The Double Toasted podcast review a new movie today called BRAHMS THE BOY 2.

BRAHMS THE BOY 2 - Double Toasted Audio Review

Bhagavad Gita Chapter 9 Verses 11 - 24

Bhagavad Gita Chapter 11 Verses 1 - 14

Bhagavad Gita Chapter 12 Verses 1 - 12

Bhagavad Gita Chapter 12 Verses 13 - 20

Bhagavad Gita Chapter 14 Verses 6 - 18

XEWV FM SUENA 106.7 DESPEDIDA DE ANIO NUEVO 2020 FCO RODRIGUEZ 1

10ème et dernier épisode de la première saison de La pause s'impose, avec pour thème du jour "Les backstage de l'émission"
N'oubliez pas de me laisser vos questions, commentaires et retours d'expériences en mp sur instagram (@les_curiosites_de_nireda) 
La pause c'est un moment qui se partage, alors si l'émission vous a plus, faite le savoir à vos amis en partageant le lien de l'émission : https://podcast.ausha.co/la-pause-s-impose-par-nireda
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Crédits audio :
Intro :
Tom Spander - Avian
Musique proposée par Audio Libre : youtu.be/xio2Pq_sKC8
Outro :
DayFox - BeachDay
Dayfox – Dayfox-beachday-free-download
Jingle :
Isolated - Gedanken : youtu.be/5c5mHxfvLr4
Isolated : youtube.com/IsolatedMusic
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La Pause S'impose - On fait le point #1

The first part was Ryan Scott Mattingly's driving "The Sand Gets Everywhere":
https://soundcloud.com/ryanscottmattingly/the-sand-gets-everywhere-disquiet0472

This week I added a second part, Pulsar-23 percussion.
Next week, someone may add the third part and complete the trio

—=—
More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:
disquiet.com/0473/

More on the Disquiet Junto at:
disquiet.com/junto/

—=—
synth: Pulsar-23
controllers: Boppad, Wave MIDI ring by Genki
mixing: Ableton Live

Sandstorm Surfstorm - Disquiet0473 - Hard Pan

(Ledwidge | Sharbaugh)
Chris Ledwidge [ https://soundcloud.com/chrisledwidge ]: (real) piano and recording production
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers and recording production
Composed and Recorded ca. January 2021.
Disquiet 0473 [2 Of 3] [L - R Separated Mix] sm2.

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This disquiet junto 0473 [part 2 of 3] track, "The Wolf's Baleen," was inspired by the disquiet junto 0472 [part 1 of 3] recording by Chris Ludwidge [https://soundcloud.com/chrisledwidge ] called "No. 34 in Am" [ https://soundcloud.com/chrisledwidge/no-34-in-am-disquiet0472 ].

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"I was so overwhelmed by the work by composer, Chris Ludwidge, and his disquiet junto 0472 piece, "No. 34 in Am," that I promptly downloaded it and got to work for this week's Disquiet Junto assignment, 'Placebo Effect."

I had but three hours to compose my piece, "The Wolf's Baleen," and knew I would have to fly into it. What struck me about the floating fragments of Chris' piece was how much it reminded me of some of Brian Eno's piano fragments and treatments on "Ambient #1: Music for Airports"; thus, I set out instinctively to complement Chris' tinklings on the piano: I first learned his piano figures, mimicked them, and based emphatic stylings upon certain notes (namely the B-flat note), adding treatments, such as a rhythmic delay and erratic reverberation changes.

I would write more, but my time has run out at the studio.

Thanks, Chris!"

~ Michael

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More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Bhagavad Gita Chapter 12 Verses 1 - 12

Nityananda Charan Das

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