Liberation by sound

WATCH THE YOUTUBE TRAILER HERE: https://youtube.com/shorts/xbmjKv92BQ4?feature=share
A contemporary folk-pop ballad in the key of C major, with a tempo of 70 BPM. The song features a female vocalist with a clear, emotive delivery, accompanied by acoustic guitar, piano, and a subtle string section. The acoustic guitar provides a fingerpicked arpeggiated pattern throughout, establishing a gentle rhythmic foundation. The piano enters in the chorus with sustained chords, adding harmonic depth. The string section, comprising violins and cellos, provides lush pads and counter-melodies, particularly prominent during the chorus and bridge sections. The vocal melody is largely diatonic, with a smooth, flowing contour. The song structure follows a typical verse-chorus form, with a bridge and outro. Production is clean and spacious, with a focus on vocal clarity and a warm, natural acoustic sound. Reverb is used subtly on vocals and strings to create a sense of depth. The chord progression is I-V-vi-IV in the verses and choruses, creating a familiar and emotionally resonant feel.

Purest Form - Anthemic Ambience



Lyrics

[Verse 1]
Fingertips trace the edge of paper  thin...
Six months since you walked out on your promise of what I could win
Left me wondering what I Should do
Tears are falling now...because we are through...

[Pre-Chorus]
I almost called you late last night
Like I had found a way too put things right...
But the phone just hummed its lost tune
And I let it ring as If you'd answer soon...

[Chorus]
I TRIED SO HARD,THAT THE THINGS YOU SAID
WOULD NOT BE TRUE
You’re gone—but not gone enough to forget
Not here—but not ENOUGH TO STOP REGRET



[Verse 2]
YOU DON'T KNOW HOW YOU MADE ME FEEL...
By the time you know
I won't  be here 
Even if you try too understand...
just walk away like you have planned.


[Pre-Chorus]
The moon tonight wears the same tired face
As the one that watched you walk away
I count its cracks instead of sheep
Hoping numbness might finally speak.

[Chorus]

I TRIED SO HARD,THAT THE THINGS YOU SAID
WOULD NOT BE TRUE
You’re gone—but not gone enough to forget
Not here—but not ENOUGH TO STOP REGRET
Not here—but not ENOUGH TO STOP REGRET

[Guitar Solo]


[Bridge]
Maybe hope is just grief wearing a disguise
Smiling through the ache like it’s telling lies
But I found your photo tucked in a book
And for once—I didn’t look.....

[Chorus]

I TRIED SO HARD,THAT THE THINGS YOU SAID
WOULD NOT BE TRUE
You’re gone—but not gone enough to forget
Not here—but not ENOUGH TO STOP REGRET
Not here—but not ENOUGH TO STOP REGRET

[Guitar Solo]

[Outro]
One day I’ll light this page
But not tonight
Not tonight…

Not Tonight.

Reading of Chapter 4 of the Ribhu-gita with rāga Bhairavi background

Ribhu-gita Readings Ch. 4

Ribhu-gita Reading 4.2: Definition of the Self

Gaura Kisora Dasa Babaji has written this song: “Kothaya Go Premamayi Radhe Radhe”. GauraKisora dasa babaji has glorified Raghunatha dasa who is in so much ecstasy that he constantly wants to take the names of Jai Sri Radhe. He is fully deprived of thirst, hunger and sleep yet his tongue wants to glorify Krishna and Radhe. It is due to the mercy of Sri Radhe one can attain Krishna prema.
(1)
kothaya go premamayi radhe radhe
radhe radhe go, jaya radhe radhe
 
(2)
dekha diye prana rakha, radhe radhe
tomara kańgala tomaya dake, radhe radhe
 
(3)
radhe vrndavana-vilasini, radhe radhe
radhe kanu-mana-mohini, radhe radhe
 
(4)
radhe asta-sakhira siromani, radhe radhe
radhe vrsabhanu-nandini, radhe radhe
(gosai) niyama kare sadai dake, radhe radhe
 
(5)
(gosai) eka-bara dake kesi-ghate,
abara dake vaḿsi-vate, radhe radhe
(gosai) eka-bara dake nidhu-vane,
abara dake kusja-vane, radhe radhe
 
(6)
(gosai) eka-bara dake radha-kunde,
abara dake syama-kunde, radhe radhe
(gosai) eka-bara dake kusuma-vane,
abara dake govardhane, radhe radhe
 
(7)
(gosai) eka-bara dake tala-vane,
abara dake tamala-vane, radhe radhe
(gosai) malina vasana diye gaya,
vrajera dhulaya gadagadi jaya, radhe radhe
 
(8)
(gosai) mukhe radha radha bale,
bhase nayanera jale, radhe radhe
(gosai) vrndavane kuli kuli kêde bedaya
radha bali’, radhe radhe
 
(9)
(gosai) chapanna danda ratri-dine
jane na radha-govinda vine, radhe radhe
 
(10)
tara para cari danda suti’ thake
svapne radha-govinda dekhe, radhe radhe
 
 
1) Where is She who is full of prema? All glories to Sri Radha.
 
2) O Radha, please give me Your darsana and save my life. Your wretched beggar calls out to You, "Radhe! Radhe!"
 
3) O Radha, You enjoy pleasure pastimes in the forest of Vrndavana wherein You enchant the mind of Krsna.
 
4) O Radhe, You are the crest-jewel among Your eight principal sakhis. O Radha, daughter of Vrsabhanu Baba. Raghunatha dasa Gosvami was alway calling out, "Radhe!Radhe!"
 
5) Sometimes at Kesi-ghata, sometimes at Vamsi-vata. Sometimes in Nidhuvana, sometimes in Seva-kunja.
 
6) Sometimes at Radha-kunda, sometimes at Syama-kunda, sometimes at Kusuma-sarovara, sometimes at Giriraja-Govardhana.
 
7) Sometimes at Talavana, sometimes at Tamalvana. Raghunatha dasa wears simple cloth which appears to be dirty because he is always rolling on the earth crying out, "Radhe! Radhe!"
 
8) Calling out "Radhe! Radhe," his eyes are bursting with a flood of tears. He wanders throughout the lanes of Vrndavana crying out, "Radhe! Radhe!"
 
9) He knows nothing but Radha-Govinda throughout the day and night (56 dandas: 1 danda=24 minutes). Radhe! Radhe!
 
10) He takes rest for only 4 dandas (1 hr. 36 min.). At that time in his dreams he receives darsana of Radha-Govinda. Radhe! Radhe!

Bhajan Lalasa

Kothay go Premamayi

The example is given here by Srila Prabhupada of a tree. In the blazing sun a tree gives us shelter. We do not even have to ask the tree. All we have to do is be near the tree. Its not that you go under the tree and say, “Oh, please tree give me shade”. You do not have to ask. You get it, without asking. That’s the nature of a tree. But you have to take the shelter of the tree. The problem is, when it is cloudy day, we do not even look at the tree, right? we just walk by another tree and so many trees. But when the sun is blazing, then we look at the tree. We understand its value. So similarly, unfortunately, when there is not crisis in our lives, we chant yes, the holy name and so many names. “I am chanting so many names”. We come before the deities yes, yes so many deities and saying such a nice deity. But when there is crisis, Hare Krishna. We chant. When there is crisis and we come before the deities we are no longer just nice to again see Krishna. Krishna save me.

Krishna Is The Only Shelter

Caring - Krishna Nandini Mataji

Yashoda Jhulawe

Shri Krishnah Sharanam Mamah

Om Hari Om

Narayan Hari Om

Manglacharan

Jai Radha Madhava

Hare Krishna Mahamantra

Govind Damodar Madhaveti

So, now Nimai is standing before him, soaking wet from the bath in the Ganga with the shaved head and Kesava Bharati says, “You are the Supreme Lord and if this is how you want to teach the world to make me your guru, I am your servant.” And then he gave the two pieces of saffron cloth to our beloved Lord Gauranga. The Lord put on the saffron dress of a sanyasi. When the people saw him without his beautiful golden robes, without his jewellery and his garlands, without his luxurious cascading hair, their hearts were broken. But still, in the saffron robes of a sanyasi, he was so unlimitedly beautiful. He charmed their hearts. They fell unconditionally in love with this form of Mahaprabhu as a sanyasi. Then, the Lord did something that was wonderful.

Shri Krishnah Sharanam Mamah

Nityananda Charan Das

Related tracks