Hare Krishna Prabhuji, Thank you very much. 🙏🏻

2007 - 10 - 21 Breaking The Barrier of Memory - Kansas City, KS

Performed by Ben Clark and Antonin Granier on 13.6.19 at LOOSE, LINE, LAYER in St. Mary-at-Hill, London.

The piece invites a child-like curiosity towards the instrument, and simply investigates its sonic possibilities. The materials arose from working collaboratively with percussionists Ben Clark and Antonin Granier. The first movement explores flexibility, the second looping elements, the third resonance.

Piece for three tuned cowbells (2019)

36 - Pastimes In Vrindavan- Bound By Love (Part 5)

52 - Raas Lila (Part 4) Gopi Geet-2

105 - Dangers & Lessons For Spiritualists (Part 2)

Marco Lucchi : piano
Vanessa Pettendorfer : organ and electronics

for "piano patterns", a project by Marco Lucchi
soundcloud.com/marcolucchi/sets/piano-patterns

ottobre 2020

Marco Lucchi & Vanessa Pettendorfer - To go into reverse (based on piano patterns n°5)

(14/12/20) Diferentes categorias de mundos habitados - Cap. III, Item 3 - Evangelho CAK Sacramento

ANIMATOR KOBBY https://twitter.com/AnimatorKobby
SHARE KNOWLEDGE PRO https://www.instagram.com/kobbycertified/
ALBUGRAPHY LYRICS CHANNEL https://twitter.com/Albugraphy_mb

Animator Kobby - C YA ''ALBUGRAPHY OF KOJO NKANSAH Aka LILWIN'' PT 2 ''EARN SALT''

Perhaps the most important evil car horror film you’ll ever see, John Carpenter directs the 1983 adaptation of King’s Christine. Michael and Abe talk about how they accomplished the car regeneration sequence and wax poetic about the simplicity of the story, albeit absolutely insane and dumb. Get up in this grill, ya shitters!

Features:
Michael Swaim: https://twitter.com/SWAIM_CORP
Abe Epperson: https://twitter.com/AbeTheMighty

Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans

344. Kings of King: Christine

This is my 1st of 2 contributions to the Disquiet Junto 0473...a duet with moduS ponY's contribution 'New Unit' to disquiet0472. It is called 'Leaf Blower'

I recorded the sound of leaf blowers working in Kennington Park, South London, on a grey, covid-19 lockdown day, during my one rationed daily excursion. These leaf blowers appear twice, obviously, in the track but also inscrutably as the sampled waveform which provides the melodic/harmonic base. There is subtle modulation of the pitch, and filter throughout. Tools used include:

iPhone voice memos
Ableton live
Valhalla Delay and ValhallaVintageVerb
iZotope Mobius filter
Arturia Mini Filter
Roland keyboard controller

Torpid Scorpion

--
More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Leaf Blower

disquiet0473 Placebo Effect - Leaf Blower (Torpid Scorpion On ModuS PonY)

Disquiet Junto Project 0477: Record a piece of music in which some substantial portion is performed without looking.

I was doing something else on my iPad, sitting outside in the sun this afternoon, when the nearby bells belled. I suddenly remembered a sentence I read just yesterday, that natural idiophones where the best base for granular synthesis. I managed to record the already fading bells with the iPad and loaded copies of the samples into the Samplr App. It's three tracks with the original sample (I mixed the unchanged version to the beginning of the track), two of them very normal, one very high und unrecognisable as such. This settings and the recording in AudioShare I did by looking, then I flew blind, which is not impossible as Samplr gives you some defined area to touch (and you need to look to stop the machine or tracks with two fingers). But as the iPad surface does not give any haptic feedback, there were a lot of things going wrong anyway. This track uses around 5 minutes that sounded pretty good to me, but maybe it's just because I like church bells. Trivia: In this case it's the St. Maximilian church in Munich, Germany, and the bells have vintage names like Otto, Ludwig, Maximilian and Salve and they bell every saturday afternoon at 3 p.m. (and no, I didn't knew that until I checked Wikipedia for this description).

Track cover based on "Manto and Tiresias" by Henry Singleton (1766-1839) https://commons.wikimedia.org/wiki/File:Henry_Singleton_(1766-1839)_-_Manto_and_Tiresias_-_N01028_-_National_Gallery.jpg

More on this 477th weekly Disquiet Junto project — Flying Blind (The Assignment: Record a piece of music in which some substantial portion is performed without looking.) — at:
https://disquiet.com/0477/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0477-flying-blind/

52 - Raas Lila (Part 4) Gopi Geet-2

Nityananda Charan Das

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Dhiren Ambasana

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