Do" (1997)
Sample from "Ice-T"
A1 Triggergate
Dubstation 2
Spectre
EchoBoy Junior

On the Weekend

Sometimes the sombre parts of life build up and you need a friend who can handle that you need to be morose, sanguine and maybe even a little angry and crazy at the same time. Seeing red - being pushed to the limit.
Music and lyrics by Dave Bull, Vocals, guitars, bass by Dave Bull. Drums by Dan Killen. Recorded, engineered and produced at Stay in Track Studio, Kingston, ON. Mixed & engineered by Tim Greencorn at Little Chicago Studio, Smiths Falls, ON

The River Runs Red - Dave Bull

Codex Universalis is more than an album — it’s a sonic manuscript. Each track is a page in a living book, fusing alternative rock, punk urgency, shoegaze dreamscapes, and raw narrative poetry.

From the icy vengeance of Cold Justice to the furious house-party chaos of Our House Now!, from the metallic haze of Glassmaker to the ghostly refrain of Empty Blocks, the album moves like a cycle: voices of workers, aviators, physicists, punks, and dreamers, all written into a single universal codex.

The coda arrives in Codex Universalis Omega — a final hymn where the Codex itself speaks, declaring its eternal presence as both archive and prophecy.

This is music for the streets, for the skies, for the erased and the unheard. A myth made of guitars, beats, and echoes.


Tracks:

Codex Universalis Alpha (0:58)
Opening invocation — a whispered prologue in sound, the Codex breathing to life.

Cold Justice (4:04)
A bleak anthem of vengeance and survival — the “sad penguin” fable transmuted into grinding riffs and stomping rhythm.

Glassmaker (3:49)
Industrial-tinged reflection on fragility, fracture, and the razor edge of broken beauty.

Ships (5:23)
A working man’s blues — shipyard chants and rust-laden guitars, labor unions and rain.

A Hunted Animal (3:32)
Korean War skyfire — a pilot dodging bullets, the photograph on the dash, mortality in flight.

Truth Proof (2:26)
Folk-punk urgency — the physicist’s lament, a song about erasure, persistence, and the hum of buried truths.

Bricks (3:04)
’77 Brooklyn street beat, graffiti and jazz ghosts — Dizzy Gillespie riffs in rap-infused cadence.

Our House Now! (5:22)
1979 LA punk house show riot — spray paint, smashed heirlooms, Crosstops and chaos.

Empty Blocks (5:50)
Shoegaze dream coda — reflections on silence, memory, echoes that refuse to die.

Codex Universalis Omega (2:17)
The Codex speaks — final hymn, closing the cycle, infinite and recursive.

Glassmaker

what do you know

Lyrics:

Shadows stretch longer
In silence I breathe
The face in the mirror
No longer believes

I was once fragile
A vessel of light
But scars became armor
In the endless night

Each wound a lesson
Each loss a disguise
Now steel fills the spaces
Behind my eyes

Metamorph, I change, I fall
I don’t know this self at all
Metamorph, I break, I rise
But fear the frost behind my eyes

The warmth is fading
I feel it decay
A stranger is forming
And pushing away

If I turn to silence
And bury the flame
Will anyone know me
Or call my name?

Metamorph, I change, I fall
I don’t know this self at all
Metamorph, I break, I rise
But fear the frost behind my eyes

I am not the same
But I cannot return
To the child of fire
Whose heart would burn

If the cost of survival
Is to turn to stone
Will I stand triumphant
Or die alone?

Metamorph, I change, I fall
I don’t know this self at all
Metamorph, I break, I rise
But fear the frost behind my eyes

Metamorph, I fade, I find
A shadow carved from fractured time
The last of the warmth has gone away
But still I breathe into the gray

Metamorph

This guy has had it. He is leaving. You can only put up with so much.

Goodbye, goodbye

Goodbye,goodbye

Based in California, producer Nitro Heist sets off to create synergy and harmony through his genre-defying brand of electronic music.

He's experimented with Future Chill, Trap, Synthwave, Future Bass, Prog House, Melodic Dubstep, and more, reeling in influences from a diverse array of sonic landscapes. Always open-minded and forever humble, Nitro Heist’s approach to music is dynamic and always evolving.

After a string of releases throughout 2021, fans can expect Nitro Heist's love for music to carry on reflecting through his productions in 2022 and beyond!

JD Carroll has been writing music since before paper was invented. Originally, he carved his lyrics into wood tree limbs and etched them onto slabs of soft stone. This was a durable but extremely time consuming way to record his music. Unfortunately, most of his early writings were destroyed in the second apocalypse. Luckily, his music had become very popular within the Neanderthal community and was held in great esteem by that promising species. It was passed along though word of mouth for centuries; it evolved as it was passed down from generation to generation. Somewhere in the past his music crossed over to the homo-sapiens and moved on into the more modern world.

When his good friend, Johannes Gutenberg, started fooling around with his new printing press JD suggested to Johannes that he turn out some of JD's music to test the usefulness and practicality of the new gadget. Much to JD's dismay, Gutenberg decided to go with the money and print Bibles instead. This caused a major riff in their relationship which still resonates today. Some slights are hard to get over.

It is rumored but not substantiated that JD was working with Ludwig Von Beethoven on the "Ode to Joy" and JD suggested he change the name to "Come on People, Lets Get Happy" but Ludwig thought the name was a little too long. Everyone is thankful.

As the industrial revolution took hold JD found himself palling around with Charles Dickens. It was at one of their late night, cigar chomping, whiskey drinking gabfests that Charles mentioned he was looking for a career change. That Counting House thing was not working out for him. JD suggested that he try writing. Maybe something involving social reform. The possibility of serializing was discussed. Maybe even a short story about some mean old guy who finds redemption through a dream or something. Dickens found great success soon after and helped JD move to America.

JD landed in Menlo Park working in Edison's Lab when he mentioned to Tom that a wax cylinder might work better than Tom's original leather cylinder in the early prototypes of Tom's phonograph. He also tried to get Tom to record "My Father's Son" instead of "Mary Had a Little Lamb" as his first recording. Tommy stuck with "Mary" and the rest is history.

During the 1950's JD moved to East Farewell and wrote the album of the same name. His experiences there shaped his later work. While working with the Everston Brothers, JD mentioned perhaps if they tried some tight harmonies and shortened their name they may have better luck with the rock & roll genre that was starting to take hold. Don and Phil would always laugh about the time JD and his girlfriend, Kathy, fell asleep in the movies and were scared her parents would think something was going on. They even wrote a tune about it but changed her name to Suzy to protect Kathy's reputation. East Farewell was a small town, words spread quickly.

As the 1960's and 70's came around JD moved to outside Philadelphia, PA and worked on refining his sound and learning to record his music on analog tape. He produced the vinyl 45 "I Can Make You Smile" b/w "Brand New Lover." Both received lots of play on juke boxes all over the city.

In the new millennium, as this Internet fad thing took hold, JD has been re-recording his music into the MP3 format and has made it available to all on this site and at www.creativeventuresmusic.com. as well as on I-Tunes, TuneCore, Jango and CD-Baby.

Check it out, enjoy.


Without A Trace (Ft. Burlington)

NITRO HEIST

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VoltaRoxx

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Noise Junkie

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