“Tristesse” is a summer dream slowly turning into memory — a French-cinema folk album set on the coast, where heat softens everything except the truth.
These twelve songs follow a young woman through a season of desire, mischief, consequence and quiet self-recognition.

There is sunlight and sea air, the illusion of freedom, the thrill of plans made too lightly — and the stillness that comes when innocence finally cracks.
Chanson-inspired vocals, soft acoustic textures, and intimate, breath-close production carry the story from a bright villa above the water to the long, grey September that follows.

An album about youth, about the games we play without understanding their cost, and about the melancholy that returns each year like a familiar guest.

A warm coastline.
A single season.
A heart learning its limits.

The Order She Brings

[Verse 1]
Morning light on yesterday’s cup
Steam long gone, but I still hold it up
Fingertips trace the rim you kissed
Now all I see is love that I missed

[Verse 2]
Your coat still hangs by the kitchen door
I haven’t moved it and that's for sure
Days pass so slow now you have gone
And I'm Trying hard to carry on...

[Pre-Chorus]
My heart now hums a hollow tune
Silence screams in an empty room.

[Chorus]
I FOLD THE WORDS YOU’LL NEVER HEAR!
EACH LINE A GHOST I LOST TOO FEAR.
You left no note, JUST DRIFTED ON..
And all the love I HAD HAS GONE...

[Verse 3]
Found your glove beneath the seat
Wool worn thin from summer heat
I press it close—it smells like rain
Like waiting for you once again

[Pre-Chorus]
The clock forgets to mark the hours
Time just gathers in wilted flowers

[Chorus]
I FOLD THE WORDS YOU’LL NEVER HEAR!
EACH LINE A GHOST I CAN’T UNMAKE!
You left no note, just absence here
And all the love I couldn’t take!


[Guitar Solo]

[Bridge]
If silence had a shape
It’d look like this room
If longing had a sound
It’d hum your tune

[Chorus]
I FOLD THE WORDS YOU’LL NEVER HEAR!
EACH LINE A GHOST I CAN’T UNMAKE!
You left no note, just absence here
And all the love I couldn’t take!

[Outro]
…couldn’t take…
…couldn’t take…






All The Love I Couldn't Take

The Vision of Awakening

Not by faith
Nor by words alone
But by seeing the truth 
Within your own

You’ll know these truths 
In threefold way
To know 
To do 
To be 
Each day

I saw the Truth 
Of Suffering clear
I knew it must be 
Understood here

I saw the Truth 
Of Cause appear
I knew it must be 
Abandoned, dear

I saw the Truth 
Of Ending near
I knew it must 
Be realized, sheer

I saw the Truth 
Of Path sincere
I knew it must 
Be followed
No fear

Only when all 
Twelve lights aligned
Did I awaken 
Beyond space and time

Only then did I proclaim
The deathless is found 
The unbinding flame

---

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------------------------
🔹 Meaning Behind “the Twelve Lights”

In Buddhist philosophy, twelve nidānas (links) describe how ignorance gives rise to suffering and rebirth.
The phrase “twelve lights aligned” symbolizes the illumination of these twelve causal links — seeing clearly how each arises and ceases.

They are:

1	Avijjā — Ignorance

2	Saṅkhāra — Mental formations

3 	Viññāṇa — Consciousness

4	Nāma-rūpa — Name and form

5	Saḷāyatana — Six sense bases

6	Phassa — Contact

7	Vedanā — Feeling

8	Taṇhā — Craving

9	Upādāna — Clinging

10	Bhava — Becoming

11	Jāti — Birth

12	Jarāmaraṇa — Aging and death

When the Buddha saw their dependent arising and cessation — the full turning of this wheel — he attained enlightenment.
So the “twelve lights” = twelve insights illuminated simultaneously.

The Vision of Awakening

"Sri Gita-govinda is a 'jewel book' brought by Sri Caitanya Mahaprabhu. We all know that Sri Jayadeva Gosvami has written this beautiful Gita-govinda, but without Sri Caitanya Mahaprabhu it would have remained locked like a pearl in the oyster shell or a jewel in a locked case. Sri Caitanya Mahaprabhu manifested the glories of Sri Gita-govinda. Just as without Srila Rupa Gosvami no one would have known the inner moods of Sri Caitanya Mahaprabhu, similarly, by Sri Caitanya Mahaprabhu relishing the moods of Sri Gita-govinda its glories became manifest for the whole world. I have explained this very high-class philosophy, but only rare devotees in this world can understand it. I have called you here only to give you this."
-An excerpt from a lecture entitled "The Jewel Book" by Sri Srimad Bhaktivedanta Narayan Goswami Maharaj

PremaDhvani.org

Sri Gita-govinda

Song 15 – ramate yamuna-pulina-vane

102 - Krishna’s Protection

Семинар Гопипаранадханы прабху по главам 1 и 2 Второй песни "Шримад-Бхагаватам". Перевод на русский: Мадана-мохан дас

05-Первые наставления Шукадевы Госвами — Глава 2(2) Второй песни

Hare Krishna Mahamantra

Hare Krsna Hare Krsna, Krsna Krsna Hare Hare

When a devotee gives in charity, he doesn’t think that ‘I am giving something which is mine.’ He thinks that ‘this is the property of God and is meant for the benefit of others, and I am simply the servant delivering it for the benefit of others. I don’t get credit, the master who has created it, the Lord who has sent it to this person, he gets the credit, I am only did the deliverer, I am only the servant.’ This is knowledge. But even such charitable understanding of life is so rare in this age of kaliyuga. In this age everything wants to take more and more and more and more. For me, for my family, for my society. This is the mentality of Shishupal, who want to take the property of Krishna and enjoy. And the jiva soul which is part and parcel of Krishna, is also meant simply meant for Krishna’s service. As Rukmini is simply meant for Krishna’s service. And the exploitative forces of this world being directed by material energy or maya are trying to take our consciousness which is meant for Krishna, trying to take it and exploit it, rape it, use it for its own exploitative purposes. And the whole human society is simply victimized by the exploitation of materialistic forces.

Exploitative Mentality Of Maya And It's Remedy

It was just a couple weeks after that the closing pastimes of Srila Bhakti Siddhanta Saraswati Thakur’s lila took place. He was in the Bagh Bazaar Temple in Calcutta and there his devotees from all around were having beautiful kirtan around him. On the morning of December 31st 1936, Srila Bhakti Siddhanta Saraswati asked one of his disciples Srila Bhakti Rakshak Sridhar Maharaj to sing for him the beautiful song of Narottam Das Thakur – ‘Sri Rupa Manjiri Pada’, which is the eternal aspiration, the mood of the song is eternal aspiration of all true gaudiya vaisnavas. And then he asked another of his devotees to sing the beautiful ‘Siksastakam’ prayers and then he told his devotees that they must serve one another, love one another, preach together, co-operate and he told them to divide the management under a authority called GBC, Governing Body Commission of about 10-12 men who will help to develop preaching strategies for his worldwide movement.

Hare Krishna Mahamantra

Nityananda Charan Das

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